Costanzi: Cello Sonatas - Giovanni Sollima: Il mandataro Giovanni Sollima

• 1 I. Largo 02:15
• 2 II. Allegro 02:29
• 3 III. Largo 03:20
• 4 IV. Allegro 02:01
• 5 I. Adagio 03:45
• 6 II. Allegro 02:32
• 7 III. Grave 02:32
• 8 IV. Capricio: Allegro assai 01:25
• 9 I. Grazioso 01:52
• 10 II. Allegro 01:41
• 11 III. Alla francese 03:27
• 12 I. Andante 03:28
• 13 II. Allegro 02:17
• 14 III. Giga: Allegro 02:07
• 15 I. Adagio 01:02
• 16 II. Allegro 02:58
• 17 III. Grazioso - Andante - Grazioso - Andante 02:40
• 18 I. Cantabile 05:31
• 19 II. Allegro 03:55
• 20 III. Presto 03:09
• 21 I. Vivace 02:07
• 22 II. Amoroso 01:22
• 23 III. Allegro assai 02:18
• 24 Il mandataro 12:35
• Total Runtime 01:12:48

Info zu Costanzi: Cello Sonatas - Giovanni Sollima: Il mandataro

Der inspirierte Cellist und Komponist Giovanni Sollima setzt sich intensiv mit der Instrumentalmusik eines »Kollegen« aus dem 18. Jahrhundert auseinander, und zwar mit Giovanni Battista Costanzi. Diese Beschäftigung trägt mit der vorliegenden Aufnahme erste Früchte.

Costanzis Name ist aus der Geschichte des Violoncellos verschwunden, und dennoch weisen seine Cellosonaten eine bemerkenswerte Frische im Umgang mit der spätbarocken Form der Sonate auf, wie sie von Arcangelo Corelli erfunden wurde. Diese Werke stellen außerdem hohe Ansprüche an die Technik des Solisten – u. A. erklingt das Instrument in den höchsten Lagen –, und das expressive Potential des Instruments wird eindrucksvoll ausgeschöpft. Giovanni Sollima hat für diese Aufnahme fünf Sonaten für Violoncello und Continuo ausgewählt; damit ist er der erste, der sich diesem Aspekt im Schaffen des römischen Komponisten widmet.

Sollima ergänzt diese Aufnahme durch eine eigene Komposition (Il mandataro), die die Pflichten einer scheinbar marginalen Figur widerspiegelt: Der mandataro oder Laufbursche stand am römischen Hof Kardinal Ottobonis, des Mäzens Costanzis, im Dienst und war damit beauftragt, Botschaften über ihre Verpflichtungen an die Musiker zu überbringen. Sollima – der auf Glossa bereits mit neapolitanischen Cellokonzerten mit Antonio Florio und seinen Turchini zu hören war – spielt hier zusammen mit der Cellistin Monika Leskovar (einige Sonaten sind für zwei Celli komponiert) und dem Arianna Art Ensemble. Imma Battista liefert detaillierte biografische Informationen zu diesem in Vergessenheit geratenen Barockkomponisten.

Giovanni Sollima, Cello
Monika Leskovar, Cello (on tracks 09-11 & 21-23)
Arianna Art Ensemble:
Andrea Rigano, Violine
Paolo Rigano, Erzlaute
Cinzia Guarino, Cembalo

Recorded in Treviso (Teatro delle Voci Studios), Italy, in October 2015
Engineered and produced by Filippo Lanteri
Executive producers: Chantal Racine, Carlos Céster

Giovanni Sollima
is a true virtuoso of the cello, playing for him is not an end in itself, but a means of communicating with the world.

He is a composer out of the ordinary, he communicates with a music full of mediterranean rhythms, with a melodic vein typically Italian, his world covers all eras 'from the Jurassic of the Cello' as he calls the baroque period to the 'Metal'. He writes mainly for the cello and contributes significantly to the creation of new repertoire for his instrument. His audience is diverse; from classical music lovers to young 'metalheads' Giovanni Sollima conquers all.

Sollima was born in Palermo into a family of musicians. He studied cello with Giovanni Perriera and Antonio Janigro and composition with his father and Eliodoro Sollima and Milko Kelemen. From an early age he worked with musicians such as Claudio Abbado, Giuseppe Sinopoli, Jörg Demus, Martha Argerich, Riccardo Muti, Yuri Bashmet, Katia and Marielle Labèque, Ruggero Raimondi, Bruno Canino, DJ Scanner, Victoria Mullova, Patti Smith, Philip Glass and Yo-Yo Ma.

His works as a soloist with orchestra and various ensembles (including the Giovanni Sollima Band, which he founded in New York in 1997) - unfolds between official and alternative locations: Brooklyn Academy of Music, Alice Tully Hall , Knitting Factory and Carnegie Hall (New York), Wigmore Hall and Queen Elizabeth Hall (London), Salle Gaveau (Paris), Santa Cecilia, RomaEuropaFestival (Roma), Teatro San Carlo (Naples), Kunstfest (Weimar), Kronberg Cello Festival , Time Zones Festival (Bari), Teatro Massimo, Teatro alla Scala (Milan), International Music Festival in Istanbul, Cello Biennale (Amsterdam), Tokyo Summer Festival, the Venice Biennale, Ravenna Festival, 'The Sounds of the Dolomites', Ravello Festival, Expo 2010 (Shanghai), Concertgebouw in Amsterdam, Liverpool Philharmonic ... In Parallel to the cello his curiosity led him to explore new frontiers in the field of composition through contamination between different genres making use also of oriental instruments, electrical and many of his invention.?He also collaborated with other artists such as, for dance, Karole Armitage, and Carolyn Carlson, for the theater with Bob Wilson, Alessandro Baricco, and Peter Stein and cinema with Marco Tullio Giordana, Peter Greenaway, Lasse Gjertsen (DayDream, 2007), and John Turturro.

Together with cellist and composer Enrico Melozzi he promoted the project 100 VIOLONCELLI created at the Teatro Valle Occupied in Rome. Musicians from all age, formation, got together for 3 days and 3 nights of cello music, from baroque going through rock music to contemporary music written 'during the concerts' there were no limits. The project was repeated in 2013 and in 2014 from May 23-25th will take place in Milan at the Teatro delle Arti. There will be the 3rd edition of the composition contest and the first edition of a 'libretto' contest.

I 2013 he also was the Maetro Concertatore of the project 'La Notte della Taranta' a festival of tradtional popular music from the Salento (region of Apulia) that climax with a big concert with an audience of more 130 000 persons. This summer he will repeat the experience on the 23rd of August.

Among the last albums 'Neapolitan Cello Concertos' for Glossa and 'Caravaggio' for Egea.

The prestigious Chicago Symphony Orchestra commissioned a new double cello concerto for himself and M°Yoyo Ma, the premiere will take place at Symphony Hall in Chicago in February 2014.

Giovanni Sollima, teaches at the Accademy of Santa Cecilia in Rome and at the Fondazione Romanini of Brescia. He plays a cello by Francesco Ruggieri cello (1679, Cremona).

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