Beethoven: Piano Sonata No. 29 "Hammerklavier" & 15 Variations & Fugue "Eroica" Pierre-Laurent Aimard

• Ludwig van Beethoven (1770 - 1827): Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier":
• 1 Beethoven: Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": I. Allegro 11:57
• 2 Beethoven: Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": II. Scherzo. Assai vivace 02:53
• 3 Beethoven: Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": III. Adagio sostenuto 16:46
• 4 Beethoven: Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": IV. Largo - Allegro risoluto 12:05
• 15 Variations & Fugue in E-Flat Major, Op. 35 "Eroica":
• 5 Beethoven: 15 Variations & Fugue in E-Flat Major, Op. 35 "Eroica": Introduzione col basso del tema 03:25
• 6 Beethoven: 15 Variations & Fugue in E-Flat Major, Op. 35 "Eroica": Var. 1 00:38
• 7 Beethoven: 15 Variations & Fugue in E-Flat Major, Op. 35 "Eroica": Var. 2 00:50
• 8 Beethoven: 15 Variations & Fugue in E-Flat Major, Op. 35 "Eroica": Var. 3 00:43
• 9 Beethoven: 15 Variations & Fugue in E-Flat Major, Op. 35 "Eroica": Var. 4 00:40
• 10 Beethoven: 15 Variations & Fugue in E-Flat Major, Op. 35 "Eroica": Var. 5 00:52
• 11 Beethoven: 15 Variations & Fugue in E-Flat Major, Op. 35 "Eroica": Var. 6 00:39
• 12 Beethoven: 15 Variations & Fugue in E-Flat Major, Op. 35 "Eroica": Var. 7 00:39
• 13 Beethoven: 15 Variations & Fugue in E-Flat Major, Op. 35 "Eroica": Var. 8 00:53
• 14 Beethoven: 15 Variations & Fugue in E-Flat Major, Op. 35 "Eroica": Var. 9 00:40
• 15 Beethoven: 15 Variations & Fugue in E-Flat Major, Op. 35 "Eroica": Var. 10 00:37
• 16 Beethoven: 15 Variations & Fugue in E-Flat Major, Op. 35 "Eroica": Var. 11 00:47
• 17 Beethoven: 15 Variations & Fugue in E-Flat Major, Op. 35 "Eroica": Var. 12 00:42
• 18 Beethoven: 15 Variations & Fugue in E-Flat Major, Op. 35 "Eroica": Var. 13 00:40
• 19 Beethoven: 15 Variations & Fugue in E-Flat Major, Op. 35 "Eroica": Var. 14 01:16
• 20 Beethoven: 15 Variations & Fugue in E-Flat Major, Op. 35 "Eroica": Var. 15 04:30
• 21 Beethoven: 15 Variations & Fugue in E-Flat Major, Op. 35 "Eroica": Finale. Alla fuga 04:31
• Total Runtime 01:06:43

Info zu Beethoven: Piano Sonata No. 29 "Hammerklavier" & 15 Variations & Fugue "Eroica"

After his acclaimed interpretation of Messiaen’s Catalogue d’Oiseaux, pianist Pierre-Laurent Aimard returns to PENTATONE with a recording of Beethoven’s Hammerklavier Sonata and Eroica Variations. The Hammerklavier Sonata is one of the pinnacles of Beethoven’s creative output, and arguably one of the highest mountains to climb for any pianist. To Aimard, it poses one of the most frightening tests of a performer’s life, but one that is as irresistible as it is insurmountable. The dazzling Eroica Variations are nicknamed after Beethoven’s iconoclastic Third Symphony, and employ the melody he would later use as the main theme of the symphony’s finale. Beethoven’s fondness for this melody is evident, as he also used it in his ballet music for The Creatures of Prometheus, as well as in the seventh of his 12 Contredanses.

Widely acclaimed as a key figure in the music of our time and as a uniquely significant interpreter of piano repertoire from every age, Pierre-Laurent Aimard enjoys an internationally celebrated career. He started his exclusive engagement to PENTATONE with a complete recording of Messiaen’s Catalogue d’Oiseaux (2018).

Pierre-Laurent Aimard, piano

Pierre-Laurent Aimard
Widely acclaimed as a key figure in the music of our time and as a uniquely significant interpreter of piano repertoire from every age, Pierre-Laurent Aimard enjoys an internationally celebrated career.

Each season he performs worldwide with major orchestras under conductors such as Riccardo Chailly, Vladimir Jurowski, Peter Eötvös, Sir Simon Rattle and Esa-Pekka Salonen. He has created, directed and performed in a number of residencies, including projects at Carnegie Hall, New York's Lincoln Center, Berlin's Philharmonie, Cité de la Musique in Paris, Tanglewood Festival and London's Southbank Centre. Currently Aimard is Artistic Director of the Aldeburgh Festival where he has impressed audiences and critics alike with his innovative programming.

Current and future highlights include solo recitals in London, New York, Chicago, Paris, Tokyo, Vienna, Beijing and Amsterdam. Concerto appearances include performances with the Boston Symphony Orchestra, London Philharmonic Orchestra and Deutsches Symphonie-Orchester Berlin and Chamber Orchestra of Europe. In autumn 2014 he joins the Symphonieorchester des Bayerischen Rundfunks to give the world premiere of a Piano Concerto by Sir Harrison Birtwistle, with further performances in Porto, London and Boston. In spring 2015 he undertakes a recital tour with Tamara Stefanovich, playing all of Pierre Boulez’s completed works for piano in celebration of the composer’s 90th birthday.

Aimard has had close collaborations with many leading composers including Kurtág, Stockhausen, Carter, Boulez and Benjamin and had a long association with György Ligeti, recording his complete works for piano. Most recently he performed Elliott Carter’s last piece: Epigrams for piano, cello and violin, which was written for him.

Through professorships at the Hochschule Köln and Conservatoire de Paris, as well as concert-lectures and workshops worldwide, he sheds an inspiring and very personal light on music of all periods. In 2005 he was the recipient of the Royal Philharmonic Society’s Instrumentalist Award and was named “Instrumentalist of the Year” by Musical America in 2007. In 2015 he launches a major online resource in collaboration with Klavier-Festival Ruhr and Vincent Meyer, centred on the performance and teaching of Ligeti’s piano music featuring masterclasses and performances of the Etudes and other works.

Aimard now records exclusively for Deutsche Grammophon. His first DG release, Bach's Art of Fugue, received both the Diapason d'Or and Choc du Monde de la Musique awards, debuted at No.1 on Billboard's classical chart and topped iTunes’ classical album download chart. In recent years Aimard’s recordings have been honoured with many prestigious awards . A new recording of Bach’s Wohl Tempered Klavier Book 1was released in summer 2014.

Born in Lyon in 1957, Pierre-Laurent Aimard studied at the Paris Conservatoire with Yvonne Loriod and in London with Maria Curcio. He was appointed Ensemble intercontemporain's first solo pianist by Pierre Boulez.

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