Homecoming - A Scottish Fantasy Nicola Benedetti

• 1 1. Adagio cantabile 08:26
• 2 2. Scherzo - Allegro; Adagio 06:17
• 3 3. Andante sostenuto 07:00
• 4 4. Finale (Allegro guerriero) 09:24
• 5 Ae Fond Kiss 04:40
• 6 Auld Lang Syne Variations 04:08
• 7 My Love Is Like A Red Red Rose 03:41
• 8 Hurricane Set 04:07
• 9 The Dean Brig O’ Edinburgh - Banks Hornpipe 03:11
• 10 Aberlady 03:45
• 11 Mouth Music & Tunes Set 05:11
• 12 The Gentle Light That Wakes Me 06:05
• 13 Coisich a Rùin (Walk My Beloved) 04:08
• 14 Bonnie Banks Of Loch Lomond 05:24
• 15 Ashokan Farewell 03:43
• 16 Chan e caoidh Mhic Shiridh (It Is Not MacShiridh I Lament) 04:44
• Total Runtime 01:23:54

Info for Homecoming - A Scottish Fantasy

Nicola Benedettis neues Album, das bei der Decca erscheinen wird, ist zutiefst persönlich – sie präsentiert dem Hörer die Musik ihrer Heimat Schottland. Und wer könnte diese Liebeserklärung an die Heimat besser erläutern als die Geigerin selbst: Dieses Album, bestehend aus drei Teilen, vereint Klassische Musik mit der schottischen Volksmusik; zwei Musikrichtungen, die seit Jahrhunderten parallel existieren, aber nur selten miteinander in Berührung kommen. Das Herz des Albums ist Max Bruchs Schottische Fantasie: ein Werk, welchem es gelingt, die Quintessenz der schottischen Seele und der atemberaubenden Natur Schottlands auf brillante Art und Weise in Melodien zu übersetzen. Bruch nimmt Melodien von u.a. Robert Burns, dem bekanntesten Dichter Schottlands, um seinem Werk Struktur zu geben – drei Folk Songs sind für Violine und Orchester arrangiert. Das Album endet mit Musik, die letztendlich Bruch und Burns inspirierte: schottische Volksmusik, veredelt durch Auftritte großer schottischer Volksmusikanten: Phil Cunningham, Julie Gowlis und Aly Bain.

Nicola Benedetti, Violine
Julie Fowlis, Gesang (on tracks 11, 13)
Phil Cunningham, Akkordeon (on tracks 8–11, 13), piano (on track 12)
Aly Bain, Geige (on track 12)
Duncan Chisholm, Geige (on track 11)
Tony Byrne, Gitarre (on tracks 8, 11, 13)
Éamon Doorley, Bouzouki (on tracks 8, 11, 13)
Michael McGoldrick, Flöte (on track 11)
James MacIntosh, Percussion (on track 11)
Ewen Vernal, Kontrabass (on tracks 8, 11, 13)
BBC Scottish Symphony Orchestra
Rory Macdonald, Dirigent

Nicola Benedetti
Hilary Finch wrote in The Times, “it was thrilling to hear and watch Nicola Benedetti in a truly risk-taking performance that lived so much in the body and fused the sinews of the violin and the nerve-system of the player.” This sums up Nicola’s ability to communicate and enthrall audiences with dynamic and energy-filled performances. And whilst she is a highly sought performer on the world platform, Nicola is also fiercely dedicated to music education. Through her work with such organisations as Sistema Scotland, she has helped to demonstrate the power that music can have in transforming the lives of young people.

Highlights of Nicola’s 2011/12 season include her debut with the London Symphony Orchestra at the Enescu Festival in Bucharest and with the Netherlands Radio Philharmonic, San Francisco Symphony, Zurich Chamber, Cincinnati Symphony, Detroit Symphony and Hallé orchestras. She will also perform Brahms’ Double Concerto for Violin and Cello with Leonard Elschenbroich and the London Philharmonic Orchestra under the baton of Christoph Eschenbach and has recently participated in a highly publicized New York Philharmonic performance in Central Park with Alan Gilbert conducting. Later in the season, Nicola will also perform a series of four recitals at LSO St. Luke’s in London for the BBC, as well as give recitals at the Wigmore Hall, in Baden Baden and in Wiesbaden. She will make her Concertgebouw debut with the Mantova Chamber Orchestra and will perform multiple times with the Stuttgart Philharmonic Orchestra, Scottish Chamber Orchestra, and on a multi-city tour of the UK with the Royal Philharmonic Orchestra. She also embarks on a tour of South America that takes her to major concert halls in cities such as Buenos Aires (Teatro Colon), Rio de Janeiro, Montevideo and Lima.

