The New Cool Bob James & Nathan East

• 1 The New Cool 07:08
• 2 Oliver's Bag 05:06
• 3 All Will Be Revealed 04:30
• 4 Midnight Magic/Love Me As Though There Were No Tomorrow 05:13
• 5 Crazy (feat. Vince Gill) 05:02
• 6 How Deep Is The Ocean 04:34
• 7 Canto Y La Danza 05:04
• 8 Waltz For Judy 03:25
• 9 Seattle Sunrise 04:09
• 10 Ghost Of A Chance 05:22
• 11 Turbulence 03:51
• Total Runtime 53:24

Info for The New Cool

„The New Cool“ shows an intimate duet between pianist Bob James and Nathan East on acoustic bass. Improvisation and melodic essentials are weighted equally. Oliver's Bag helps the swing on the legs. Nathan's acoustic bass is very present, you can hear the vibration of each string.

While bassist Nathan East and keyboardist Bob James have collaborated before as members of the jazz supergroup Fourplay, they’ve never done anything quite like this. For their new project, they’ve teamed up as a duo for an acoustic jazz album that features a strong emphasis on the dance between bass and piano.

The project got its start with Yamaha Entertainment Group label President Chis Gero sending East and James into a Nashville recording studio decked out with some state-of-the-art equipment provided by his company. They emerged with 11-tracks, more than half of which are original compositions. Their creations run the gamut from minimalistic duets to intricate ensemble arrangements.

“The New Cool project carries with it a special level of excitement for me as Bob and I have been courting the idea of this duo adventure for many years,” East said in a release. “I’ve always loved the sound of the piano and bass together, and have enjoyed duo recordings by the greats: Bill Evans & Eddie Gomez and Keith Jarrett & Charlie Haden. The New Cool is our celebration of more than 25 years of friendship and musical camaraderie.”

Along with East on bass and James on piano and keyboards, the album is also accented by the contributions of several other talented artists. The Nashville Recording Orchestra adds some extra oomph, bringing in some orchestral energy to complement the recording’s bass-piano foundation. Percussionist Rafael Padilla and drummer Scott Williamson lend their compelling rhythms to the Brazilian-flavored “Canto Y La Danza” and the album’s explosive last track “Turbuence.” Country music great Vince Gill even make an appearance, offering up his powerful vocals in the service of a unique jazz arrangement of Willie Nelson’s “Crazy.”

Bob James, piano
Nathan East, bass

Bob James
The career of Bob James is long, varied and continues to evolve at every turn. From his first days of piano recital in Marshall, Missouri to his own trio while at the University of Michigan to New York City and beyond, the music of Bob James has captivated audiences throughout the world.

Discovered by Quincy Jones at the Notre Dame Jazz Festival in 1963, Bob recorded his first solo album, Bold Conceptions, that year for Mercury Records. 36 more solo albums would follow through four decades; that number is just to date and does not include his Grammy award winning collaboration projects. Although he was to record another trio album, Explosions, for ESP (1964), it was not until Bob met up with Creed Taylor in New York that his composing, arranging and recording career really took off. After working on albums for CTI artists like Hank Crawford, Grover Washington, Jr. and many others, Bob finally recorded his own album, One. This introduced his music to a bigger audience and launched a lifelong career of recording and performing live. There were to be three more CTI albums before Bob moved to CBS in the 1970's and began his own label, Tappan Zee Records. It was during this time that he recorded his own gold seller, Touchdown, which included his composition, Angela, Theme from 'Taxi.' Bob composed all the original music used in that television series for its entire run. One On One, the first in three collaborations with Earl Klugh, was awarded a Grammy in 1980 and has sold over a million copies. A different aspect of the musical talent of Bob James was demonstrated on his three classical albums recorded for the CBS Masterworks division, the first of which was Rameau released in 1984.

In 1985 Bob moved to Warner Bros Records and began that association with another million seller and Grammy winner, Double Vision, his collaboration with David Sanborn, produced by Tommy LiPuma. It was in 1990 while recording his Grand Piano Canyon album that Bob reunited with his old friend, drummer Harvey Mason, Jr. and worked for the first time with Lee Ritenour on guitar and Nathan East on bass. The sessions for this project were the genesis of the group, Fourplay. Their first album was recorded and released in 1991. They have gone on to record four more albums, with Larry Carlton taking over on guitar in 1998 in time for album number and title, 4.

A personal and professional highlight was collaboration with his daughter, Hilary, on their Flesh & Blood album. They wrote together for this project and toured 15 U.S. cities in acoustic vocal and piano duet performances, Bob continued to record with Earl Klugh, (Cool) and with Kirk Whalum (Joined At the Hip) both nominated for Grammys. His solo career continued into the 90's with Restless, Playin' Hooky and Joy Ride, another Grammy nominee. Working with producers like Paul Brown, Marcel & Nathan East, Harvey Mason, Jr. and his own longtime producer, Michael Colina, Bob maintained his commitment to sophisticated production and arrangements while stretching out in different and new directions.

Dancing On the Water, released in 2001 was the fulfillment of a longtime dream. This CD includes duet performances by Bob with Keiko Matsui, Joe Sample, Dave Holland and Chuck Loeb. There are also four original solo piano pieces. It is an unusual and exciting project with amazing performances. Bob toured with this project in Japan with Keiko Matsui. Their show was called “Four Hands, One Piano” - an evening of just piano with these two artists playing alone and together. The response was fantastic and a DVD release is planned.

