Gernsheim & Brahms: Piano Quintets, Opp. 63 & 34 Formosa Quartet & Reiko Uchida

Cover Gernsheim & Brahms: Piano Quintets, Opp. 63 & 34

Album Info

Album Veröffentlichung:
2016

HRA-Veröffentlichung:
12.04.2016

Label: Delos

Genre: Classical

Subgenre: Chamber Music

Interpret: Formosa Quartet & Reiko Uchida

Komponist: Johannes Brahms (1833-1897), Friedrich Gernsheim (1839-1916)

Das Album enthält Albumcover Booklet (PDF)

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Formate & Preise

Format Preis Im Warenkorb Kaufen
FLAC 96 $ 13,50
  • 1 I. Molto moderato 10:38
  • 2 II. Adagio 09:14
  • 3 III. Allegretto molto grazioso e sempre scherzando 03:13
  • 4 IV. Allegro giocoso, ma non troppo presto 06:53
  • 5 I. Allegro non troppo 15:08
  • 6 II. Andante un poco adagio 08:09
  • 7 III. Scherzo: Allegro 07:15
  • 8 IV. Finale: Poco sostenuto - Allegro non troppo 06:53
  • Total Runtime 01:07:23

Info zu Gernsheim & Brahms: Piano Quintets, Opp. 63 & 34

Friedrich Gernsheim (1839-1916) was a late-Romantic German composer and pedagogue whom his friend Johannes Brahms acknowledged as a master composer. His wonderful music – highly respected in its day – fell into undeserved obscurity, due in part to the fact that he was Jewish. His music (along with that of many other Jewish composers) was thus banned during the Nazi era as “Entartete Kunst” (degenerate art), leaving it to succeeding generations to rediscover.

Gernsheim’s prolific, multi-genre output includes a remarkable body of chamber music, of which the Piano Quintet No.2 is a shining example. Pairing it here with Brahms’s immortal Piano Quintet in F minor enables the attentive listener to compare the two composers’ kindred late-romantic voices while savouring Gernsheim’s unique facility that Brahms so admired.

Joining the Formosa Quartet – one of the finest ensembles of its kind – is distinguished pianist Reiko Uchida; together, they deliver this rich music with precision, spirit and passion.

Reiko Uchida, piano
Formosa Quartet

Keine Biografie vorhanden.

Booklet für Gernsheim & Brahms: Piano Quintets, Opp. 63 & 34

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