Immortal Beloved: Beethoven Arias Chen Reiss, Academy of Ancient Music & Richard Egarr

• Ludwig van Beethoven (1770 - 1827):
• 1 Cantata on the Accession of Emperor Leopold II, WoO 88: Fliesse, Wonnezähre, fliesse! 10:25
• 2 No, non turbati, WoO 92a: I. Recitativo 02:12
• 3 No, non turbati, WoO 92a: II. Aria "Ma tu tremi, o mio Tesoro" 03:12
• 4 Primo amore, piacer del ciel, WoO 92 13:25
• 5 Soll ein Schuh nicht drücken, WoO 91/2 04:46
• 6 Fidelio Op. 72, Act II: O wär' ich schon mit dir vereint 03:44
• 7 Egmont Op. 84: No. 1 Die Trommel gerühret 03:01
• 8 Egmont Op. 84: No. 4 Freudvoll und Leidvoll, 02:00
• 9 Leonore Prohaska, WoO 96: Es blüht eine Blume im Garten mein 02:50
• 10 Ah! perfido, Op. 65: I. Scena "Ah! perfido, spergiuro" 03:22
• 11 Ah! perfido, Op. 65: II. Aria "Per pietà, non dirmi addio" 09:48
• Total Runtime 58:45

Info for Immortal Beloved: Beethoven Arias

Israeli soprano Chen Reiss has rapidly established a reputation as one of the most impressive voices on the operatic stage. She came to prominence as a member of the Bavarian State Opera under the music directorship of Zubin Mehta, and has for a number of years been a resident artist at the Vienna State Opera. Reiss has performed leading parts at the Théâtre des Champs-Élysées, Teatro alla Scala, Semperoper Dresden, Deutsche Oper Berlin, Netherlands Opera, Wiener Festwochen, Maggio Musicale Fiorentino, Opera Company of Philadelphia and the Israeli Opera. She is joined here by Richard Egarr and the Academy of Ancient Music for a recital of Beethoven arias.

"The glamorous Israeli soprano presents a selection of arias by the 250th birthday boy. It’s a feat, considering that she wisely omits Beethoven’s most famous soprano solo — Leonore’s big scene from Fidelio — but sings Marzelline’s aria in his only opera with her bright soubrette voice and winning, smiling demeanour." (Sunday Times)

Chen Reiss, soprano
Oliver Wass, harp
Academy of Ancient Music
Richard Egarr, conductor

Chen Reiss
has established a strongly-acclaimed and distinctive career, enchanting audiences with “one of the most perfect Strauss voices one could wish for” (Classical Source), “a voice of silver brightness and clarity” (Bachtrack) with “immaculately produced and enticing tone matched by superb musicianship” (Opera News, USA).

Born in Israel, she came to prominence as a member of the ensemble of the Bavarian State Opera under the music directorship of Zubin Mehta, and has for a number of years been a resident artist at the Vienna State Opera. She has also performed leading parts at the Théâtre des Champs-Élysées, Teatro alla Scala, Semperoper Dresden, Deutsche Oper Berlin, Netherlands Opera, Wiener Festwochen, Maggio Musicale Fiorentino, Opera Company of Philadelphia and the Israeli Opera.

Recent highlights include her debut at the Royal Opera House Covent Garden as Zerlina in Kasper Holten's production of Don Giovanni conducted by Marc Minkowski, her debut at Teatro Real in Madrid and Gran Teatre del Liceu Barcelona as Ginevra (Ariodante) under William Christie, and her role debuts as Susanna (Le nozze di Figaro) and Aennchen (Der Freischutz) at the Vienna State Opera, and as Liu (Turandot) with the Israel Philharmonic Orchestra. She appeared in concert with signature repertoire including performances of Mahler’s Symphony No. 2 with the Munich Philharmonic and Gustavo Dudamel, Mahler’s Symphony No. 4 with the Royal Concertgebouw Orchestra and Daniele Gatti, and made her debuts with the Chicago Symphony under Charles Dutoit, the Philharmonia Orchestra under Lahav Shani, and the Berlin Radio Symphony under Vladimir Jurowski. With the Vienna Philharmonic she was the guest soloist at a gala concert for the 30th anniversary celebrations of Tokyo’s Suntory Hall, and with the Orchestre National de France she took part in the 2019 Bastille Day ‘Concert de Paris’, televised live from Paris’s iconic Eiffel Tower.

