Four pianos, Four Pieces Alexander Melnikov

• Franz Schubert (1797 - 1828): Fantasie in C Major, D. 760:
• 1 I. Allegro con fuoco ma non troppo 05:41
• 2 II. Adagio 06:01
• 3 III. Presto 04:34
• 4 IV. Allegro 03:44
• Frédéric Chopin (1810 - 1849): Etudes, Op. 10:
• 5 1. Etude in C Major 01:49
• 6 2. Etude in A Minor 01:23
• 7 3. Etude in E Major 03:11
• 8 4. Etude in C Sharp Minor 01:55
• 9 5. Etude in G-Flat Major 01:40
• 10 6. Etude in E-Flat Minor 02:42
• 11 7. Etude in C Major 01:33
• 12 8. Etude in F Major 02:20
• 13 9. Etude in F Minor 01:53
• 14 10. Etude in A-Flat major 02:11
• 15 11. Etude in E-Flat Major 02:19
• 16 12. Etude in C Minor 02:36
• Franz Liszt (1811 - 1886): Réminiscences de Don Juan, S. 418:
• 17 I. Grave 04:31
• 18 II. Duetto. Andantino 03:05
• 19 III. Variazione 1 03:36
• 20 IV. Variazione 2. Tempo giusto 03:41
• 21 V. Quasi Presto. Tempo deciso 03:16
• Igor Stravinsky (1882 - 1971): Trois mouvements de Petrouchka:
• 22 I. Danse russe 02:37
• 23 II. Chez Pétrouchka 04:34
• 24 III. La Semaine grasse 08:26
• Total Runtime 01:19:18

Info zu Four pianos, Four Pieces

Schon seit langem faszinieren mich historische Klaviere. Und während ich die Möglichkeiten einiger Instrumente erkundete, erschien es nur natürlich, dass ich mir auch verschiedene Meilensteine des Repertoires anschaute. Zur Zeit ihrer Entstehung hatten diese Stücke den Ruf, aufgrund ihrer hohen pianistischen Anforderungen praktisch unspielbar zu sein. Später, nachdem sie diese Reputation abgestreift hatten, wurden sie Teil des virtuosen Standardrepertoires, wobei sie zwangsläufig ihre Aura der Neuartigkeit verloren. Die vorliegende Einspielung hat keinerlei Ambitionen, in irgendeiner Weise »historisch korrekt« zu sein. Die faszinierende Vorstellung, diese Musik in ihren richtigen Kontext einzubetten – zumindest was die Wahl der Instrumente betrifft – lässt sich nur in begrenztem Maße verwirklichen, nicht zuletzt weil wir niemals wissen werden, wie diese Klaviere eigentlich genau klingen sollten, als sie neu waren. (Alexander Melnikov)

Alexander Melnikov, Klavier

Alexander Melnikov
graduated from the Moscow Conservatory under Lev Naumov. His most formative musical moments in Moscow include his early encounter with Svjatoslav Richter, who thereafter regularly invited him to festivals in Russia and France. He was awarded important prizes at such eminent competitions as the International Robert Schumann Competition in Zwickau (1989) and the Concours Musical Reine Elisabeth in Brussels (1991).

Known for his often-unusual musical and programmatic decisions, Alexander Melnikov discovered a career-long interest in historical performance practice at an early age. His major influences in this field include Andreas Staier and Alexei Lubimov, with whom he collaborated on numerous projects. Melnikov performs regularly with such distinguished period ensembles as Concerto Köln and the Akademie für Alte Musik Berlin.

Together with Andreas Staier, Alexander Melnikov developed a programme that sets excerpts from Bach's Well-Tempered Clavier (Andreas Staier – harpsichord) in musical dialogue with Shostakovich's 24 Preludes and Fugues (Alexander Melnikov – piano). Intensive chamber music collaborations with partners including cellists Alexander Rudin and Jean-Guihen Queyras, as well as the baritone Georg Nigl, also form an essential part of his work.

Melnikov’s association wth the label harmonia mundi arose through his regular recital partner, violinist Isabelle Faust, and in 2010 their complete recording of the Beethoven sonatas for violin and piano won both a Gramophone Award and Germany’s ECHO Klassik Prize. This CD, which has become a touchstone recording for these works, was also nominated for a Grammy. Their latest CD, featuring chamber works of Weber, was released in January 2013.

Alexander Melnikov’s recording of the complete Preludes and Fugues by Shostakovich was awarded the BBC Music Magazine Award, Choc de classica and the Jahrespreis der Deutschen Schallplattenkritik. In 2011, it was also named by the BBC Music Magazine as one of the “50 Greatest Recordings of All Time.” Additionally, Melnikov’s discography features works by Brahms, Rachmaninoff and Scriabin; his recording of the Shostakovich piano concertos with the Mahler Chamber Orchestra and Teodor Currentzis was also met with critical acclaim.

As a soloist, Alexander Melnikov has performed with orchestras such as the Royal Concertgebouw Orchestra, Gewandhausorchester Leipzig, Philadelphia Orchestra, NDR Sinfonieorchester, HR-Sinfonieorchester, Russian National Orchestra, Munich Philharmonic, Rotterdam Philharmonic, BBC Philharmonic and the NHK Symphony, under conductors such as Mikhail Pletnev, Teodor Currentzis, Charles Dutoit, Paavo Järvi and Valery Gergiev.

Alexander Melnikov is the 2013/14 Artist-in-Residence at the Muziekgebouw in Amsterdam. This season begins with Melnikov’s debut at the BBC Proms with the Warsaw Philharmonic under Antoni Wit, followed by performances in the season-opening concerts of the Czech Philharmonic under Jiří Bělohlávek. Further musical partners of the season include the Mahler Chamber Orchestra, Freiburger Barockorchester, Amsterdam Sinfonietta, Seattle Symphony, Utah Symphony and New Zealand Symphony. Melnikov’s solo engagements will take him to such venues as the Maison symphonique de Montreal, Wigmore Hall in London, De Singel in Antwerp and the Mozarteum Salzburg, as well as to concert halls in Osaka, Nagoya and Tokyo.

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