Lighting Bosso Francesco Libetta

• Ezio Bosso (1971 - 2020): Split, Postcards From Far Away:
• 1 Bosso: Split, Postcards From Far Away 06:39
• Unconditioned, Following a Bird:
• 2 Bosso: Unconditioned, Following a Bird 10:13
• Before Six:
• 3 Bosso: Before Six 03:38
• Emily's Room "Sweet and Bitter":
• 4 Bosso: Emily's Room "Sweet and Bitter" 05:02
• Missing a Part "The Waiting Room G":
• 5 Bosso: Missing a Part "The Waiting Room G" 09:32
• Snow, a Nocturne for Piano:
• 6 Bosso: Snow, a Nocturne for Piano 04:54
• Smiles For Y:
• 7 Bosso: Smiles For Y 05:12
• Symphony No. 1 "Oceans":
• 8 Bosso: Symphony No. 1 "Oceans": I. Allegro Giusto "To Plough the Waves (Atlantic) - Transcription For Piano Solo 14:55
• 9 Bosso: Symphony No. 1 "Oceans": II. Trio "Nostalgija, An Immigrant Song (Artic) - Transcription For Piano Solo 13:32
• 10 Bosso: Symphony No. 1 "Oceans": III. Scherzo "Oceania" (Pacific) - Transcription For Piano Solo 07:31
• 11 Bosso: Symphony No. 1 "Oceans": IV. Adagio "White Ocean" (Antarctic) - Transcription For Piano Solo 10:36
• 12 Bosso: Symphony No. 1 "Oceans": V. Cadenza - Transcription For Piano Solo 08:28
• 13 Bosso: Symphony No. 1 "Oceans": VI. Finale "Landfall, We Unfold" (Indian) - Transcription For Piano Solo 12:14
• Sonata No. 1 in G Minor "The 12th Room" for Solo Piano:
• 14 Bosso: Sonata No. 1 in G Minor "The 12th Room" for Solo Piano: I. Adagio Doloroso - Verso Il Brio - Con Furore - Al Tempo Primo (Entering The Rooms) 09:45
• 15 Bosso: Sonata No. 1 in G Minor "The 12th Room" for Solo Piano: II. Trio - Sospeso, Dolcemente - Con Moto - Agitato (Dressing The Rooms, Imaginary Room Mates) 09:38
• 16 Bosso: Sonata No. 1 in G Minor "The 12th Room" for Solo Piano: III. Finale - Allegro Molto - Calmo - Presto, Come Una Danza (The 12th Room) 20:40
• Total Runtime 02:32:29

Info for Lighting Bosso

Lighting Bosso" is a musical project designed to illuminate Ezio Bosso, one of the artists who has had a significant influence on Italian society in the last decade, extending far beyond the boundaries of traditional musical communication. For the first time since 2016, this collection brings together an anthology of his most famous solo piano pieces, including the iconic "Following' a Bird", which remains a highlight in the history of Sanremo music.

These pieces are now entrusted to the virtuoso and illuminating fingers of one of the world's most celebrated and sensitive pianists, as defined by The New York Times, Le Monde and Corriere della Sera, among others: Francesco Libetta.

The solo piano transcription of the symphony enhances its expressive power and emotional impact, making it more intimate, immediate and therefore more suitable to reach the same diverse audience that followed Ezio as a pianist. This project reintroduces Ezio Bosso to the public at large with his most popular repertoire, now elevated by one of the greatest interpreters of our time, who is also beloved by Franco Battiato's fans because of their extensive collaboration, dedicated in a documentary.

This is a significant milestone not only for Ezio's many fans, but also for all those who have loved and followed him during his brief but brilliant career as a composer, pianist, conductor, educator and television author.

