Wolf: Orchesterlieder & Penthesilea Benjamin Appl, Jenaer Philharmonie & Simon Gaudenz

• Hugo Wolf (1860 - 1903): Orchesterlieder:
• 1 Wolf: Mörike-Lieder (Excerpts Arr. for Voice & Orchestra): No. 25, Schlafendes Jesuskind 03:16
• 2 Wolf: Goethe-Lieder (Excerpts Arr. for Voice & Orchestra): No. 19, Epiphanias 04:07
• 3 Wolf: Goethe-Lieder (Excerpts Arr. for Voice & Orchestra): No. 29, Anakreons Grab 02:45
• 4 Wolf: Mörike-Lieder (Excerpts Arr. for Voice & Orchestra): No. 39, Denk' es, o Seele 02:34
• 5 Wolf: Goethe-Lieder (Excerpts Arr. for Voice & Orchestra): No. 49, Prometheus 05:31
• 6 Wolf: Mörike-Lieder (Excerpts Arr. for Voice & Orchestra): No. 29, An den Schlaf 02:34
• 7 Wolf: Goethe-Lieder (Excerpts Arr. for Voice & Orchestra): No. 1, Harfenspieler I 03:19
• 8 Wolf: Goethe-Lieder (Excerpts Arr. for Voice & Orchestra): No. 2, Harfenspieler II 02:17
• 9 Wolf: Goethe-Lieder (Excerpts Arr. for Voice & Orchestra): No. 3, Harfenspieler III 02:15
• 10 Wolf: Italienisches Liederbuch: No. 33, Sterb' ich (Arr. for Orchestra) 02:16
• 11 Wolf: Mörike-Lieder (Excerpts Arr. for Voice & Orchestra): No. 28, Gebet 02:32
• 12 Wolf: Mörike-Lieder (Excerpts Arr. for Voice & Orchestra): No. 10, Fußreise 02:36
• Penthesilea:
• 13 Wolf: Penthesilea: I. Aufbruch der Amazonen nach Troja 04:45
• 14 Wolf: Penthesilea: II. Der Traum Penthesileas vom Rosenfest 04:27
• 15 Wolf: Penthesilea: III. Kämpfe, Leidenschaften, Wahnsinn, Vernichtung 14:16
• Total Runtime 59:30

Info for Wolf: Orchesterlieder & Penthesilea

I am too cowardly to be a proper composer, Hugo Wolf confessed to a Viennese friend when he was barely 28 years old. And the result of his introspection was not so wrong: everything in his life, not only composing, proceeded in explosive spurts. He wandered through the deepest emotional valleys, suddenly flew up into the highest regions, suffered agonies when he couldn't think of anything to say, shouted his enthusiasm about a successful piece to the whole world and still managed to produce a respectable, albeit fragmentary oeuvre, from which the early poem Penthesilea after Heinrich von Kleist's tragedy of the same name stands out as a symphonic masterpiece. The Austrian baritone Benjamin Appl and the Jena Philharmonic Orchestra, led by its principal conductor Simon Gaudenz, have prefaced this highly dramatic monolith with twelve selected songs, most of which were orchestrated by their author himself: a dozen small, finely polished gems based on texts by Goethe, Mörike and Heyse, whose subtle arrangements leave no doubt that Hugo Wolf would certainly have had the makings of a "proper composer". Whether then, of course, the ingenious things would have been created that posterity owes to him - that is another matter.

"Ironically, Gaudenz and the orchestra play Penthesilea much better than I would have expected, if not as well as some other recordings, thus I have to believe that Gaudenz takes the view that song accompaniments should be drippy and lacking feeling. Fans of Appl will clearly want this recording. Others can easily pass it by." (Lynn René Bayley, Artmusiclounge)

Benjamin Appl, baritone
Jenaer Philharmonie
Simon Gaudenz, conductor

Benjamin Appl
Hailed as ‘the most promising of today’s up-and-coming song recitalists’ (Financial Times), baritone Benjamin Appl is celebrated by audiences and critics alike for a voice that ‘belongs to the last of the old great masters of song’ with ‘an almost infinite range of colours’ (Suddeutsche Zeitung), ‘exacting attention to text’ (New York Times), and artistry that’s described as ‘unbearably moving’ (The Times). Named Gramophone Award Young Artist of the Year in 2016, Appl was a member of the BBC New Generation Artist scheme from 2014-16, as well as a Wigmore Hall Emerging Artist and ECHO Rising Star for the 2015-16 season, appearing at major venues throughout Europe, including the Barbican Centre London, Concertgebouw Amsterdam, Wiener Konzerthaus, Philharmonie Paris and Cologne and the Laeiszhalle Hamburg. He was signed exclusively to SONY Classical between 2016 and 2021. He recently partnered up with Alpha Classics for a long term collaboration of multiple albums.

Appl started in music as a young chorister at the renowned Regensburger Domspatzen, later continuing his studies at the Hochschule für Musik und Theater München and eventually at the Guildhall School of Music & Drama in London. He had the good fortune of being mentored by the legendary singer Dietrich Fischer-Dieskau. Appl says, ‘my years of working with Fischer-Dieskau were invaluable and had a hugely formative influence on me. He is an inspiration – someone who is always searching and seeking a deeper understanding of music and of life. He was a role model for how to prosper as an artist, never just delivering, but each time creating.’

Appl is increasingly in demand on the world’s most prestigious stages, collaborating with ensembles such as the NHK Symphony Orchestra, Die Deutsche Kammerphilharmonie Bremen, Staatskapelle Dresden, Philharmonia Orchestra, Seattle Symphony, Vienna Symphony, Akademie für Alte Musik Berlin, Tonhalle Orchestra Zürich, Hamburg Ballet, Academy of Ancient Music, Gabrieli Players & Consort, Les Violons du Roy, Concerto Köln, and with multiple BBC orchestras. He made his BBC Proms debut in September 2015 singing Brahms’ Triumphlied with Marin Alsop and the Orchestra of the Age of Enlightenment.

