Wildflowers Vol. 1 Kurt Elling & Sullivan Fortner

• 1 Paper Doll 04:34
• 2 A Memory of Enchantment 07:53
• 3 After The Storm 04:52
• 4 A Wish (Valentine) 03:34
• 5 Things Ain’t What They Used to Be 04:42
• 6 Ana Maria 06:27
• Total Runtime 32:02

Info for Wildflowers Vol. 1

One of the most influential and innovative vocalists in jazz, Kurt Elling, presents Wildflowers, Vol. 1—a brand new, spur-of-the-moment album created in the moment with pianist Sullivan Fortner, and featuring the remarkable Cécile McLorin Salvant.

Kurt Elling is widely regarded as one of the most influential and innovative vocalists in the global jazz scene. Renowned for his rich baritone voice and his ability to seamlessly merge jazz tradition with modern sensibilities, Elling has carved out a distinctive place within the genre. His artistry is marked by a fearless approach to improvisation, spellbinding virtuosity, and a profound connection to the lyrical narratives he brings to life.

His latest album, Wildflowers, Vol. 1, is a spontaneous and inspired exploration of creativity and collaboration, featuring the masterful pianist Sullivan Fortner. Known for his willingness to venture into the unexpected, Elling continues to push the boundaries of jazz with this intimate, unscripted piano-vocal session. Following a series of Grammy-nominated recordings with the funky, jazz-adjacent SuperBlue, Elling felt compelled to explore a more stripped-down and organic sound, resulting in an album that is both vibrant and warmly resonant.

Wildflowers, Vol. 1 represents Elling’s relentless pursuit and commitment to creativity. This recording marks the beginning of what promises to be a series of collaborations, setting the stage for future recordings and showcasing the extraordinary potential that emerges when two artists engage in open, collaborative dialogue.

The album features a carefully curated selection of tracks, each bringing its own unique flavor to the mix. Standout pieces include the heartfelt “A Wish (Valentine),” featuring the extraordinary Cécile McLorin Salvant, a haunting rendition of Wayne Shorter’s “Ana Maria,” a vibrant reimagining of “Things Ain’t What They Used to Be” with lyrics by the iconic Jon Hendricks, and a soulful jazz interpretation of Mumford and Sons’ “After the Storm”.

Wildflowers, Vol. 1 invites listeners on an intimate, melodic, and warm musical journey, brimming with vibrancy and deep emotional connection. It’s a project that not only highlights Kurt Elling’s remarkable vocal talents but also celebrates the joy of spontaneous creation and the enduring power of collaboration.

Kurt Elling, vocals
Sullivan Fortner, piano

Kurt Elling
Renowned for his singular combination of robust swing and poetic insight, two-time GRAMMY winner Kurt Elling has secured his place among the world’s foremost jazz vocalists. The New York Times proclaimed Elling, “the standout male vocalist of our time”. Over a twenty-five year career of touring and recording, Elling has won three Prix du Jazz Vocal (France), two German Echo Awards, two Dutch Edison Awards, and has been nominated for a GRAMMY award sixteen times. He has had a 14-year run atop the DownBeat Critics and Readers polls, and has won twelve Jazz Journalists Awards for “Male Vocalist of the Year”.

Kurt Elling’s voice is instantly recognizable, embracing listeners with his warm, rich baritone and navigating the full span of his four-octave range as a virtuoso improvisor and a compelling storyteller. The Guardian (UK) has named Kurt Elling, “a kind of Sinatra with superpowers,” and, “one of jazz’s all-time great vocalists.”

Elling has recorded and toured with Branford Marsalis, Danilo Perez, Stefon Harris, Fred Hersch, James Morrison, and Charlie Hunter. He has performed extensively with larger ensembles like The Clayton/Hamilton Orchestra, The National Youth Orchestra (led by Sean Jones), The Bob Mintzer Big Band, The BBC Concert Symphony (led by Guy Barker) The Metropole Orchestra (Holland), The Irish Radio and Television Orchestra (led by Brian Byrne), The Scottish National Jazz Orchestra, and The WDR Orchestra and Big Band (Germany).

The Wall Street Journal said, “Elling combines authenticity with stunning originality.” The Washington Post declared that, “since the mid-1990s, no singer in jazz has been as daring, dynamic or interesting as Kurt Elling.”

