Wayfaring Umberto Clerici & Karin Schaupp

• Antonín Dvořák (1841 - 1904):
• 1 Dvořák: 4 Lieder, Op. 82 - Arranged for Cello and Guitar: 1. Lasst Mich Allein (Arr. Richard Charlton) 04:34
• Johannes Brahms (1833 - 1897):
• 2 Brahms: Deutsche Volkslieder - Arranged for Cello and Guitar: 41. Es steht ein Lind 02:57
• Traditional:
• 3 Traditional: Wayfaring Stranger - Arranged for Cello and Guitar 04:26
• Sergei Rachmaninoff (1873 - 1943):
• 4 Rachmaninoff: Six Songs, Op.4 - Arranged for Cello and Guitar: 4. Ne poy, krasavitsa 04:33
• John Rutter (b. 1945):
• 5 Rutter: Shadows, song cycle for baritone & guitar - Arranged for Cello and Guitar: 1. Shadows 04:11
• Giulio Caccini (1551 - 1618):
• 6 Caccini: Amarilli mia bella - Arranged for Cello and Guitar: 1. Amarilli, mia bella 03:20
• Claudio Monteverdi (1567 - 1643):
• 7 Monteverdi: Lamento d'Arianna, SV22 - Arranged for Cello and Guitar: 2. Lasciatemi morire 01:54
• Katie Noonan (b. 1977) & Richard Charlton (b. 1955):
• 8 Noonan, Charlton: A Flower’s Purpose - Arranged by Richard Charlton 03:10
• Manuel de Falla (1876 - 1946) & Konrad Ragossnig (1932 - 2018):
• 9 Falla, Ragossnig: Suite populaire Espagnole - Arranged for Cello and Guitar: 6. Jota 03:21
• Pablo Casals (1876 - 1973):
• 10 Casals: El Cant dels Ocells 03:12
• Franz Schubert (1797 - 1828) & Johann Kaspar Mertz (1806 - 1856):
• 11 Schubert, Mertz: Lob der Tränen, D711 - Arranged by Johann Kaspar Mertz 03:31
• Maurice Ravel (1875 - 1937):
• 12 Ravel: Deux mélodies hébraïques, M. A22 - Arranged for Cello and Guitar: 1. Kaddisch 05:27
• Manuel de Falla:
• 13 Falla: Suite populaire Espagnole - Arranged for Cello and Guitar: 4. Polo 01:35
• Elena Kats-Chernin (b. 1957):
• 14 Kats-Chernin: Wild Swans - Concert Suite: Eliza Aria 02:52
• Franz Schubert:
• 15 Schubert: Winterreise, Op.89, D.911 - Arranged for Cello and Guitar: 11. Frühlingstraum 04:23
• Joaquín Rodrigo (1901 - 1999):
• 16 Rodrigo: Concierto de Aranjuez for Guitar and Orchestra - Arranged for Cello and Guitar: Aranjuez, ma pensée 05:28
• Traditional:
• 17 Traditional: Wild Mountain Thyme: Wild Mountain Thyme (Arr. Scott Tennant) 02:20
• John Rutter:
• 18 Rutter: Shadows, song cycle for baritone & guitar - Arranged for Cello and Guitar: 8. Close Thine Eyes 02:34
• Total Runtime 01:03:48

Info for Wayfaring

Wayfaring brings together Italian-Australian cellist Umberto Clerici with German-Australian guitarist Karin Schaupp, for a musical journey through a rich tapestry of cultures, ages and emotions.

Clerici and Schaupp discovered an immediate musical connection when they first played together at the biennial Musica Viva Festival several years ago. ‘It was a magical connection, as if we just knew each other musically, even though we hadn’t met before,’ says Schaupp. ‘It’s something very rare. We played a few pieces and decided we simply had to do this again. Last year we gave some recitals and built a program. Then we decided to make this album, and built a whole new program.’

They settled on the linking idea of ‘songs that trace a path from birth to death, with everything in between’: a ‘wayfaring’ through life. Spending long hours in libraries combing through repertoire, they gradually whittled down their options: the final list expresses joy, grief and every emotion between.

