Singing Through Others Danny Mulhern

Album info

Album-Release:
2022

HRA-Release:
16.09.2022

Label: Enate Music

Genre: Classical

Subgenre: Chamber Music

Artist: Danny Mulhern

Composer: Danny Mulhern

Album including Album cover

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FLAC 96 $ 8.80
  • Danny Mulhern: Cloud Cuckoo:
  • 1 Mulhern: Cloud Cuckoo 03:29
  • A Different Kind of Blue:
  • 2 Mulhern: A Different Kind of Blue 03:51
  • After the Fall:
  • 3 Mulhern: After the Fall 03:24
  • Woodlark:
  • 4 Mulhern: Woodlark 03:08
  • Singing Through Others:
  • 5 Mulhern: Singing Through Others 01:25
  • We Are Not Machines:
  • 6 Mulhern: We Are Not Machines 02:52
  • Everything Flows:
  • 7 Mulhern: Everything Flows 02:42
  • The Mechanical Ballet:
  • 8 Mulhern: The Mechanical Ballet 03:22
  • The Fertile Night:
  • 9 Mulhern: The Fertile Night 02:37
  • Laced:
  • 10 Mulhern: Laced 02:04
  • Porcelain:
  • 11 Mulhern: Porcelain 01:46
  • Total Runtime 30:40

Info for Singing Through Others

‘Singing Through Others’, is the fifth album and first independent release from composer Danny Mulhern. It continues his collaboration with the London Contemporary Orchestra, and was recorded at the Church Studios, Crouch End and Angels Studios, Islington between 2019 and 2022.

Since scoring the critically acclaimed Hollywood film ‘What They Had’ (dir. Elizabeth Chomko) in 2018, Mulhern has been examining the motivations behind his work. ‘Singing Through Others’ is essentially a meditation on relationships, taking its title from the words of poet and philosopher Nora Bateson, who also appears on the album. The work of philosopher Iain McGilchrist, whose work Mulhern has followed closely, has also inspired the titles of three of the pieces on the album; ‘We Are Not Machines’, ‘Everything Flows’ and ‘The Fertile Night’.

Mulhern is motivated by the role art can play in our connection to meaning, and that relationships – personal and collective – are primary to this.

‘Singing Through Others’ is perhaps also an examination (or even a lament) of the concept of an album as an artwork in 2022. “It’s interesting thinking about an album as a concept in 2022. Are they consumed as a coherent body of work anymore? I very much have faith that art matters, and this is the best of what emerged from me over the last couple of years. I like the idea of these eleven individual pieces both standing alone, and coming together to make something coherent that is also perhaps different, and more than the sum of its parts. Then outwards into different contexts and relationships, a slice of a longer continuum, and ever becoming,”

Danny Mulhern, piano
Musicians (London Contemporary Orchestra):
Oliver Coates, cello
Max Ruisi, cello
Gregor Riddell, cello
Rob Ames, viola
Zoë Matthews, viola
Galya Bisengalieva, violin
Rakhvinder Singh, violin
Sophie Mather, violin
Vicky Lester, harp
Kate Hainsworth, French horn
Richard Bayliss, French horn
Katherine Tinker, piano




Danny Mulhern
is a composer, multi-instrumentalist and producer. He releases instrumental music and writes music for film, mostly working with small ensembles, combining contemporary classical with other genres.

Much of his recent work has been with the London Contemporary Orchestra, composing for film and on standalone artistic projects.

Since scoring the critically acclaimed Hollywood film What They Had in 2018, Danny has been examining the motivations behind his work. Singing Through others is essentially a meditation on relationships, taking its title from the words of poet and philosopher Nora Bateson, who also appears on the album.

Danny is motivated by the role art can play in our connection to meaning, and that relationships - personal and collective - are primary to this. Singing Through Others is perhaps also a reexamination (or even a lament) on the concept of an album as an artwork in 2022.

Danny Mulhern is a thinker. An active member of the Rebel Wisdom community, he’s got a deep interest in philosophy and the modern world. He creates the aforementioned moments of optimism, sometimes even moments of lightness and fun (“Woodlark”, “Porcelain”), but he’s also clear-eyed about the costs (“We Are Not Machines”, “The Fertile Night”). This may be a cerebral album but it’s also full of beautiful musical moments: he’s got a wonderful ear for melody and a real talent for orchestration, evidenced by the skilful way he forefronts the diverse talents of the LCO (this is the fourth time he’s worked with the orchestra and it’s well-worth checking out their previous collaborations on 1631 Recordings). In 2018 he soundtracked the critically acclaimed Hollywood movie What They Had. The press release tells us that this prompted him to examine the motivations behind his work, leading to 2020’s Flow States which, as he details in this interview, helped him to rekindle his love of music through collaboration. Collaboration is working together, being generous with one another while staying true to oneself. We have the opportunity to do it every day and, to refer back to Nora Bateson, the way we do it matters.



This album contains no booklet.