Bach: The Art of Fugue, BWV 1080 Alice Piérot, Les inAttendus, Marianne Muller, Vincent Lhermet

• Johann Sebastian Bach (1685 - 1750):
• 1 Bach: Die Kunst der Fuge, BWV 1080: Contrapunctus I, a 4 03:32
• 2 Bach: Die Kunst der Fuge, BWV 1080: Contrapunctus II, a 4 03:20
• 3 Bach: Die Kunst der Fuge, BWV 1080: Contrapunctus III, a 4 03:17
• 4 Bach: Die Kunst der Fuge, BWV 1080: Contrapunctus IV, a 4 05:29
• 5 Bach: Die Kunst der Fuge, BWV 1080: Contrapunctus V, a 4 03:34
• 6 Bach: Die Kunst der Fuge, BWV 1080: Contrapunctus VI, a 4 in stilo francese 04:14
• 7 Bach: Die Kunst der Fuge, BWV 1080: Contrapunctus VII, a 4 per augmentationem et diminutionem 03:49
• 8 Bach: Die Kunst der Fuge, BWV 1080: Contrapunctus VIII, a 3 05:37
• 9 Bach: Die Kunst der Fuge, BWV 1080: Contrapunctus IX, a 4 alla duodecima 02:27
• 10 Bach: Die Kunst der Fuge, BWV 1080: Contrapunctus X, a 4 alla decima 03:41
• 11 Bach: Die Kunst der Fuge, BWV 1080: Contrapunctus XI, a 4 05:30
• 12 Bach: Die Kunst der Fuge, BWV 1080: Contrapunctus XII, a 4 02:08
• 13 Bach: Die Kunst der Fuge, BWV 1080: Contrapunctus XIII, a 3 02:20
• 14 Bach: Die Kunst der Fuge, BWV 1080: Canon per augmentationem in contrario motu 05:06
• 15 Bach: Die Kunst der Fuge, BWV 1080: Canon alla ottava 02:27
• 16 Bach: Die Kunst der Fuge, BWV 1080: Canon alla decima in contrapunto alla terza 05:04
• 17 Bach: Die Kunst der Fuge, BWV 1080: Canon alla duodecima in contrapunto alla quinta 02:17
• 18 Bach: Die Kunst der Fuge, BWV 1080: Contrapunctus XIV, a 4 Fuga a tre soggetti 09:32
• Total Runtime 01:13:24

Info zu Bach: The Art of Fugue, BWV 1080

After a first album devoted to early English music, Les inAttendus tackle Bach’s magnum opus: The Art of Fugue. And it is as poets of sound that they do so. Through the very particular colors and the “unexpected” combination of accordion, bass viol and baroque violin, they emphasize the masterly beauty and depth of this score.

A lively interest in new works, a marked taste for performing them, an attentive ear and an in-depth approach to sounds were the shared traits that led Marianne Muller and Vincent Lhermet to start exploring the early music repertoire together. With the accordion invited to cast a modern perspective onto the world of the viola da gamba, they are now investigating together contemporary repertoires in which their combined instruments have enabled them to mine a thrilling wealth of sounds.

In spite of their vastly different ages and pedigrees, the unexpected marriage of bass viola da gamba and accordion is a fluent and easy partnership, leading to many pleasant discoveries and delightful surprises.

Les Inattendus:

Vincent Lhermet, accordion
Marianne Muller, viola da gamba
Alice Piérot, violin

Keine Biografie vorhanden.

Booklet für Bach: The Art of Fugue, BWV 1080