The repertoire stretches from the early baroque (Monteverdi and Caccini) to the present day, with contemporary works by two Australian composers: Elena Kats-Chernin’s Eliza Aria and A Flower’s Purpose by Katie Noonan, the singer-songwriter with whom Schaupp has toured and recorded. They also cover music by Dvořák, Rodrigo (a stunning song adapted by the composer himself from his beloved Concierto de Aranjuez), Rachmaninoff, Schubert and more.

Umberto Clerici is the principal cellist of the Sydney Symphony Orchestra, and an acclaimed soloist; his musicianship has been described as ‘soulful and beautifully sculpted’ (Limelight). Karin Schaupp is an ARIA-winning guitarist acclaimed by the German press for playing ‘so perfect, so complete, that it seems like a miracle’.

Between them, they have recorded more than a dozen albums; this is their first together. The artists clearly couldn’t be happier at having found one another. ‘It’s as if we feel the music intuitively the same way,’ says Schaupp. ‘Several times in rehearsal Umberto’s playing even moved me to tears. It’s such a gift to be able to play music and make albums.’

Umberto Clerici, cello
Karin Schaupp, guitar

Umberto Clerici
Following from a career spanning more than 20 years as a gifted cello soloist, chamber and orchestral musician, Umberto Clerici is consolidating his multi-faceted and diverse skills as a conductor of increasing renown. Umberto began his cello studies with the Suzuki method at the age of five, later continuing with Mario Brunello, David Géringas and Julius Berger. Umberto received several international prizes including the Janigro Competition in Zagreb, the Rostropovich in Paris and, in 2011, the Tchaikovsky Competition in Moscow making him only the second Italian cellist ever being honoured in the history of the prize, after Mario Brunello.

As a cello soloist, Umberto debuted at the age of 17 performing Haydn’s D Major cello concerto in Japan, and has since appeared with an array of renowned orchestras internationally including the Philarmonia Wien, St. Petersburg Academic Philharmonic, Russian State Orchestra of Moscow, "I Pomeriggi Musicali” (Milan) and Zagreb Philharmonic. In 2003 he made his debut at the Salzburg Festival and in 2012 he performed Tchaikovsky's “Rococo variations” conducted by Valery Gergiev.

Umberto has performed on the stages of the world’s most prestigious concert halls including New York’s Carnegie Hall, Vienna’s Musicverein, the great Shostakovich Hall of St Petersburg and Auditorium Parco della Musica in Rome. After 4 years as the Principal cello of the Teatro Regio di Torino, Umberto was Principal Cello of the Sydney Symphony Orchestra from 2014 to 2020.

While with the Sydney Symphony Orchestra, Umberto continued his solo appearances with orchestras throughout Australia including the SSO (notably an interdisciplinary project centred on Strauss' Don Quixote (2017) and the Brahms’ Double Concerto (2018)), the Tasmanian Symphony Orchestra, Canberra Symphony Orchestra and Sydney Youth Orchestra. Umberto also enjoys his position as the Artistic Director of the Sydney Youth Orchestra Chamber Ensemble.

As a conductor, Umberto made his debut in 2018 conducting the Sydney Symphony Orchestra at the Sydney Opera House with the Dvořák New World Symphony. Since then, he has conducted the Izmir and Istanbul State Orchestras, Hong Kong Sinfonietta, Orchestra d’Aosta, Sydney Symphony Orchestra (Swan Lake, Mahler 4), Queensland Symphony Orchestra (Beethoven 6, Stravinsky’s ‘The Firebird’) and Melbourne Symphony Orchestra (Schumann’s cello concerto, Mendelssohn 4 - ‘Italian Symphony’, Schumann’s violin concerto).

In 2021 Umberto's conducting fixtures currently include the Queensland Symphony Orchestra, Melbourne Symphony Orchestra and Sydney Symphony Orchestra.

Umberto plays cellos by Matteo Goffriller (made in 1722, Venezia) and Carlo Antonio Testore (made in 1758, Milano).

Karin Schaupp
is one of the most outstanding guitarists on the international scene. She performs widely on the international stage as a recitalist, concerto soloist and festival guest, and has given countless recitals in Australia, Europe, Asia, the US, Mexico and Canada. Karin’s playing receives the highest acclaim from critics and audiences alike and she is held in great esteem by her peers worldwide. Her unique stage presence and magical, passionate playing have inspired several composers to write works especially for her.

