Mosaic Theocracy

Album Info

Album Veröffentlichung:
2023

HRA-Veröffentlichung:
13.10.2023

Label: Atomic Fire Records

Genre: Rock

Subgenre: Metal

Interpret: Theocracy

Das Album enthält Albumcover

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  • 1 Flicker 03:58
  • 2 Anonymous 05:49
  • 3 Mosaic 05:25
  • 4 Sinsidious (The Dogs Of War) 06:45
  • 5 Return To Dust 04:26
  • 6 The Sixth Great Extinction 05:26
  • 7 Deified 04:17
  • 8 The Greatest Hope 03:14
  • 9 Liar, Fool, Or Messiah 07:37
  • 10 Red Sea 19:07
  • Total Runtime 01:06:04

Info zu Mosaic

Das mit Spannung erwartete neue Album der U.S.-amerikanischen Power/Progressive-Metal-Band THEOCRACY ist endlich da. Sieben Jahre nach dem hochgelobten "Ghost Ship" melden sich Mastermind Matt Smith und seine Truppe mit ihrem neuen Meisterwerk "Mosaic" zurück. THEOCRACY startete 2002 als Soloprojekt von Smith, mittlerweile ist daraus eine richtige Band mit stetig wachsender Fanbase geworden. Ihre rasante Mischung aus Power- und Progressive-Metal ist im Laufe der Jahre immer einzigartiger geworden - das Ergebnis einer Vielzahl von Einflüssen. Der Sound von THEOCRACY begeistert Fans von Avantasia bis Symphony X. Ihr herausragendes Gespür für starke Melodien und fantastische Arrangements sucht seinesgleichen.

"Wer ein episches, komplexes und doch eingängiges Power Metal Album mit großen Melodien und schönen dramaturgischen Spannungsbögen sucht, der kommt an „Mosaic“ und generell der Diskografie von THEOCRACY nicht vorbei." (earshot.at)

Theocracy




Theocracy
The sheer power and epic grandeur of a heartfelt metal record can move mountains and make us want to live to see another day. For many of us, heavy metal is also a shelter, a home. Matt Smith is no stranger to sensations like these. For more than 20 years, the guitarist-turned-vocalist has been pouring his life’s blood into Theocracy, building a legacy that stretches across four full-length albums, granting him a safe space to breathe and develop his vision. With “Mosaic”, the Athens, Georgia based five-piece delivers their most captivating gospel yet – a tour de force through jubilant power metal and a progressive mastery rarely found in today’s scene. It’s a gem that’ll shine a little light on everything.

“IT’S MY LIFE’S WORK”, SAYS MATT SMITH OF THEOCRACY.

“All I wanted to do since I was a kid was write songs, so Theocracy existed in my mind for many years before the first album. It’s the vehicle that has taken me all around the world and allowed me to exceed my wildest dreams by getting my songs out, and I am so thankful.” The saga began in 2003 with the release of their self-titled debut. Since then, Theocracy have built a dedicated following, uniting metal fans around the globe with powerful anthems and fabled live shows.

Theocracy is his vessel to communicate with himself and the world around him. No wonder he is very strict with himself when it comes to his output. “There’s too much of everything out there, so more and more I have a merciless internal dialogue with myself when I’m composing: ‘Man, does the world really need this? Will life be a little better, a little worse, or no different if this song exists?’ Because of that”, he says with a smile, “the vast majority of things I start get thrown out. So the songs that do make it are the ones that I really feel are worth hearing.”

They are. Matt (lead and backing vocals), Ernie Topran (drums), Jared Oldham (bass), Jonathan Hinds (guitars/backing vocals) and Taylor Washington (guitars/backing vocals) channel the essence of Stratovarious, Sonata Arctica and Symphony-X, delivering on-brand, bombastic, lightning-fast anthems for a better tomorrow. Make no mistake, however: It’s still a pretty dark album. “It’s about how we can only see the individual scenes of our lives, but lack the perspective to see the overall tapestry those scenes eventually combine to create”, Matt explains. “The good times, the bad times, the things we wish didn’t happen…they are all pieces forming whatever we eventually end up becoming”, the mastermind explains. “So there’s a little psychology, a lot of spirituality, a little nostalgia, and a healthy dose of wistfulness and wonder.” In other words: Heavy metal in a nutshell.

ABOVE ALL, THERE’S A CRIMINALLY HIGH DENSITY OF EPIC BANGERS, SKILFULLY BALANCING EPIC POWER METAL, PROG MAGIC, EASTERN INFLUENCES AND SOME FEROCIOUS THRASH ELEMENTS.

“I just don’t think about it”, Matt says of the eclectic nature of “Mosaic”. Written and produced between September 2020 and September 2022 by Matt Smith himself, this fifth album is a true game changer. “Whatever comes naturally is what comes out, and I never think about direction before that. I can see the obvious broad strokes: For example, I think the last album had more of my earliest influences, whereas this one has a more pronounced thrash element in spots. That said, there are always specific musical things I want to accomplish, or things written to make a more complete album. For example, towards the end of the record, I realized we needed a midtempo anthemic track to balance out the experience, which is when I wrote ‘Return to Dust.’”

AND THEN OF COURSE THERE’S “RED SEA”, THE BREATHTAKING OPUS MAGNUM OF “MOSAIC”, CLOCKING IN AT JUST UNDER 20 MINUTES.

“That one compares and contrasts the ancient story of Moses and the Red Sea with a more personal and modern spiritual parallel. I wrote that song when I was 19, years before the first Theocracy album”, Matt says. Freshly rewritten and fuelled by years of experience, it becomes the centre of attention at the end of a record that’s dominated by a rather grim and yet inevitable theme: “Come to think of it, death is a bit of a common thread, which is funny because that sounds like such a metal cliché,” he grins. “But that probably is a result of things I was going through and observing: losing grandparents and various family members, covid… but also thinking about legacies, what we leave behind, and what it all means.”

From “Red Sea” via anthemic midtempo banger and lead single “Return to Dust” to melodic metal galloper “Mosaic” Theocracy finally become the trailblazing power they have long since aspired to be – a harvester of larger-than-life melodies, thundering riffs and evocative refrains. Maybe we don’t know what it all means after listening to this uplifting beacon. But we sure feel a little less alone out there. And sometimes, that’s just enough.



Dieses Album enthält kein Booklet

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