She is a regular guest with distinguished ensembles and institutions including the BBC Proms, the Salzburg, Schleswig-Holstein, George Enescu, Rheingau and Lucerne Festivals, the Vienna Philharmonic, Staatskapelle Berlin, Gewandhausorchester Leipzig, Concerto Köln, Mozarteum Orchestra Salzburg, Orchestre de Paris, Pittsburgh Symphony and Dallas Symphony, as well as in Carnegie Hall, Vienna’s Musikverein, Wigmore Hall, Philharmonie Berlin, Tonhalle Düsseldorf, Laeiszhalle Hamburg and Palais des Beaux-Arts in Brussels. She counts among her collaborators such conductors as Daniel Barenboim, Christoph Eschenbach, Daniel Harding, Manfred Honeck, Marek Janowski, Paavo Järvi, Adam Fischer, Omer Meir Wellber, Donald Runnicles, Christian Thielemann and Franz Welser-Möst.

Highlights of this season and beyond include Marzelline in a new production of Beethoven’s Leonore (the original version of Fidelio) at the Vienna State Opera where she also will return in signature roles including Ginevra (Ariodante), Nannetta (Falstaff) and Sophie (Der Rosenkavalier), her return to the Royal Opera House Covent Garden, and her role debut as Ann Trulove in Stravinsky’s The Rake’s Progress at the Teatro dell’Opera di Roma. In concert she sings with the Akademie fur Alte Musik at the Schleswig Holstein Festival, makes her debuts with the Los Angeles, Rotterdam and Czech Philharmonic Orchestras, and sings Mahler’s Symphony No. 2 at an Israel Philharmonic gala performance as Zubin Mehta says farewell after 50 years as the orchestra’s Music Director. She features as soloist in Bach’s Christmas Oratorio, Mozart’s Requiem and Beethoven’s Missa Solemnis with the Wiener Akademie, and releases a recording of Beethoven arias and scenas with the Academy of Ancient Music, from which she performs Egmont at London’s Barbican Hall.

Her operatic repertoire includes: Gilda (Rigoletto), Adina (L’elisir d’amore), Amina (La Sonnambula), Nannetta (Falstaff), Zdenka (Arabella), Marie (La fille du régiment), Rosina (Il barbiere di Siviglia), Pamina (Die Zauberflöte), Ilia (Idomeneo), Konstanze (Die Entfuehrung aus dem Serail), Gretel (Hansel und Gretel), Euridice (Orfeo ed Euridice) and the title role in Janacek’s The Cunning Little Vixen. Her concert repertoire includes the sacred works, concert scenes and arias of Bach, Haydn, Mozart, Beethoven, Brahms, Schubert and Schumann, Rossini’s and Szymanowski’s Stabat Mater, Orff’s Carmina Burana, Gorecki’s and Bernstein’s 3rd symphonies, and the songs of Mahler, Zemlinsky, Berg and Richard Strauss.

In December 2014 Chen Reiss was invited to sing for Pope Francis during the Christmas Mass, which was broadcast worldwide. She has recorded a wide range of repertoire including a disc of Mozart, Salieri, Haydn and Cimarosa arias, and a recital “Le Rossignol et la Rose” presenting a romantic compilation of songs with distinguished pianist Charles Spencer (both for Onyx Classics), roles in complete recordings of Die Fledermaus (Capriccio), Don Giovanni and Brahms Ein Deutsches Requiem (Helicon) and Lehar‘s Das Fürstenkind (CPO), and DVD releases of Fauré’s Requiem with Orchestre de Paris conducted by Paavo Järvi, and Mahler’s Symphony No. 2 with the Royal Concertgebouw Orchestra. Accompanied by the Berlin Philharmonic and Sir Simon Rattle, she sang the soundtrack to Tom Tykwer’s film “Perfume: the Story of a Murderer”.

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