Francesco Libetta, piano

Francesco Libetta
a poet-aristocrat of the keyboard with the profile and carriage of a Renaissance prince (M. Gurewitsch, The New York Times), was claimed to be «important pianist» (H. Schonberg), «un génie du piano comme on en voit peu» (O. Bellamy, Le Monde de la Musique), «Klaviergroßmeister» (T. R. Schulz, Hamburger Abendblatt), «figure-culte» (L. Sabbatini in La Tribune de Geneve). John Ardoin declared that of the new generation of pianists, Francesco Libetta is “the most inspired and creative”. Harold Schonberg wrote that: “master of every period and style, Libetta is the best representative of this modern style (...) who accepts virtuosity not as tightrope walking but as a species of literalism, where musical meaning is more important than knock’-em dead fingerwork (American Record Guide). With his multiform career as a composer, conductor and pianist, Francesco Libetta has given concerts all over the world. He has received commissions from European, Japanese and American associations and festivals for orchestral, chamber and electro-acoustic compositions. His repertoire as a conductor includes symphonic works by Wagner, Debussy and Mozart, as well as his own works, opera and ballet (Sleeping Beauty, Nutcracker).

He performed and recorded the cycle of all 32 Beethoven's piano Sonatas (1993/4), and the first performance of what for decades had been regarded as an unperformable “corpus monstre”: the 53 Studies by Godowsky based on the 27 Studies by Chopin (1990, repeated in 1994/95, recorded in 2006 and 2018); several Mozart, Beethoven and Rachmaninoff Concertos, the complete Händel and Chopin works, as well as major works by Schubert, Schumann, Liszt, Brahms, Chopin, Debussy, and Ravel. «Godowsky enthusiasts have been excitedly exchanging copies of a recently surfaced amateur videotape [...] Libetta masters the technical difficulties with such confidence that he is able to imbue the works with all those attributes - poetry, drama, fire and real heart - that so many pianists miss out in their struggle just to get round the notes» (M. Glover, International Piano Quaterly); «Enkele gelukkigen hebben het al gezien [..] de reincarnatie van Dinu Lipatti» (Eric Schoones, Pianowereld). O. Bellamy from Le Monde de la Musique stated: «Francesco Libetta fait partie de la race des seigneurs du clavier. Il est l'éritier des Moritz Rosenthal, des Busoni et des Godowsky».

In 2020 Libetta recorded Beethoven Diabelli Variations; the complete Paisiello Sonatas and Goldberg Variations on a fortepiano; Liszt Transcendental Études, Années de pèlerinage and a new version of Beethoven complete Sonatas, using the grand Borgato piano.

He played with violinists and string soloists (I. Haendel, M. Quarta, G. Angeleri, A. Pritchin, D. Rossi, Dindo, V. Sondetkis); dancers and ballet companies (C. Fracci, S. Ballone, C. Fagetti, G. Galimberti, Balletto del Sud); singers (A. C. Antonacci, E. Palacio, M. Marzo, M. Devia), conductors (A. Pappano, M. Andreae, M. Albrecht, G. Varga, C. Mandeal). His videos were directed by B. Monsaingeon and F. Battiato. As a film director himself, Libetta produced Sortilège, and, with Anton Giulio Onofri, "Il gioco delle tre muse".

About his book “Musicista in pochi decenni” - recently published by Zecchini ed. - M. Chiodetti wrote (MUSICA, Feb 2019): «a man of encyclopedic knowledge, who delivered to us without any effort, for the enjoyment of himself and his readers. A perfect Southern gentleman, with excellent readings, and inexhaustible curiosity».

Jury president or member in international competitions (Porrino in Cagliari, BNDES in Rio de Janeiro, Busoni in Bolzano, Premio Venezia, Horowitz in Kiev, Livorno, etc), he teached for two decades Chamber music in Lecce Conservatory. He is currently running the annual piano masterclasses organized by Fondazione “P. Grassi” in Martina Franca. He is in the Piano Faculty of the Miami International Piano Festival Academy since its foundation.

This album contains no booklet.