Vivaldi: "Il Mondo al rovescio" - Concerti con molti istromenti Amandine Beyer & Gli incogniti

• Antonio Vivaldi (1678 - 1741): Concerto in D Major, RV 562 "Per la Solennità di S. Lorenzo":
• 1 Vivaldi: Concerto in D Major, RV 562 "Per la Solennità di S. Lorenzo": I. Andante - Allegro 05:04
• 2 Vivaldi: Concerto in D Major, RV 562 "Per la Solennità di S. Lorenzo": II. Grave 02:51
• 3 Vivaldi: Concerto in D Major, RV 562 "Per la Solennità di S. Lorenzo": III. Allegro 06:21
• Flute Concerto in E Minor, RV 432:
• 4 Vivaldi: Flute Concerto in E Minor, RV 432: I. Allegro 02:40
• 5 Vivaldi: Flute Concerto in E Minor, RV 432: II. Grave sopra il Libro 02:08
• Concerto in C Major, RV 556 "Per la Solennità di S. Lorenzo":
• 6 Vivaldi: Concerto in C Major, RV 556 "Per la Solennità di S. Lorenzo": I. Largo - Allegro molto 04:55
• 7 Vivaldi: Concerto in C Major, RV 556 "Per la Solennità di S. Lorenzo": II. Largo e cantabile 02:51
• 8 Vivaldi: Concerto in C Major, RV 556 "Per la Solennità di S. Lorenzo": III. [Allegro] 04:03
• Concerto in F Major, RV 571:
• 9 Vivaldi: Concerto in F Major, RV 571: I. Allegro 04:03
• 10 Vivaldi: Concerto in F Major, RV 571: II. Largo 02:24
• 11 Vivaldi: Concerto in F Major, RV 571: III. [Allegro] 03:42
• Concerto for Violin and Oboe in G Minor, RV 576:
• 12 Vivaldi: Concerto for Violin and Oboe in G Minor, RV 576: I. [Allegro] 03:53
• 13 Vivaldi: Concerto for Violin and Oboe in G Minor, RV 576: II. Larghetto 02:06
• 14 Vivaldi: Concerto for Violin and Oboe in G Minor, RV 576: III. Allegro 03:32
• Violin Concerto in A Major, RV 344:
• 15 Vivaldi: Violin Concerto in A Major, RV 344: I. Allegro 04:25
• 16 Vivaldi: Violin Concerto in A Major, RV 344: II. Largo 01:50
• 17 Vivaldi: Violin Concerto in A Major, RV 344: III. [Allegro] 04:11
• Concerto for 2 Oboes in A Minor, RV 536:
• 18 Vivaldi: Concerto for 2 Oboes in A Minor, RV 536: I. [Allegro] 02:29
• 19 Vivaldi: Concerto for 2 Oboes in A Minor, RV 536: II. Largo 01:52
• 20 Vivaldi: Concerto for 2 Oboes in A Minor, RV 536: III. Allegro 01:34
• Concerto in F Major, RV 572 "Il Proteo o sià Il Mondo al rovescio":
• 21 Vivaldi: Concerto in F Major, RV 572 "Il Proteo o sià Il Mondo al rovescio": I. Allegro 03:51
• 22 Vivaldi: Concerto in F Major, RV 572 "Il Proteo o sià Il Mondo al rovescio": II. Largo 02:28
• 23 Vivaldi: Concerto in F Major, RV 572 "Il Proteo o sià Il Mondo al rovescio": III. [Allegro] 03:08
• Total Runtime 01:16:21

Info for Vivaldi: "Il Mondo al rovescio" - Concerti con molti istromenti

Eine auf den Kopf gestellte Welt Vivaldis Concerti con molti istromenti sind in ihrer Fülle und Kühnheit wahre Vorläufer der Sinfonie. In diesen Stücken vergnügte sich der "rothaarige Priester", ein Schöpfer von grenzenloser Fantasie, mit buchstäblich unerhörten Kombinationen von Klangfarben. In dem berühmten Konzert Il Mondo al rovescio (Die Welt auf dem Kopf) lud er Flöten, Oboen und Cembalo dazu ein, Violine und Cello in einem bunten Wirbelwind paralleler Oktaven zu verdoppeln. Diese Aufnahme von Amandine Beyer und Gli Incogniti bietet die Gelegenheit, diese unglaublich modernen Kompositionen zu entdecken.

Gli Incogniti
Amandine Beyer, Violine, Musikalische Leitung

Amandine Beyer
Since some years ago, Amandine Beyer is recognized as a reference in the interpretation of the baroque violin repertoire. Her recording of the Sonatas & Partitas by J. S. Bach in 2012, has been awarded the best international critics (Diapason d’or de l’année, Choc de Classica de l’année, Editor’s choice de Gramophone, Prix Academie Charles Cros, Excepcional de Scherzo....). The work in this masterpiece is being continued with the performance "Partita 2", choreographed and danced by Anne Theresa de Keersmaeker and Boris Charmatz.

She plays regularly in the most important halls and festivals worldwide (Théatre du Chatelet, Festival de Sablé, Innsbruck Festwochen, Konzerthaus de Viena...). She shares her time between between different music ensembles were she takes part off : les Cornets Noirs, the duos with Pierre Hantai, Kristian Bezuidenhout or Laurance Beyer and her own ensemble: Gli Incogniti (their CD's devoted to Vivaldi's Four Seasons and Corelli's Concerti Grossi have been welcomed by the international critic as new highlights in the performance of this repertoire).

Her other passion is teaching, giving lessons at the ESMAE of Porto (Portugal), as well as masterclasses worldwide (France, Taiwan, Brasil, Italy, Spain, USA, Canada). Since 2010 she teachs baroque violin at the Schola Cantorum Basiliensis in Switzerland.

Gli Incogniti
was founded in 2006 by a group of friends, brought together by the violinist Amandine Beyer. It is named after the Accademia degli Incogniti, an artistic and academic circle that was amongst the most active and libertarian of 17th century Venice. The spirit of this Accademia is indeed what drives the Incogniti today: a taste for the unknown in all its forms, for sound experimentation, research for new repertoire, for rediscovery of the “classics” and of lesser-known masterpieces.

The genuine pleasure they take in rehearsing and playing together meets their core ambition – to transmit a committed and coherent vision of the pieces they perform, connected to their combined sensitivities and personal preferences. The group now ranks among the top reference ensembles for historically informed performance, exploring a repertoire from baroque (Vivaldi, Bach, Pachelbel) to classic with Haydn, CPE Bach or even Mozart.

Booklet for Vivaldi: "Il Mondo al rovescio" - Concerti con molti istromenti