In recent seasons, Nicola has previously performed multiple times with the Philharmonia, Royal Scottish National, Royal Philharmonic Orchestra, BBC Scottish Symphony and Czech Philharmonic Orchestras as well as the Royal Liverpool Philharmonic and City of Birmingham Symphony orchestras. She has also worked with the Deutsche Symphony Orchestra in Berlin, Tonhalle Orchestra in Zurich, Bournemouth Symphony, Orchestre Philharmonique de Montpellier, Russian National Orchestra, Het Brabants Orkest, KBS Symphony and Japan Philharmonic as well as the Dallas, Chicago, Pittsburgh, San Francisco, Indianapolis, Toronto and Vancouver symphony orchestras and the National Arts Centre Orchestra in Ottawa. Nicola’s busy schedule has seen her work with conductors such as Vladimir Ashkenazy, Jakub Hrusa, Louis Langree, Alan Gilbert, Stéphane Denève, Andrew Litton, Sir Neville Marriner, Kristjan Jarvi, Paavo Jarvi, Mikhail Pletnev, Donald Runnicles, Yan Pascal Tortelier, Mario Venzago, Diego Matheuz, Pinchas Zukerman and Jaap van Zweden.

Nicola made her debut at the Proms in 2010, and has performed at the Tivoli Festival in Copenhagen and the Echternach Festival in Luxembourg and was a featured artist at the Istanbul Festival in 2011. She has given recitals in London, Edinburgh, Glasgow, Hong Kong, Paris, Sacile, New York, Boston and Washington D.C. In July 2011, Nicola made her South American debut with the Simon Bolivar Symphony Orchestra of Venezuela, Diego Matheuz conducting, and during her week-long visit, she taught numerous masterclasses with the revolutionary El Sistema program.

Nicola performs in chamber music concerts with her regular trio, both in the UK and further afield. Along with cellist Leonard Elschenbroich and pianist Alexei Grynyuk, she has performed at the Ravinia Festival, LSO St Luke’s, Istanbul Festival, Schloss Elmau, and West Cork Chamber Music Festival. Nicola has also played chamber music at the Verbier Festival, the Moritzburg Festival, the Tuscan Sun Festival in Cortona with Jean Yves Thibaudet, at Lockenhaus and at Prussia Cove.

Throughout her career, Nicola’s desire to perform a broad variety of repertoire and reach a wide audience has shown her to be one of Britain’s most innovative and creative young violinists. Nicola’s choice of the Szymanowski Violin Concerto for the BBC Young Musician of the Year in 2004 was just the beginning of her focus on less-often programmed repertoire. She has recorded newly commissioned works by John Tavener and James Macmillan, worked on jazz-influenced repertoire with Wynton Marsalis and others, and explored authentic baroque performance, her studies of which have culminated in the release of her first recording on the Decca Classics label in 2011/2012; a disc of baroque violin masterpieces by Vivaldi, Tartini and Veracini entitled ‘Italia’.

Nicola is also widely respected for her commitment to working with young people. Since 2005, she has visited schools throughout the United Kingdom in conjunction with the CLIC Sargent Practice-a-thon, in which she encourages pupils of all ages to pick up their instruments and enjoy classical music. In 2010, she became involved in El Sistema Scotland’s Big Noise project, a music initiative partnered with Venezuela’s El Sistema (Fundación Musical Simón Bolívar). As a Board Member and the program’s official musical “Big Sister”, Nicola makes regular visits to Raploch, Scotland to conduct master classes and work closely with the children.

Winner of the Classical BRIT Award for Young British Classic Performer in 2008, Nicola has previously released five CDs with Universal/Deutsche Grammophon, the most recent featuring Tchaikovsky and Bruch concerti with the Czech Philharmonic Orchestra and Jakub Hrusa. Nicola’s debut album included Szymanowski, Saint-Saëns, Massenet and Brahms with the London Symphony Orchestra, followed by a second release featuring works by Mendelssohn, Mozart, Schubert and Macmillan with the Academy of St. Martin in the Fields. Nicola’s third album was comprised of newly commissioned works by Tavener and Vaughan Williams’ The Lark Ascending with the London Philharmonic Orchestra and the fourth featured works by Sarasate, Fauré, Rachmaninov, Pärt and Ravel.

Born in Scotland of Italian heritage, Nicola began violin lessons at the age of five. In 1997, she entered the Yehudi Menuhin School, where she studied with Natasha Boyarskaya. After leaving the Yehudi Menuhin School, she continued her studies with Maciej Rakowski and then Pavel Vernikov, and continues to work with multiple acclaimed teachers and performers.

Nicola plays the Gariel Stradivarius (1717), courtesy of Jonathan Moulds.

Booklet for Homecoming - A Scottish Fantasy