2002 saw the release of Fourplay's first project for BMG, Heartfelt. The group toured for much of the year across the United States and the far east. Also that year, Bob's Morning, Noon & Night was released on Warners. Again, Paul Brown produced several of the tunes. The title track was a number one radio hit. Chuck Loeb and Ken Freeman, Bob's engineer and longtime studio manager, co-produced several of the tracks as well. The title track went to #1 at Contemporary Jazz Radio.

While appearing at New York's Blue Note, in February of 2003, Bob went into Hit Factory with Billy Kilson and James Genus, with Ken Freeman at the board, and recorded a trio album. Bob's idea was a personal project, a tribute to the pianists who inspired him. There are tunes here originally recorded by Ahmad Jamal, Duke Ellington, Bill Evans, Oscar Peterson and others. The trio debuted these tracks to a very enthusiastic and appreciative crowd when they played London's Jazz Café in November 2003. The CD, Take It From the Top, was released in Japan on JVC and in the U.S. and Canada on Koch Records.

A new Fourplay CD, Journey, was released in 2004 and the group toured the U.S. and Japan for much of the year. A long awaited trip to South Africa took the group there in November of 2005 to Johannesburg, CapeTown and Durban. Their final appearance of the year was at Bangkok Jazz Festival in Thailand.

This event featured the world premiere live performance of Bob’s latest recording project, ‘The Angels of Shanghai.’ Bob has spent many months in the Far East producing this new project, a true 'east meets west' project - five students at the Shanghai Conservatory of Music playing ancient Chinese instruments together with James Genus and Nathan East on bass, Harvey Mason on drums and, of course, Bob James on keyboards. This project has been released in both Korea and Japan and the musicians performed the debut live performance at the Bangkok Jazz Festival in December 2005. The group has recently completed a tour of Korea and Japan. A tour in the United States is expected in 2007.

Bob’s latest solo project, Urban Flamingo, was released in the U..S. and Canada, in February, 2006 again on Koch Records. This features the Detroit based band of Al Turner on bass, Ron Otis on drums, Perry Hughes and Wayne Gerard on guitars and, of course, David McMurray on sax. These guys have had plenty of time to rehearse the music - they’ve toured the U.S. over the past year playing the east coast, west coast and a couple of places in between!

On April 7, 2006 Bob was awarded the George Benson Lifetime Achievement Award by the Canadian Smooth Jazz Awards. The award and tribute were presented in Toronto to Bob By his longtime friend and musical colleague, Alexander Zonjic.

Nathan East
Bassist Nathan East was born December 8, 1955 in Philadelphia, PA to Thomas and Gwendolyn East, one of seven children, 5 boys, 2 girls. San Diego has been always considered home, although Nate lived in Philadelphia until age the 4 when the family moved west.

The first instrument Nate played was not the bass but the cello, which he played from 7th – 9th grade in his Jr. High school orchestra. It wasn't until the age of 14, that he discovered bass guitar; playing in local church groups with his brothers in San Diego, folk masses, etc. He played in the high school jazz ensemble, marching band, choir, chorus, pep band and top 40 bands. Nate's inspirations were Ron Carter & Ray Brown on upright bass. Also Mingus, Buster Williams and Scott LaFaro.

Nate's first influences include a long list of talented musicians... Wes Montgomery, Quincy Jones, Herbie Hancock, Wayne Shorter, Canonball Adderley, George Benson, Bob James, Harvey Mason, Lee Ritenour, Jimi Hendrix, Santana.

His favorite Groups include Earth Wind & Fire, Tower of Power, Kool & the Gang, James Brown Band, Beatles, Cream, Sly and the Family Stone. Motown Groups...

Favorite Bassists: James Jamerson, Chuck Rainey, Paul Mc Cartney, Larry Graham, Verdine White, Jaco Pastorius, Francis Rocco Prestia, Jack Bruce, Sting, Stanley Clark, Abe Laboriel, Marcus Miller.

Nate's two younger brothers, James East is the bassist with Sergio Mendes and Marcel East, is a guitarist/songwriter/producer working on group with Nathan called Two Faces of East. Nathan's oldest brother Raymond is Pastor/Monsignor of Church of the Nativity in Washington DC and an excellent vocalist.

Nathan holds a private pilots license and enjoys flying, skiing, tennis and performing magic.

Nate has recorded, performed and co-written songs with artists such as Anita Baker, Eric Clapton, Elton John, Michael Jackson, Whitney Houston, Babyface, Quincy Jones, Al Jarreau, David Benoit and co-wrote the #1 hit song " Easy Lover" with Phil Collins & Philip Bailey.

Nathan's background in Jazz and Popular music has earned him numerous awards including most valuable player (bass catagory) at the International Rock Awards and "Bassist of the Year" at 3 of the last 4 National Smooth Jazz Awards ceremonies. He is one of the original members of contemporary jazz group Fourplay (Bluebird/BMG) along with Bob James (keyboards) and Harvey Mason (drums).

Their Grammy nominated albums have earned Gold status and continue to top the Billboard Contemporary Jazz charts.

Nathan has developed his own Signature Series bass guitar for YAMAHA which is available in stores now.

Other releases include Eric Clapton's, If I could Change the World, also various cuts from Disney Phonomon Soundtrack, Toni Braxton, Lionel Richie, Sergio Mendes, Waiting To ExhaleSoundtrack, Babyface, and Phil Collins.

Nathan's wife, Anita (a pediatrician) was featured in the February '98 1998 issue of Cosmopolitan Magazine for being the "Fun & Fearless Female" of 1998 (last year's FFF was Brooke Sheilds)

Nathan holds a Bachelor of Arts Degree in Music from University of California San Diego.

This album contains no booklet.