Midnight at Notre-Dame Olivier Latry

• Johann Sebastian Bach (1685 - 1750):
• 1 1. Sinfonia (Transcr. Dupré for Organ) 04:29
• 2 1. Réjouis-toi mon ame (Transcr. for Organ by M. Duruflé) 04:18
• Wolfgang Amadeus Mozart (1756 - 1791):
• 3 1. Adagio (Transcr. Guillou for Organ) 03:37
• 4 2. Fugue (Transcr. Guillou for Organ) 04:50
• Richard Wagner (1813 - 1883):
• 5 Pilgrim's Chorus (Transcr. for Organ by F. Liszt) 08:51
• Hector Berlioz (1803 - 1869):
• 6 Marche hongroise (Transcr. for Organ by H. Büsser) 05:32
• Sergey Vasil'yevich Rachmaninov (1873 - 1943):
• 7 Prélude in C-Sharp Minor, Op. 3 No. 2 (Transcr. Vierne for Organ) 04:57
• Sergei Prokofiev (1891 - 1953):
• 8 Toccata, Op.11 (Transcr. for Organ by J. Guillou) 04:41
• Johann Sebastian Bach:
• 9 1. Mortifie-nous par ton bonté (Transcr. for Organ by M. Duruflé) 03:54
• 10 5. Chaconne (Transcr. for Organ by H. Messerer) 15:42
• Total Runtime 01:00:51

Info zu Midnight at Notre-Dame

"Wer sich akustisch in den Sakralraum begeben möchte -- und das beeindruckend im Mehrkanalklang -- der kann nun ein einstündiges ungewöhnliches Programm erleben . . . Notre-Dame-Organist Oliver Latry, unter Orgelkennern gilt er als einer der besten seines Fachs, kann seine Erfahrung mit dem Instrument des romantischen Orgelbauers, das durch Umbauten zwar nicht mehr originalgetreu, dafür aber klanglich üppig ausgestattet, effektvoll in Szene setzen. Der Virtuose Latry meistert die spieltechnischen Herausforderungen gewohnt souverän. Besonders wirkungsvoll gerät seine Interpretation der Liszt-Bearbeitung des Wagner'schen "Tannhäuser"-Chores mit Extremen an Dynamik und Tonumfang; bei den Pedaleinsätzen kommt der eingefangene Raumklang besonders gut zum Tragen. Betörend in ihrem Ausdruck sind demgegenüber die Bach-Bearbeitungen, besonders der Choral 'Ertöt' uns durch dein' Güte' mit der Choralmelodie im Cromorne-Register. Ein beeindruckendes Orgelrezital mit ungewohntem Repertoire." (Rondo)

"Bachs 'Jesus bleibet meine Freude' füllt Latry mit Ruhe und Zeit. Kaum stürmisch, dafür nahezu elegant ist Berlioz' 'Marche hongroise'. Rachmaninoffs Prelude op. 3, 2 füllt Latry mit milder Glut und impressionistisch verschwimmenden dunklen Klangfarben aus. Fazit: eine Platte, die man nicht nur um Mitternacht genießen kann." (FonoForum)

Oliver Latry, Orgel

Olivier Latry
Established as the leading worldwide ambassador for his instrument, French organist Olivier Latry has performed the world’s most prestigious venues, been the guest of leading orchestras under renowned conductors, recorded for major labels and premiered an impressive number of works. Named titular organist at Notre-Dame in Paris at the age of 23 and organist Emeritus at the Orchestre National de Montréal since 2012, Olivier Latry is first and foremost an accomplished, thoughtful and adventurous musician exploring all possible fields of the organ music, with an exceptional talent as an improviser.

Olivier Latry regularly appears in venues like the Philharmonie de Paris, Disney Hall, San Francisco’s Davies Hall, Concertgebouw, Philadelphia’s Verizon Hall, Gewandhaus, Vienna’s Musikverein and Konzerthaus, Budapest’s Palace of Arts, Royal Festival Hall, KKL Lucerne, Royal Albert Hall, Suntory Hall, Mariinsky, Rotterdam’s de Doelen and as a soloist with leading orchestras such as the Philadelphia Orchestra, Los Angeles Philharmonic, Boston Symphony, Philharmonia Orchestra, Rotterdam Philharmonic, Sydney Symphony, RSO Wien, Hong-Kong Philharmonic, Toronto Symphony, Orchestre Symphonique de Montréal, Orchestre National de France, under conductors like Myung-Whun Chung, Andris Nelsons, Esa-Pekka Salonen, Stéphane Denève, Fabien Gabel, Christoph Eschenbach, Kent Nagano, Edo de Waart, Jukka-Pekka Saraste.

Recent highlights include the premiere of Kaija Saariaho’s Maan Varjot for organ and orchestra with the Orchestre Symphonique de Montréal, Orchestre National de Lyon and Philharmonia Orchestra in 2014, the premiere of Michael Gandolfi’s concerto with the Boston Symphony Orchestra in 2015. He will premiere Benoît Mernier’s organ concerto for the inauguration of Brussels’ Palais des Beaux-Arts’s new organ in 2017. In 2016 he will record a recital program for Warner Music at the Philharmonie de Paris’s magnificent Rieger organ which he inaugurated earlier in the year. He took a major part in the inauguration of the Radio France Auditorium’s Grenzing organ in May 2016 too. In the 2017/2018 season he will be artist in residence with the Dresdner Philharmonie.

His strong attachment to the French organ repertoire led him to record Olivier Messiaen’s complete works for organ for Deutsche Grammophon which he also performed in recitals in Paris, London and New York. In 2005, he recorded a César Franck album also for Deutsche Grammophon. Among several other recordings, Olivier also recorded Saint-Saëns organ concerto with Christoph Eschenbach and the Philadelphia Orchestra for Ondine. His most recent recording on the Naïve label is entitled “Trois Siècles d’Orgue Notre-Dame de Paris” which features music composed by past and current organists of Notre-Dame Cathedral.

A former student of Gaston Litaize, Olivier Latry now teaches at the Conservatoire National Supérieur de Paris and is a recipient of numerous international distinctions and awards worldwide including the Prix de la Fondation Cino et Simone Del Duca (Institut de France–Académie des Beaux-Arts) in 2000, and “Honoris Causa” Fellowships from the North and Midlands School of Music (UK) in 2006, and from the Royal College of Organists (UK) in 2007. He was also named International Performer of the Year by the American Guild of Organists in April 2009, and received an honorary Doctor of Music degree from McGill University in Montreal Canada in 2010.

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