J.S. Bach: Cello Suites Nos. 1-6, BWVV 1007-1012 Gaetano Simone

• Johann Sebastian Bach (1685 - 1750): Cello Suite No. 1 in G Major, BWV 1007:
• 1 Bach: Cello Suite No. 1 in G Major, BWV 1007: I. Prélude 02:59
• 2 Bach: Cello Suite No. 1 in G Major, BWV 1007: II. Allemande 04:34
• 3 Bach: Cello Suite No. 1 in G Major, BWV 1007: III. Courante 02:44
• 4 Bach: Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande 02:52
• 5 Bach: Cello Suite No. 1 in G Major, BWV 1007: Va. Menuett I 01:27
• 6 Bach: Cello Suite No. 1 in G Major, BWV 1007: Vb. Menuett II 01:18
• 7 Bach: Cello Suite No. 1 in G Major, BWV 1007: Vc. Menuett I 00:46
• 8 Bach: Cello Suite No. 1 in G Major, BWV 1007: VI. Gigue 02:04
• Cello Suite No. 3 in C Major, BWV 1009:
• 9 Bach: Cello Suite No. 3 in C Major, BWV 1009: I. Prélude 04:07
• 10 Bach: Cello Suite No. 3 in C Major, BWV 1009: II. Allemande 04:28
• 11 Bach: Cello Suite No. 3 in C Major, BWV 1009: III. Courante 03:15
• 12 Bach: Cello Suite No. 3 in C Major, BWV 1009: IV. Sarabande 04:17
• 13 Bach: Cello Suite No. 3 in C Major, BWV 1009: Va. Bourrée I 01:45
• 14 Bach: Cello Suite No. 3 in C Major, BWV 1009: Vb. Bourrée II 01:46
• 15 Bach: Cello Suite No. 3 in C Major, BWV 1009: Vc. Bourrée I 00:55
• 16 Bach: Cello Suite No. 3 in C Major, BWV 1009: VI. Gigue 03:32
• Cello Suite No. 6 in D Major, BWV 1012:
• 17 Bach: Cello Suite No. 6 in D Major, BWV 1012: I. Prélude 05:11
• 18 Bach: Cello Suite No. 6 in D Major, BWV 1012: II. Allemande 07:56
• 19 Bach: Cello Suite No. 6 in D Major, BWV 1012: III. Courante 03:54
• 20 Bach: Cello Suite No. 6 in D Major, BWV 1012: IV. Sarabande 04:52
• 21 Bach: Cello Suite No. 6 in D Major, BWV 1012: Va. Gavotte I 02:16
• 22 Bach: Cello Suite No. 6 in D Major, BWV 1012: Vb. Gavotte II 01:31
• 23 Bach: Cello Suite No. 6 in D Major, BWV 1012: Vc. Gavotte I 01:12
• 24 Bach: Cello Suite No. 6 in D Major, BWV 1012: VI. Gigue 04:28
• Cello Suite No. 2 in D Minor, BWV 1008:
• 25 Bach: Cello Suite No. 2 in D Minor, BWV 1008: I. Prélude 04:13
• 26 Bach: Cello Suite No. 2 in D Minor, BWV 1008: II. Allemande 03:32
• 27 Bach: Cello Suite No. 2 in D Minor, BWV 1008: III. Courante 02:10
• 28 Bach: Cello Suite No. 2 in D Minor, BWV 1008: IV. Sarabande 04:28
• 29 Bach: Cello Suite No. 2 in D Minor, BWV 1008: Va. Menuett I 01:16
• 30 Bach: Cello Suite No. 2 in D Minor, BWV 1008: Vb. Menuett II 01:17
• 31 Bach: Cello Suite No. 2 in D Minor, BWV 1008: Vc. Menuett I 00:40
• 32 Bach: Cello Suite No. 2 in D Minor, BWV 1008: VI. Gigue 02:53
• Cello Suite No. 4 in E-Flat Major, BWV 1010:
• 33 Bach: Cello Suite No. 4 in E-Flat Major, BWV 1010: I. Prélude 03:39
• 34 Bach: Cello Suite No. 4 in E-Flat Major, BWV 1010: II. Allemande 05:02
• 35 Bach: Cello Suite No. 4 in E-Flat Major, BWV 1010: III. Courante 03:53
• 36 Bach: Cello Suite No. 4 in E-Flat Major, BWV 1010: IV. Sarabande 04:39
• 37 Bach: Cello Suite No. 4 in E-Flat Major, BWV 1010: Va. Bourrée I 03:14
• 38 Bach: Cello Suite No. 4 in E-Flat Major, BWV 1010: Vb. Bourrée II 00:55
• 39 Bach: Cello Suite No. 4 in E-Flat Major, BWV 1010: Vc. Bourrée I 01:36
• 40 Bach: Cello Suite No. 4 in E-Flat Major, BWV 1010: VI. Gigue 03:12
• Cello Suite No. 5 in C Minor, BWV 1011:
• 41 Bach: Cello Suite No. 5 in C Minor, BWV 1011: I. Prélude 07:01
• 42 Bach: Cello Suite No. 5 in C Minor, BWV 1011: II. Allemande 05:10
• 43 Bach: Cello Suite No. 5 in C Minor, BWV 1011: III. Courante 02:20
• 44 Bach: Cello Suite No. 5 in C Minor, BWV 1011: IV. Sarabande 03:10
• 45 Bach: Cello Suite No. 5 in C Minor, BWV 1011: Va. Gavotte I 02:52
• 46 Bach: Cello Suite No. 5 in C Minor, BWV 1011: Vb. Gavotte II 01:31
• 47 Bach: Cello Suite No. 5 in C Minor, BWV 1011: Vc. Gavotte I 01:29
• 48 Bach: Cello Suite No. 5 in C Minor, BWV 1011: VI. Gigue 02:22
• Total Runtime 02:26:43

