Schubert: Complete Works for Violin and Pianoforte Naaman Sluchin & Piet Kuijken

• Franz Schubert (1797 – 1828): Violin Sonata in D Major, D. 384:
• 1 Schubert: Violin Sonata in D Major, D. 384: I. Allegro molto 04:27
• 2 Schubert: Violin Sonata in D Major, D. 384: II. Andante 05:01
• 3 Schubert: Violin Sonata in D Major, D. 384: III. Allegro vivace 04:17
• Violin Sonata in G Minor, D. 408:
• 4 Schubert: Violin Sonata in G Minor, D. 408: I. Allegro giusto 05:20
• 5 Schubert: Violin Sonata in G Minor, D. 408: II. Andante 05:03
• 6 Schubert: Violin Sonata in G Minor, D. 408: III. Menuetto (Allegro vivace) - Trio 02:17
• 7 Schubert: Violin Sonata in G Minor, D. 408: IV. Allegro moderato 04:25
• Fantasie in C Major, D. 934:
• 8 Schubert: Fantasie in C Major, D. 934: Andante molto 03:28
• 9 Schubert: Fantasie in C Major, D. 934: Allegretto 05:54
• 10 Schubert: Fantasie in C Major, D. 934: Andantino 10:25
• 11 Schubert: Fantasie in C Major, D. 934: Tempo primo - Allegro vivace - Allegretto - Presto 05:59
• Rondo in B Minor, D. 895 "Rondeau brillant" (Andante - Allegro)
• 12 Schubert: Rondo in B Minor, D. 895 "Rondeau brillant" (Andante - Allegro) 15:45
• Violin Sonata in A Major, D. 574 "Grand Duo":
• 13 Schubert: Violin Sonata in A Major, D. 574 "Grand Duo": I. Allegro moderato 09:26
• 14 Schubert: Violin Sonata in A Major, D. 574 "Grand Duo": II. Scherzo (Presto) - Trio 04:30
• 15 Schubert: Violin Sonata in A Major, D. 574 "Grand Duo": III. Andantino 03:57
• 16 Schubert: Violin Sonata in A Major, D. 574 "Grand Duo": IV. Allegro vivace 05:34
• Violin Sonata in A Minor, D. 385:
• 17 Schubert: Violin Sonata in A Minor, D. 385: I. Allegro moderato 10:05
• 18 Schubert: Violin Sonata in A Minor, D. 385: II. Andante 06:38
• 19 Schubert: Violin Sonata in A Minor, D. 385: III. Menuetto (Allegro) - Trio 02:19
• 20 Schubert: Violin Sonata in A Minor, D. 385: IV. Allegro 05:08
• Total Runtime 01:59:58

Info for Schubert: Complete Works for Violin and Pianoforte

Franz Schubert (1797-1828) war ein äußerst produktiver Komponist, aber sein gesamtes Werk für Violine und Klavier passt auf ein Doppelalbum. Seine kühne Verwendung von Tonarten zeigt sich bereits in den frühen Werken aus den Jahren 1816 und 1817, die deutlich seine Bewunderung für Mozart widerspiegeln.

Die ersten drei sind als "Sonatina" bezeichnet, möglicherweise, um Amateurmusiker anzusprechen. Es handelt sich jedoch um hochkomplexe Werke des jugendlichen Komponisten. Die späten Werke, die 1826 und 1827 kurz vor seinem Tod entstanden, zeichnen sich durch eine überschwängliche Virtuosität aus, und manchmal wird das Klavier wie ein Ersatzorchester behandelt.

Piet Kuijken und Naaman Sluchin haben sich mehr als zehn Jahre lang intensiv mit der Interpretation dieser Werke und der Frage nach dem geeigneten historischen Instrumentarium beschäftigt, um dem Geist von Schuberts Musik in seiner zutiefst menschlichen Tiefe optimal gerecht zu werden:

"Schubert zeigt in diesen Stücken alle möglichen technischen Kniffe; immer wieder wird die formale Struktur erfunden, größte Einfachheit findet sich neben unerhörter Virtuosität, und eine unendliche Vielfalt an Klangfarben ist zu finden."