Karin’s guitar training began at the age of five and she first performed in public the following year. While still in her teens she won prizes at international competitions in Lagonegro, Italy and Madrid, Spain, where she was also awarded the special competition prize for the Best Interpretation of Spanish Music.

Taught almost exclusively by her guitarist mother, Isolde Schaupp, Karin completed her tertiary music studies at The University of Queensland with First Class Honours, a Masters degree and was the recipient of a University Gold Medal. In 2003 she was awarded the Music Council of Australia Freedman Fellowship in recognition of her achievements, and in 2013 was awarded the prestigious Music Fellowship (2014-2015) from the Australia Council for the Arts.

Karin has recorded an extensive discography for Warner Music International and ABC Classics. Her acclaimed solo debut Soliloquy (1997) for Warner Music was praised by UK Classical Guitar Magazine as "a pace-setting performance in all respects…". This was soon followed by the ARIA nominated bestseller Leyenda (Warner 1998), and then Evocation (Warner 2000), Dreams (ABC Classics 2004), Lotte’s Gift (ABC Classics 2007), and Cradle Songs (ABC Classics 2010).

Her chamber music collaborations have also led to a number of recordings including three albums with the ARIA award winning ensemble Saffire, The Australian Guitar Quartet, a duo album with Genevieve Lacey (recorders), the ARIA nominated Fandango (ABC Classics 2011) with Flinders Quartet, the double ARIA nominated Songs of the Southern Skies (KIN 2012) with Australian songstress Katie Noonan, and Karin and Katie's latest release, Songs of the Latin Skies (KIN 2017), which was awarded the 2017 ARIA for Best World Music Album. In March 2018, ABC Classics released Karin's latest recording project, Wayfaring, with cellist Umberto Clerici.

Karin’s orchestral recordings include the award-winning world premiere recordings of Phillip Bracanin’s Guitar Concerto (1995 with The Queensland Symphony Orchestra), which was written for her, and Ross Edwards’ Concerto for Guitar and Strings (2004 with the Tasmanian Symphony Orchestra). Karin has also recorded Peter Sculthorpe’s Nourlangie (2005) for guitar and orchestra with the Tasmanian Symphony Orchestra, and Spain (2009 ABC Classics) featuring works by Rodrigo, Bacarisse and Castelnuovo-Tedesco with the Tasmanian Symphony Orchestra, and the choir Cantillation. Gramophone Magazine (UK) praised Spain, saying “By combining the lapidary precision of Williams with the expressiveness of Bream, Schaupp here brings us an Aranjuez fit to stand alongside the best of them…”. In 2014, ABC Classics released Karin’s Mosaic: Australian Guitar Concertos album.

Karin has appeared live on television in many parts of the world: most notably performing solo to twenty million viewers and listeners in China, on the occasion of China Radio International’s 50th Anniversary celebrations and solo as part of a prestigious line-up of international artists in the opening Gala of the Goodwill Games, which was broadcast live on international television. She has also appeared on German, American and Canadian television and some of her Australian television appearances have resulted in an overwhelming response from viewers with record numbers of viewers calling in. Karin also plays regularly on radio, including numerous broadcasts of live recitals, as well as countless interviews and guest appearances.

Following training at the National Institute of Dramatic Art (NIDA), The Australian Acting Academy, and most extensively, private tuition with Martin Challis, Karin has extended her performance activities to the theatrical stage. Combining her love of music and passion for acting, Karin starred in some 150 performances of Lotte’s Gift, a play written especially for Karin by David Williamson, Australia’s best-known and most prolific playwright. The work enjoyed its international premiere with a four-week season at the Edinburgh Festival Fringe in 2009.

Other performance highlights include concertos with the London Philharmonic Orchestra (UK) in London’s Royal Festival Hall, the Springfield Symphony Orchestra (USA), the Queensland Symphony Orchestra, the Tasmanian Symphony Orchestra, and performances at the 2018 Commonwealth Games Closing Ceremony, World Expo (Aichi, Japan), Hong Kong Arts Festival, and APEC Summit in Sydney, Australia, and her 2013 International Concert Season tour with Pavel Steidl for Musica Viva Australia.

Karin is Head of Classical Guitar at the Queensland Conservatorium, Griffith University. She lives in Brisbane with her husband, Giac, and two young children.

This album contains no booklet.