Info zu J.S. Bach: Cello Suites Nos. 1-6, BWVV 1007-1012

The six Cello Suites, BWV 1007–1012, are suites for unaccompanied cello by Johann Sebastian Bach. They are some of the most frequently performed solo compositions ever written for cello. Bach most likely composed them during the period 1717–1723, when he served as Kapellmeister in Köthen. The title given on the cover of the Anna Magdalena Bach manuscript was Suites à Violoncello Solo senza Basso (Suites for cello solo without bass).

As usual in a Baroque musical suite, after the prelude which begins each suite, all the other movements are based around baroque dance types; the cello suites are structured in six movements each: prelude, allemande, courante, sarabande, two minuets or two bourrées or two gavottes, and a final gigue.

Due to the works' technical demands, étude-like nature, and difficulty in interpretation because of the non-annotated nature of the surviving copies, the cello suites were little known and rarely publicly performed until they were recorded by Pablo Casals in the early 20th century. They have since been performed and recorded by many renowned cellists and have been transcribed for numerous other instruments; they are considered some of Bach's greatest musical achievements.

The Italian cellist and gamba violist Gaetano Simone tackles this important work with an original touch and a remarkable poetic vein. Gaetano plays an historical cello attributed to the factory of Tecchler (around 1700) playing at 432 Hz as a diapason.

The recording was made using 3 pairs of microphones inside the 'Eric James' Acoustic Room.

Gaetano Simone, Viola da Gamba

Gaetano Simone
Cello and Viola da Gamba player, is the co-founder of Trio Gioconda de Vito (stable ensamble of Paolo Grassi Foundation in Martina Franca) and of the Modus String Quartet (stable group of the Traetta Theater in Bitonto) , with whom he regularly performs in Italy and abroad.

He studied cello with Maestro Saverio Loiacono and also with the Maestri: Harvey Shapiro, Enrico Bronzi, Vito Paternoster, Francesco Pepicelli, Enrico Dindo, Massimo Macrì, Ivan Monighetti, Massimo Polidori, Nicola Fiorino, Tamas Varga, Olaf Maninger, Arto Noras , Antonio Meneses, Wolfgang Boettcher, Wen-sin Yang.

He studied Viola da Gamba with Maestri Paolo Pandolfo, Amélie Chemin, Vittorio Ghielmi and Sofia Ruffino.

His chamber music activity includes titles like Philip Trajetta's String Quartets, A. Rendano's Quintetto for strings and piano, O. Messiaen's "Quatuor pour la Fin du Temps", "Drei Kleine Stucke" for cello and piano by A.Webern.

Reaserching in historically practice of cello, in 2015 he released the CD "Le Muse Napolitane", a historical research in the 18th century Neapolitan repertoire for his instrument.

The activity and didactic research sees him intensely engaged in regular courses and international master classes with numerous students in order to spread the enthusiasm for music and cello among young people. He is the Artistic Director of Premio Loiacono - a humanistic cello prize, since 2018. ​

In 2017 he won the the competition for cello and ensemble music for teaching at musical high schools of Puglia with the highest score in national level. Nowadays he teaches cello at "Istituto Comprensivo Gallo-Positano” in Noci (Bari). ​

He plays a splendid Italian instrument from the 1700s attributed to David Tecchler and a fine Thielke model viola da gamba built by Sergio Gistri.

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