Somewhere Different Brandee Younger

Album Info

Album Veröffentlichung:
2021

HRA-Veröffentlichung:
13.08.2021

Label: Impulse!

Genre: Jazz

Subgenre: Contemporary Jazz

Interpret: Brandee Younger

Das Album enthält Albumcover

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  • 1 Reclamation 06:42
  • 2 Spirit U Will 07:11
  • 3 Pretend 04:31
  • 4 Somewhere Different 05:21
  • 5 Love & Struggle (48kHz) 05:41
  • 6 Beautiful Is Black (48kHz) 07:10
  • 7 Olivia Benson (48kHz) 04:01
  • 8 Tickled Pink (48kHz) 03:00
  • Total Runtime 43:37

Info zu Somewhere Different

Jazz und Harfe - diese „exotische“ Kombination ist so selten, dass der ein oder andere fragen mag: passt das?

Absolut! Das bewiesen schon in den Sechziger und Siebziger Jahren die Jazz-Harfenistinnen Alice Coltrane und Dorothy Ashby, die den flirrend schönen Klang des Instrumentes erfolgreich mit dem Drive und Groove des Jazz verbanden.

In diese Fußstapfen tritt jetzt Brandee Younger mit ihren melodischen, mal schwebenden, mal zupackenden Jazz- und Soul-Sounds. Sie hat schon mit Pharaoh Sanders, Charlie Haden, Lauryn Hill, John Legend, Common, The Roots und Ravi Coltrane zusammengearbeitet und ist stolz, ihr Major-Label-Debüt in den legendären Van Gelder Studios aufgenommen zu haben und auf dem berühmten Impulse!-Label zu veröffentlichen.

Brandee Younger, Harfe
Allan Mednard, Schlagzeug
Rashaan Carter, Kontrabass (tracks 1, 4, 6, 8)
Dezron Douglas, E-Bass (tracks 5, 7)
Guests:
Ron Carter, Bass (tracks 2, 3)
Tarronia ‘Tank’ Ball, vGesang (track 4)
Maurice Brown, Trompete
Chelsea Baratz, Tenorsaxofon
Anne Drummond, Flöte
Marcus Gilmore, Schlagzeug




Brandee Younger
A leading voice of the harp today, performer, composer, educator and concert curator Brandee Younger defies genres and labels. Recently awarded Rising Star Harpist in Downbeat Magazine’s 2020 Critics Poll, she has performed and recorded with artists including Pharoah Sanders, Ravi Coltrane, Jack Dejohnette, Charlie Haden, Common, John Legend, The Roots, Stevie Wonder and Lauryn Hill. In 2020, she released her fifth album Force Majeure and her original composition “Hortense” was featured in the Netflix Concert-Documentary, Beyoncé: Homecoming. In 2019, Ms. Younger was selected to perform her original music as a featured performer for Quincy Jones and Steve McQueens’ “Soundtrack of America”. Ms. Younger’s ability to seamlessly inject the harp into arrangements and venues where it has historically been overlooked is a testament to her deep love for and exemplary command of the instrument. In addition to performing, Ms Younger is on the teaching artist faculty at New York University and The New School College of Performing Arts in New York City.

Ms. Younger earned her Bachelor of Music in Harp Performance at the Hartt School of Music and her Master of Music and Performing Arts Professions at New York University.

Past residencies and masterclasses include The Royal Conservatory of Music (Toronto), University of Birmingham (UK), Howard University, Drexel University, Princeton University, Tulane University, Trinity College, The Hartt School, University of Michigan, DePaul University and Berklee College of Music.

She holds leadership positions on the advisory board of New Music USA, through the Apollo (theater) Young Patrons Steering Committee and the American Harp Society, Inc. where she is Director at Large. As a concert curator, Ms Younger organized “Divine Ella,” part of the Schomburg Center for Research in Black Culture’s annual Women’s Jazz Festival. She also served as curator of the 2016 Harp On Park concert series, “highlighting the diversity of the harp and the contemporary importance of an ancient instrument,” and most recently coordinated “Her Song,” featuring the works of women composers, both for Arts Brookfield.

“No harpist thus far has been more capable of combining all of the modern harp traditions — from Salzedo, through Dorothy Ashby, through Alice Coltrane — with such strength, grace and commitment.” - The New York Times

“Younger has almost single-handedly made a persuasive argument for the harp’s role in contemporary jazz…” - The New York Times



Dieses Album enthält kein Booklet

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