Shaft Music From The Soundtrack (Remaster) Isaac Hayes

• 1 Theme From Shaft 04:39
• 2 Bumpy's Lament 01:52
• 3 Walk From Regio's 02:24
• 4 Ellie's Love Theme 03:18
• 5 Shaft's Cab Ride 01:10
• 6 Cafe Regio's 06:10
• 7 Early Sunday Morning 03:49
• 8 Be Yourself 04:31
• 9 A Friend's Place 03:22
• 10 Soulsville 03:48
• 11 No Name Bar 06:11
• 12 Bumpy's Blues 04:04
• 13 Shaft Strikes Again 03:05
• 14 Do Your Thing 19:28
• 15 The End Theme 01:59
• Total Runtime 01:09:50

Info zu Shaft Music From The Soundtrack (Remaster)

The title track's perennially recognizable hi-hat and wah-wah guitar intro, interlocking horn/string parts, and smooth, proto-rap verses conjure the name SHAFT as surely as a snake-charmer's incantation. It also conjures the name of Isaac Hayes--the songwriter, arranger, musician, and producer responsible for the phenomenally successful soundtrack to the landmark 1971 Blaxploitation film. Hayes's status as a key player in the Stax/Volt soul empire, and as a solo artist of considerable renown, went through the roof with this double-LP and now remastered in HighResAudio.

Hayes's lush, ambitious arrangements are performed by the Bar-Kays, one of Stax's premier house bands, along with guest string and horn players. Aside from the highbrow funk of the title track and two other vocal cuts (Hayes's ballad "Soulsville" and the near-20-minute midtempo funk of "Do Your Thing"), this is an instrumental set with a strong "cinematic" feel. Jazz, lounge, R&B, and atmospheric interludes are blended to give ample evidence of Hayes's brilliance as a composer and arranger. SHAFT was a commercial zenith for Hayes, and made his name as a giant of soul.

„Of the many wonderful blaxpoitation soundtracks to emerge during the early '70s, Shaft certainly deserves mention as not only one of the most lasting but also one of the most successful. Isaac Hayes was undoubtedly one of the era's most accomplished soul artists, having helped elevate Stax to its esteemed status; therefore, his being chosen to score such a high-profile major-studio film shouldn't seem like a surprise. And with "Theme from Shaft," he delivered an anthem just as ambitious and revered as the film itself, a song that has only grown more treasured over the years, after having been an enormously popular hit at the time of its release. Besides this song, though, there aren't too many more radio-targeted moments here. "Soulsville" operates effectively as the sort of downtempo ballad Hayes was most known for, just as the almost 20-minute "Do Your Thing" showcased just how impressive the Bar-Kays had become, stretching the song to unseen limits with their inventive, funky jamming. For the most part, though, this double-LP features nothing but cinematic moments of instrumentation, composed and produced by Hayes while being performed by the Bar-Kays -- some downtempo, others quite jazzy, nothing too funky, though. Even if it's not quite as enjoyable as Curtis Mayfield's Superfly due to its emphasis on instrumentals, Shaft still remains a powerful record; one of Hayes' pinnacle moments for sure.“ (Jason Birchmeier, AMG)

Isaac Hayes, vocals, keyboards
Lester Snell, electric piano
Charles Pitts, guitar
Michael Toles, guitar
James Alexander, bass
Willie Hall, drums
Gary Jones, congas, bongos
Richard "Johnny" Davis, trumpet
John Fonville, flute
Pat Lewis, backing vocals
Rose Williams, backing vocals
Telma Hopkins, backing vocals

Engineered Dave Purple, Bobby Manuel
Produced by Isaac Hayes

Digitally remastered

Isaac Hayes
Born in Covington, Tennessee august 20, 1942, died august 10, 2008 in Memphis.

He made his first session at Stax in 1963 as a saxophonist on Floyd Newman's 'Frog Stomp' then stayed as a keyboardist, even replacing Booker T. Jones on MG's recordings. He was also a great composer and producer, along with David Porter. He was a longtime songwriter and arranger for Stax Records in Memphis, playing in the studio's backup band and crafting tunes for artists such as Otis Redding, Sam and Dave, Carla Thomas and Johnnie Taylor in the 1960s.

Among the songs he wrote for Stax artists, often with his partner David Porter, were 'Hold On, I'm Comin',' 'Soul Man,' 'When Something Is Wrong with My Baby' and 'B-A-B-Y.'

'Isaac Hayes embodies everything that's soul music,' Collin Stanback, an A&R executive at Stax, told The Associated Press on Sunday. '

Hayes released his first solo album in 1967, and his 1969 follow-up, 'Hot Buttered Soul,' became a platinum hit. 'Hot Buttered Soul' was notable for its lengthy, richly orchestrated covers of 'Walk On By' and 'By the Time I Get to Phoenix,' and became a hit.

In 1971, the theme from 'Shaft' topped the Billboard Hot 100 for two weeks and won an Academy Award for best original theme song. The song and the movie score also won Grammy awards for best original score and movie theme.

Hayes won a third Grammy for pop instrumental performance with the title track to his 1972 'Black Moses' album.

From the late 1990s through 2006, Hayes provided the voice of 'Chef' for Comedy Central's raunchy animated series 'South Park,' as well as numerous songs.

The role introduced him to a new generation of fans, but he left after the show lampooned his own religion, the Church of Scientology.

Hayes' other acting roles included 'Tough Guys,' 'I'm Gonna Get You Sucka' and 'Hustle & Flow.' He played himself in the forthcoming 'Soul Men,' with Samuel L. Jackson. 'Soul Men' also stars Bernie Mac, who died Saturday.

Hayes was inducted into the Rock and Roll Hall of Fame in 2002.

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