Wigglesworth: Clocks from A Winter's Tale Royal Concertgebouw Orchestra & Ryan Wigglesworth

• Ryan Wigglesworth (b. 1979): Clocks from A Winter's Tale:
• 1 Wigglesworth: Clocks from A Winter's Tale: I. Quaver = 88 08:38
• 2 Wigglesworth: Clocks from A Winter's Tale: II. Quaver = 100 08:22
• 3 Wigglesworth: Clocks from A Winter's Tale: III. Con rubato, quaver = 75c. 10:41
• Total Runtime 27:41

Info zu Wigglesworth: Clocks from A Winter's Tale

Wie der Titel vermuten lässt, entwickelte sich Clocks from The Winter's Tale aus dem Material, das ursprünglich für Ryan Wigglesworths auf William Shakespeares Stück basierende Oper gedacht war. Der Untertitel dieses Stücks - "Der Triumph der Zeit" - ist besonders treffend. Es wird gezeigt, dass unüberlegte Handlungen zu Katastrophen führen, während die Kraft der Zeit, die unaufhörlich voranschreitet, die Geschädigten allmählich an ihren rechtmäßigen Platz zurückbringt und den wahren Lauf des Schicksals wiederherstellt. Die Zirkularität der Zeit, die Verzerrung der Zeitwahrnehmung des Hörers und die Gegenüberstellung von "Uhr"-Zeit und psychologischer Zeit sind die zentralen Ideen des Werks.

Der unverwechselbare, individuelle Klang des Concertgebouworkest ist untrennbar mit dem Großen Saal des Concertgebouw verbunden. Seit seiner Gründung im Jahr 1888 bildet dieser wunderschöne "Resonanzkörper", der dem eines Streichinstruments ähnelt, die Grundlage für die Entwicklung des individuellen Klangs des Orchesters bei Proben und Konzerten.

Die besondere Akustik des Saals macht es den Orchesterspielern allerdings nicht leicht. Um sich auf der Bühne hören zu können, müssen sie einander sehr genau zuhören, als würden sie Kammermusik spielen. Das Ergebnis ist der einzigartige Klang des Orchesters, der homogen und transparent zugleich ist.

Royal Concertgebouw Orchestra
Ryan Wigglesworth, Dirigent

Ryan Wigglesworth
who will take up the position of Chief Conductor of the BBC Scottish Symphony Orchestra in September 2022, has established himself as one of the foremost composer-conductors of his generation. He was Principal Guest Conductor of the Hallé Orchestra from 2015 to 2018 and Composer in Residence at English National Opera. He held the Daniel R. Lewis Composer Fellowship with the Cleveland Orchestra for the two seasons 2013/15 and 14/15 and was Composer-in-Residence at the 2018 Grafenegg Festival. In close partnership with the Royal Academy of Music, he recently founded the Knussen Chamber Orchestra which made both its Aldeburgh Festival and BBC Proms debuts in 2019.

Recent concerts include the Royal Concertgebouw Orchestra, Chamber Orchestra of Europe, the Bavarian Radio Symphony Orchestra, the Finnish Radio Symphony, Netherlands Radio Philharmonic, Bamberg Symphony Orchestra, DSO Berlin, Bergen Philharmonic, London Symphony Orchestra, City of Birmingham Symphony, London Philharmonic, Philharmonia, Bournemouth Symphony Orchestra, Academy of St Martin in the Fields, Scottish Chamber Orchestra, BBC Symphony, BBC Scottish Symphony, and the BBC National Orchestra of Wales at the BBC Proms, for whom he made three appearances in 2019. 2019/20 saw debut visits to the Swedish Radio Symphony, RSO Vienna, Tokyo, Melbourne and Seattle, and future engagements include Danish National Symphony Orchestra, Lahti Symphony Orchestra, the Netherlands Radio Philharmonic Orchestra at the Concertgebouw and the BBC SO.

Also active as a pianist, recent play/direct projects across Europe and the Far East have included concertos by Mozart and Beethoven, and he regularly appears in recital partnering Mark Padmore, Lawrence Power and Sophie Bevan.

One of the leading composers of his day, his first opera, The Winter’s Tale, premiered at ENO in February 2017 in a production directed by Rory Kinnear and conducted by the composer. Other works include commissions from the Royal Concertgebouw and Cleveland orchestras, BBC Symphony (BBC Proms), song cycles for Sophie Bevan (Wigmore Hall/Grafenegg) and Mark Padmore (Aldeburgh Festival/Wigmore Hall). Further performances of his works have been directed by, amongst others, Sir Andrew Davis, Edward Gardner, Pablo Heras-Casado, Vladimir Jurowski, Oliver Knussen, Jukka-Pekka Saraste and Franz Welser-Möst. Recent and current projects include a song cycle for Roderick Williams (Barbican), a piano concerto for Marc-André Hamelin (BBC Proms), and a large-scale work for chorus and orchestra, co-commissioned by the Bergen Philharmonic and Hallé.

Born in Yorkshire, he studied at New College, Oxford and the Guildhall School of Music & Drama. Between 2007-9 he was a Lecturer at Cambridge University where he was also a Fellow of Corpus Christi College. In January 2019 he took up the position of Sir Richard Rodney Bennett Professor at the Royal Academy of Music.

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