Elling’s dynamism is enhanced exponentially by the fact that he consistently generates new vocal material by writing and recording signature and definitive lyrics to the compositions of foundational jazz composers like John Coltrane, Keith Jarrett, Pat Metheny, Jaco Pastorius, Wayne Shorter, and Joe Zawinul. Additionally, Kurt Elling has co-created multi-disciplinary performances for Chicago’s Steppenwolf Theater and The City of Chicago. Jazz At Lincoln Center saw the world premier of The Big Blind, an entirely new jazz musical-in-progress Elling is co-writing with collaborator Phil Galdston (“Save The Best For Last”). National Poet Laureate Robert Pinsky declared that, “In Kurt Elling’s art, the voice of jazz gives new spiritual presence to the ancient, sweet and powerful bond between poetry and music.”

Elling has toured the world in a variety of contexts, including UNESCO-sponsored “International Jazz Day” performances in Havana, Cuba, in St. Petersburg, Russia, in Melbourne, Australia and in Washington DC. He has twice performed at the White House, including a performance in collaboration with the late Marvin Hamlisch and the National Symphony Orchestra for President Obama’s first State Dinner. He has served as Artist-In-Residence at the Monterey and Singapore Jazz Festivals. As a music industry leader, Elling spent six years serving as a Trustee and two years as Vice Chairman of The National Academy of Recording Arts and Sciences.

Sullivan Fortner
is undoubtedly one of the most creative and enterprising pianists of his generation. His virtuoso pianistic skills are never an end in themselves; his never-ending wealth of ideas impresses critics and audiences alike.

Last year, Fortner played his first solo piano tour, during which he also made a stop at ZigZag. The concert was one of our pianistic highlights of last year; Sullivan was only released after 5 encores. So it was only a matter of time before we repeated this highlight as soon as possible!

“Fortner’s ability to simultaneously project his own voice and reflect those of others reveals an empathy.” – DownBeat Magazine

“His fundamentals as a player could hardly be stronger, and his instincts as a composer and bandleader are almost startlingly mature.” – New York Times

For the past decade, Sullivan Fortner has been stretching deep-rooted talents as a pianist, composer, band leader and uncompromising individualist. The GRAMMY Award-winning artist out of New Orleans received international praise as both key player and producer for his collaborative work on The Window (Mack Avenue, 2018), alongside multi-GRAMMY winner, vocalist-composer Cecile McLorin Salvant. As a solo leader, he has released Moments Preserved (Decca, 2018) and Aria (Impulse!, 2015) to critical acclaim, and he’s only getting started. Now based in New York, Fortner has earned recognition in multiple DownBeat Critics Poll categories, winning first place in Rising Star Piano and Rising Star Jazz Artist.

In addition to associations with such diverse voices as Wynton Marsalis, Paul Simon, Diane Reeves, Etienne Charles and John Scofield, Fortner’s frequent and longtime collaborators have included Ambrose Akinmusire, Dee Dee Bridgewater, Stefon Harris, Kassa Overall, Tivon Pennicott, Peter Bernstein, Nicholas Payton, Billy Hart, Gary Bartz, Christian Scott aTunde Adjuah, Fred Hersch and the late Roy Hargrove. Recent collaborations include GRAMMY-nominated releases Dear Love (Empress Legacy) and Generations from leaders Jazzmeia Horn and The Baylor Project, respectively.

A highly-sought improviser, Fortner has performed across the country and throughout the world at such cultural institutions as Snug Harbor, New Orleans Center for the Creative Arts, Sweet Lorraine’s and The Jazz Playhouse in New Orleans, and Jazz at Lincoln Center, Jazz Standard and Smalls Jazz Club in New York City. He’s appeared at celebrated festivals, including Newport, Monterey, Discover, Tri-C and Gillmore Keyboard, among others.

Playing solo or leading an orchestra, Fortner engages harmony and rhythmic ideas through curiosity and clarity. Within phrases, he finds universes, and listeners often hear how he’s moved by each note he explores. Coming up in New Orleans, Fortner began playing piano at age 7, following a storied lineage of improvisers, masters of time and every iteration of the blues.

Pulling distinct elements from different eras, Fortner’s artistry preserves the tradition and evolves the sound. He seeks connections among different musical styles that are at once deeply soulful and wildly inventive. Both his works and his insights have been featured in culturally iconic publications, from The New York Times to The Root. Accolades include the 2015 Cole Porter Fellowship awarded by the American Pianists Association, Leonore Annenberg Arts Fellowship, the 2016 Lincoln Center Award for Emerging Artists and, in 2020, the prestigious Shifting Foundation Grant for artistic career development.

This album contains no booklet.