New Moon - Silver Moon The Orbweavers

Album Info

Album Veröffentlichung:
2024

HRA-Veröffentlichung:
28.06.2024

Label: Mistletone

Genre: Folk

Subgenre: Folk Rock

Interpret: The Orbweavers

Das Album enthält Albumcover

?

Formate & Preise

Format Preis Im Warenkorb Kaufen
FLAC 44.1 $ 13,50
  • 1 Moonee Moonee Chain of Ponds 04:58
  • 2 Edges of Memory 02:25
  • 3 In the Evening 04:54
  • 4 So Much Sorrow 04:31
  • 5 New Moon 05:11
  • 6 When it Rains in Broken Hill 03:12
  • 7 Silver Saltbush 04:46
  • 8 Silver Moon 05:01
  • 9 Daydream 05:00
  • Total Runtime 39:58

Info zu New Moon - Silver Moon

New Moon /Silver Moon responds to the many layered histories of two places: Narrm / Melbourne, and Broken Hill on Wilyakali Country, and surrounding Barkindji Country. These songs explore waterways, ecosystems and industrial history, infused with personal reflections from the present.

“The mists of Broken Hill’s spring rain, and the desert flowers that bloom with it, come to life on the Orbweavers’ dreamy, textural new song. It’s all about the details – Marita Dyson’s gentle vocals are complemented by a luscious blend of chorals, harp and strings, and the lyrics evoke great respect for the land while also communicating a personal story. This sumptuous single is the first taste of the Melbourne band’s upcoming album – their first since 2017. Giselle Au-Nhien Nguyen - The Guardian”

The Orbweavers are:
Marita Dyson, vocals, guitar, various instruments
Stuart Flanagan, guitar, various instruments
Paddy Mann, bass
Jen Sholakis, drums
Biddy Connor, viola
Laura Hertaeg, trumpet




The Orbweavers
mesmerising, haunting and heartwarming. Drawing on a love of history and science, The Orbweavers have charmed audiences with evocative songs of creeks & quarries (Merri), greyhounds (You Can Run – Fern’s Theme), volcanoes (Japanese Mountains), textile mills, historic sewerage pumping stations (Spotswood) ,and industrial landmarks (Match Factory). Dark and dulcet melodies, chiming guitar, violin and trumpet meld to hypnotic effect, recalling reverberant ghosts of places past.

Garnering Triple R Melbourne Album of the Week (Loom – 2011), national and international praise, The Orbweavers have performed at ABC TV studios, ABC Radio National, Melbourne Music Week (2011 & 2012), National Gallery of Victoria, Brisbane Powerhouse, and supported international artists Beach House, Cass McCombs and Julia Holter. Most recently they released a double single, Ceiling Rose / Match Factory, and performed showcases at BIGSOUND in Brisbane, AWME – Australian Worldwide Music Expo, and national touring dates including festival performances such as Meredith Music Festival and Port Fairy Folk Festival. The Orbweavers are fast drawing a devoted following of their spellbinding sound, and are preparing their next album for release later in 2015.

On Remembrance Day 2014, The Orbweavers released “The Distant Call of Home”, the evocative theme song for ABC-TV’s dramatised four-part documentary series, “The Distant Call of Home”; click here to purchase “The Distant Call of Home” via iTunes.

The Orbweavers were a prominent part of The War That Changed Us; the theme song, “The Distant Call of Home”, was written by The Orbweavers (Marita Dyson and Stuart Flanagan). Fans of The Orbweavers instantly recognised Marita’s exquisite voice singing the theme song, as well as a number of old songs from the World War I period, such as “‘Sing Me To Sleep”, “Good-Byee” and “Oh! It’s A Lovely War”.

The Orbweavers agreed that working on The War That Changed Us; learning and recording traditional World War I songs for the soundtrack, and then writing an original theme song, has been an extraordinary experience for them as musicians. “To write the theme song, we searched for a connection between people of the past, who experienced the war, and the present”, Stuart Flanagan said.

‘Themes of time and distance became our focus”, explained Marita Dyson. “We thought about the rising of the sun in Australia signalling nightfall in trenches across the other side of the world; the sun as a link between people and places, thousands of miles apart.

“We stood at the gate of our house and looked down the street, imagining what family or a loved one would have felt in the same place, 100 years ago, waiting for news”, Marita remembered.”We thought about the Australian landscape of home, the sound and light – a tangible environment across time.”



Dieses Album enthält kein Booklet