An established recitalist, he has performed at the Ravinia, Rheingau, Schleswig Holstein, Edinburgh International, Life Victoria Barcelona, Leeds Lieder and Oxford Lieder festivals, deSingel Antwerp, Heidelberger Frühling, and at the KlavierFestival Ruhr. He has performed at major concert venues including Festspielhaus Baden-Baden, Het Concertgebouw, Amsterdam, Elbphilharmonie Hamburg and the Musée de Louvre, Paris, in addition to which he is a regular recitalist at Wigmore Hall and at the Schubertiade Hohenems and Schwarzenberg. He works closely with pianists Graham Johnson and James Baillieu.

Appl is equally sought for his work in oratorio; notable past works include Bach’s Magnificat, St John and St Matthew passions, Brahms’ Ein deutsches Requiem, Händel’s The Messiah, Haydn’s The Creation and Britten’s War Requiem. In 2017 he performed in the internationally televised ZDF Adventskonzert concert at the Dresden Frauenkirche with the Staatskapelle Dresden and Christian Thielemann.

Recent highlights include his role debut as Guglielmo Così fan tutte with Classical Opera Company; Aeneas Dido and Aeneas in concert with the London Philharmonic Orchestra and Sir Roger Norrington; three recitals at New York City’s Park Avenue Armory featuring all three Schubert song cycles; a debut performance of Bach’s Mass in B Minor with the Philadelphia Orchestra and Yannick Nézet-Séguin; his Paris orchestral debut at the Saint-Denis Festival with the Orchestre National de Lille; and debut recitals at Grand Théâtre in Geneva, Linz Brucknerhaus, Salzburg Mozarteum and Spivey Hall, Atlanta. He was honoured to have been invited by the Federal President of Germany to appear as soloist at the commemoration of November 9th 2021 (a date of great significance in Germany) where he performed to German Chancellor Angela Merkel and other esteemed guests. Additionally, Benjamin recently appeared on BBC Radio 3 in his own programme A Singer’s World.

The 2021-22 season will open with Appl making his operatic debut at the Liceu, Barcelona as Harlequin Ariadne auf Naxos. This is followed by a full schedule of concerts across Europe and the USA, including recitals and concerts at Salle Gaveau Paris, Berlin Konzerthaus, Berlin Philharmonie, Hamburg Elbphilharmonie, Wigmore Hall, Boston Celebrity Series and Dallas Opera; concerts with the Sofia Philharmonic, NDR Radiophilharmonie, and the Berlin Barock Solisten and ongoing residencies with the Jenaer Philharmonie and Hamburg Ballet.

Appl’s growing discography includes Schumann duets with Ann Murray (DBE), accompanied by Malcolm Martineau; his debut solo disc ’Stunden, Tage, Ewigkeiten’ accompanied by James Baillieu, which was released in April 2016 on Champs Hill records; and a live recording of Schubert lieder with Graham Johnson for the Wigmore Hall Live label. His first solo album for SONY Classical, ‚Heimat’, was Gramophone nominated and won the prestigious Prix Dietrich Fischer-Dieskau (Best Lieder Singer) at the 2017/18 Académie du Disque Lyrique Orphées d’Or. Most recently, Appl released a recording of Bach with Concerto Köln for SONY Classical, as well as Sibelius’s Kullervo with the BBC Scottish Symphony and Thomas Dausgaard for Hyperion Records.

Simon Gaudenz
is Music Director of Jena Philharmonic Orchestra. During recent years he has made a name for himself particularly as an interpreter of the classical repertoire. A fresh, new approach against the background of historically informed performance practice characterizes his concerts and recordings. In keeping with this philosophy, he is currently forming and shaping the musical profile of the Hamburg Camerata and was celebrating the 30 years anniversary season of this chamber orchestra looking back on a rich performance tradition.

Ever since his triumphs at two prestigious competitions, including the German Conducting Price, Europe's most highly remunerated prize of its kind, Gaudenz has performed as an internationally sought-after guest conductor with numerous renowned orchestras. The list includes the Symphony Orchestra of Bayerischer Rundfunk, Staatskapelle Dresden, Orchestre National de France, WDR Symphony Orchestra, NDR Radio Philharmonic, Tonhalle Orchestra Zurich, Russian National Philharmonic, Oslo Philharmonic, Bamberg Symphony, German Symphony Orchestra of Berlin, Orchestra Sinfonica Nazionale della RAI, Berlin, Munich, Stuttgart and Saarbrücken Radio Orchestras, Monte-Carlo, Lyon and Luxembourg Philharmonic Orchestras and Bavarian State Orchestra.

He engages in enthusiastic collaboration with soloists such as Gidon Kremer, Anne-Sofie von Otter, Barbara Bonney, Renaud Capucon, Arabella Steinbacher, Sabine Meyer, Lauma Skride, Lise de la Salle, Martin Stadtfeld, Marianna Shirinyan, Julian Steckel and many others.

From 2004 to 2011 he successfully conducted the Collegium Musicum Basel serving as its artistic director and principal conductor. Prior to this time he was a founding member of the camerata variabile basel and this ensemble's artistic director until 2004. It was during this tenure as the principal guest conductor of the Odense Symphony Orchestra that he realized recordings of Mozart piano concertos and Schumann's complete symphonies. The world premiere recording of Gossec's symphonies op. 4 was awarded with the OPUS KLASSIK 2020.

Booklet for Wolf: Orchesterlieder & Penthesilea