Naaman Sluchin, Violine
Piet Kuijken, Klavier

Naaman Sluchin
Music runs in the Sluchin family and Naaman quite naturally chose to devote himself to the violin. His studies and artistic career have been guided by a passion for novelty and eclecticism: his technique owes to the Russian school, the American school (through his training at Bloomington and at the Julliard School) as well as to the famous Franco-Belgian school that followed Eugène Ysaye’s teaching. He is also a graduate of Basel’s Schola Cantorum in baroque violin.

For seven years he was a member of the Diotima quartet, performed around the world in prestigious halls and festivals, and recorded award-winning CDs, including Musique américaine (Reich, Crumb, and Barber) and Quatuors de Janáček (Diapasons d'Or de l'année, Choc de Classica). For five years, Naaman also performed in Haim, à la lumière d'un violon, sharing the stage with actors Anouk Grinberg, Natacha Régnier and Mélanie Doutey at the salle Gaveau, and on French and European tours.

Naaman’s repertoire keeps evolving thanks to his involvement with different chamber music groups, such as the Ensemble Talisma with Piet Kuijken et Amy Norrington and the Kitgut Quartet, a period instrument string quartet in which he plays with Amandine Beyer. He is also solo violinist for Emmanuel Krivine’s Chambre Philharmonique orchestra, performs with the Cairn ensemble, and plays alongside Anne Teresa De Keersmaeker’s Rosas dance company in a show entitled Achterland and choreographed around Ysaye’s violin sonatas.

Piet Kuijken
is a student of Jan Vermeulen; he studied at the Royal Conservatory of Music in Brussels under Jan Michiels, Arie van Lysebeth and André De Groote. He graduated with the highest honours from the piano and chamber music classes. In 1994, he received the CERA ‘Youth and Music' award, beginning an eminent career.

Having received a BAEF scholarship, he continued his studies at the University of Indiana with Menahem Pressler, pianist of the Beaux Arts Trio (2000/01). He obtained a diploma at this university, and has participated in numerous masterclasses, including with Leonard Hokanson, Edward Auer, Victor Rosenbaum, Paul Crossley, and Jean-Philippe Collard. He has cooperated with the renowned New Music Ensemble, and won the Schumann Concerto Competition.

He has appeared at solo recitals, played with chamber ensembles and orchestras under the baton of conductors such as Avim Ostrovski, Zeeve Dorman, Robert Groslot, Norbet Nozy, Etienne Siebens, Silveer van den Broeck, Robert Casteels and Wieland Kuijken. He has performed in many European countries, as well as Japan and the United States. His wide repertoire spans from the Baroque to modern music; he performs on the harpsichord, pianos of various historical periods, and on modern instruments. He has participated in the Flanders Music Festival, the Chopin festivals of Ghent and Mariánské Lázně (Czech Republic), Ars Musica, De Nacht van Radio 3, Juventus, Fêtes Musicales de Savoie, Musicales Internationales Guil-Durance, Bach en Bauges, Bach en Combrailles, Berliner Tage für Alte Musik, Musica Antica in Magnano, and Organi Antichi in Bologna.

Since 1988, he has been linked with the Prometheus Ensemble, and has appeared in duos with pianist Bart Meynckens, clarinettist Henk Soen, cellist Karel Steylaerts, and his father Wieland Kuijken. He has also on numerous occasions played with the Oxalys, Ictus and Ensor ensembles, as well as Anne Cambier, Olga Pasiecznik, soloists of the Royal Flemish Philharmonic, and the Cinque Venti ensemble.

His discography includes works by Luc van Hove which he recorded with the Prometheus Ensemble (René Gailly), the chamber works of Debussy recorded with the Kuijken family for the Arcana label (this CD was awarded the Prix Choc 2000 from Le Monde de la Musique magazine), as well as the complete viola da gamba sonatas of Johann Sebastian Bach (with Wieland Kuijken). With Karel Steylaerts, he recorded the complete cello and piano works of Joseph Jongen for the Phaedra label (In Flanders Fields).

This album contains no booklet.