Graz Nils Frahm

• Nils Frahm (b. 1982):
• 1 Frahm: Lighter 03:50
• 2 Frahm: O I End 04:50
• 3 Frahm: Because This Must Be 02:46
• 4 Frahm: Kurzum 08:38
• 5 Frahm: And Om 05:00
• 6 Frahm: Hammers 01:52
• 7 Frahm: Crossings 06:20
• 8 Frahm: About Coming and Leaving 02:08
• 9 Frahm: Went Missing 03:30
• Total Runtime 38:54

Info for Graz

Piano Day 2021 sees Nils Frahm surprise the world with his Erased Tapes debut. Wait, what? How? Anyone who has seen the trail blazing sonic pioneer live will know Nils likes to deadpan a joke. Graz is in fact the first studio album he recorded for the label back in 2009, that somehow remained a secret... until now.

Nils Frahm has quietly changed the musical landscape, reincarnating the centuries old figure of a pianist-composer for a new generation of music fans. As Nils’ word-of- mouth popularity grew and grew, so did the pop-culture profile of his instrument. He founded Piano Day with a team of like-minded friends in 2015 to help that process, some years releasing an album of piano recordings to celebrate one of humankind’s greatest inventions. Graz is one such record; an unheard snapshot of a young Nils recorded at Mumuth, the University of Music and Performing Arts Graz, in 2009 as part of the thesis Conversations for Piano and Room produced by Thomas Geiger, Whilst at the time it was decided to keep the grand piano recordings from the Graz sessions locked away and instead focus on his close mic’ed, dampened piano explorations which would become his acclaimed studio album Felt in 2011, two of the pieces — most notably Hammers — lived on as part of his live set, and were expanded on and re-recorded as part of his breakthrough 2013 record Spaces (a collage of field recordings from concerts which broke the Fourth Wall and included audience coughs). Over his mercurial career, Nils has pushed and pulled at the boundaries and parameters of his prolific work like that. He’s physically changed his piano (the softened prepared strings of Felt) played with a modified body (Screws recorded with 9 fingers and a broken thumb) played with scale (Solo recorded on the 3.7 metre high Klavins M370) and with the different layers of formats (last year’s Tripping with Nils Frahm nested his studio setup inside a live performance, concert film and live album). Now with Graz he has found the final frontier for play: time itself and his own discography.

Graz is a moment of time at the very beginning of Nils’ quiet revolution. The essential genius is already evident; the harmonic language of classical, and the immediacy of jazz. Nils seems to pull down each idea moment by moment, gently, to not scare away the muse.

"A grand piano is a particular kind of beast to play, which will only sound refined and beautiful if you command a strong control over the keyboard. Each slight change in touch results in a different timbre, which will be rewarded when used wisely and will be your trapdoor when you fail to hold the horses. I remember how I had to squeeze the music out of the grand piano in the Graz sessions, and while I enjoy listening to it now, I kept these recordings secret for a good while – they sound like a much younger version of myself to me, and a lot of the musical expressions from that time would be impossible for me to replicate today. Close friends whom I had shared the record with reminded me of it once in a while, and some of the pieces got released in other versions on the album Spaces in the meantime. But somehow, any piece of music you create wants to get out there in order to find you, which is why I’m glad to share this beast with you and do hope you enjoy listening to it too! Love, Nils"

Nils Frahm, piano

Nils Frahm
was born in 1982 and from a very young age, he really enjoyed piano lessons, amongst others those given by Nahum Brodski, one of Tchaikowsky ́s last pupils. In his early days he also discovered Keith Jarrett ́s epochal improvisational music and the boundary-pushing musical worlds of the exceptional label ECM. Classical and jazz music have since become equal sources of inspiration for the pianist, alongside minimalist music and pop.

Nils Frahm had an early introduction to music. During his childhood he was taught to play piano. It was through this that Nils began to immerse himself in the styles of the classical pianists before him as well as contemporary composers.

Today Nils Frahm works as an accomplished composer and producer from his Berlin-based Durton Studio. His unconventional approach to an age-old instrument, played contemplatively and intimately, has won him many fans around the world. For a musician this early in his career, Frahm displays an incredibly developed sense of control and restraint in his work, catching the ear of many fans.

As the recognition continues to grow for his previous solo piano works 'Wintermusik' (2009) and ‘The Bells’ (2009), 2011 saw the release of his critically acclaimed record 'Felt' on Erased Tapes Records. The album was followed by the solo synthesiser EP 'Juno' and 'Screws' (2012) – a birthday gift to his fans he recorded while recovering from a thumb injury. Nils released his follow up to Juno titled 'Juno Reworked' (2013) with guest reworks by Luke Abbott and Clark.

Nils returned with his new album 'Spaces' in 2013, expressing his love for experimentation and answering the call from his fans for a record that truly reflects what they have witnessed during his concerts.

In 2013 Nils Frahm released his first music book, entitled 'Sheets Eins'. Nils is currently on his worldwide 'Spaces Tour 2014'.

Booklet for Graz