Beethoven: Piano Concertos No. 4 Kristian Bezuidenhout, Freiburger Barockorchester & Pablo Heras-Casado

• Ludwig van Beethoven (1770 - 1827): Coriolan, Op. 62:
• 1 Coriolan, Op. 62: Overture 07:29
• Piano Concerto No. 4 in G Major, Op. 58:
• 2 Piano Concerto No. 4 in G Major, Op. 58: I. Allegro moderato 18:35
• 3 Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto 04:55
• 4 Piano Concerto No. 4 in G Major, Op. 58: III. Rondo. Vivace 09:44
• The Creatures Of Prometheus, Op. 43:
• 5 The Creatures Of Prometheus, Op. 43: Overture 04:53
• Total Runtime 45:36

Info zu Beethoven: Piano Concertos No. 4

Die fünf Klavierkonzerte Beethovens erzählen auf ihre Art ein Stück seines Lebens. Im vorausgegangenen Teil dieser Gesamtaufnahme widmeten sich Kristian Bezuidenhout, Pablo Heras-Casado und die Mitglieder des Freiburger Barockorchesters dem Anfang und dem Ende der Geschichte (2. Klavierkonzert, das Wiener »Sprungbrett« Beethovens, bzw. das 5., auch »Kaiserkonzert«). Nun geht es um das persönlichste, nämlich das 4. Klavierkonzert, das, überschattet von der drohenden Taubheit, die Konventionen der Gattung sprengt – gleich Orchesterwerken wie Coriolan oder die Ouvertüre zu den Geschöpfen des Prometheus.

Kristian Bezuidenhout, Hammerklavier
Freiburger Barockorchester
Pablo Herras-Casado, Dirigent

Kristian Bezuidenhout
was born in South Africa in 1979. He began his studies in Australia, completed them at the Eastman School of Music and now lives in London. After initial studies as a modern pianist with Rebecca Penneys, he explored early keyboards, studying harpsichord with Arthur Haas, fortepiano with Malcolm Bilson and continuo playing and performance practice with Paul O’Dette.

Bezuidenhout first gained international recognition at the age of 21 after winning the prestigious first prize as well as the audience prize in the Bruges Fortepiano Competition.


Bezuidenhout is a frequent guest artist with the world’s leading ensembles including The Freiburger Barockorchester, Orchestre des Champs Elysées, Orchestra of the 18th Century, English Concert, Orchestra of the Age of Enlightenment, Concerto Köln, Chamber Orchestra of Europe, Royal Concertgebouw Orchestra, Chicago Symphony, Sinfonieorchester des Bayerischen Rundfunks, and Collegium Vocale Gent, in many instances assuming the role of guest director. He has performed with celebrated artists including John Eliot Gardiner, Philippe Herreweghe, Frans Brüggen, Trevor Pinnock, Ton Koopman, Christopher Hogwood, Pieter Wispelwey, Daniel Hope, Jean-Guihen Queyras, Isabelle Faust, Viktoria Mullova, Carolyn Sampson and Mark Padmore.


Bezuidenhout now divides his time between concerto, recital and chamber music engagements, appearing in the early music festivals of Barcelona, Boston, Bruges, Innsbruck, St. Petersburg, Venice and Utrecht; the festivals of Salzburg, Edinburgh, Schleswig Holstein, Tangelwood and Luzern and Mostly Mozart Lincoln Center, and at many of the world’s most important concert halls including the Berlin and Köln Philharmonie, Suntory Hall, Theatre des Champs Elysées, Symphony Hall, Konzerthaus Vienna, Wigmore Hall and Carnegie Hall.

Since 2009, Bezuidenhout has embarked on a long-term recording relationship with Harmonia Mundi. Recent recordings include Volumes 1, 2 & 3 of the complete keyboard music of Mozart (prizes include Diapason D'or, a Caecilia Prize, and Preis der Deutschen Schallplattenkritik); Mendelssohn piano concertos with the Freiburg Baroque Orchestra and Schumann Dichterliebe with Mark Padmore (both won Edison Awards). His recording of Beethoven violin sonatas with Viktoria Mullova (ONYX label) won an Echo Award for the best chamber music album of 2011. A disc of Mozart Piano Concertos (K. 453 & 482) with the Freiburg Baroque Orchestra was released in November, 2012.

Booklet für Beethoven: Piano Concertos No. 4