Near and How Bruno Montrone, Paolo Benedettini & Adam Pache (feat. Joe Magnarelli)

• 1 Mag Pie 06:31
• 2 Show-Type Tune 06:39
• 3 Ballad for Barretto 07:32
• 4 Nica's Tempo 05:49
• 5 Simone 08:37
• 6 Come Rain or Come Shine 08:26
• 7 Mulgrew the Great 07:53
• Total Runtime 51:27

Info zu Near and How

«Near and How» is an album documenting the long-standing musical partnership shared by bassist Paolo Benedettini, trumpeter Joe Magnarelli, pianist Bruno Montrone and drummer Adam Pache. The music recorded is a reflection of what they have come to achieve touring together: an aesthetic deeply rooted in the jazz tradition, filtered through the modern sound of New York today, with an emphasis on original compositions and a liberal take on tunes from the standard repertoire.

The quartet first came together in Italy, though individually the members come from far and wide: Magnarelli and Benedettini are based in New York, while Montrone lives in his hometown, Bari, Italy, and the Australian born Pache now lives in Rome. The title of the album, «Near and How» refers to their separation geographically by land and sea and the way they always manage to come together with a feeling of unity and cohesion on the bandstand - and now in the studio. This musical empathy is evident as the members navigate their way through Magnarelli’s sublime composition, “Ballad For Barretto”, as well as on more energetic, explosive tracks such as the minor blues, “Simone”, where the drums take a lead role. The quartet enjoy taking risks and remaining open to where the music takes them while at the same time laying down some solid New York-style swing, as can be heard on Bill Evans’ “Show Type Tune”.

Joe Magnarelli, the featured soloist of the group, is without doubt one of the leading jazz artists on the trumpet today, having collaborated over the years with Harry Connick, Ray Barretto, Mulgrew Miller, the Carnegie Hall Orchestra and the Lincoln Center Orchestra, amongst many others. Paolo Benedettini, one of Sir Ron Carter’s prized bass students, has held stage with a staggering list of jazz greats and is a master of constructing melodic bass lines. Bruno Montrone, the youngest of the aggregation, is a gifted soloist and also a skilled accompanist, with a flexible comping style that embraces every era of the music, integral to the sound of the group. On the drums, Adam Pache exhibits that for which he has become known: taste and musicality with a warm sound and a cymbal beat that is consistently driving, providing a cushion which the band can lean on.

The album was recorded mid-tour during the summer of 2016 at MAST Recording Studios in Bari, and was engineered by Massimo Stano. The final stage of mastering took place in New York City in November 2016, with Michael Perez-Cisneros.

"AMP has a sense for quality music, this is jazz with a capital J" (Tor Hammerø, Tor de Jazz, NO)

"An album that swings effortlessly " (Roald Helgheim, Dagsavisen, NO)

"It seems that these four musicians have found each other in a very good way. A nice record that swings impeccably." (Jan Granlie, Salt Peanuts, NO)

Joe Magnarelli, trumpet
Bruno Montrone, piano
Paolo Benedettini, bass
Adam Pache, drums

Joe Magnarelli
Syracuse native Joe Magnarelli moved to New York City in 1986 and soon became a regular participant in the New York and international jazz scene. From 1987, he toured and recorded with Lionel Hampton and Brother Jack McDuff.

Joe currently has nine records out as a leader, and has played on numerous jazz labels as a sideman. In 1990, Joe was a semifinalist at the Thelonious Monk International Trumpet Competition in Washington, D.C.

Joe made his debut as a leader with 1994’s “Why Not” (Criss Cross). He followed that excellent album with three others on the Criss Cross label: “Always There” (1997), “Mr. Mags” (2000) and “Hoop Dreams” (2005).

Joe Magnarelli at Small's Jazz Club

He subsequently released "Persistence" (2007) and "My Old Flame" (2010), his first big band recording as a leader. He also made two albums co-leading a sextet with the legendary Philadelphia trumpeter John Swana: “Philly-New York Junction” (1998), and “New York-Philly Junction” (2003).

In 2003-2006, Mags performed with the great Latin jazz conguero Ray Barretto’s New Sextet. Joe recorded on Ray’s “Time Was, Time Is” (O+ Music), which was nominated for a Grammy.

Joe’s early career included touring and recording with Lionel Hampton, Jack McDuff, Toshiko Akioshi, Glenn Miller Orchestra, Harry Connick Jr. and the Hard Bop Quintet.

Also, Joe has worked and toured with the Vanguard Orchestra, Jane Monheit, Jon Hendricks, Jimmy Cobb, Louis Hayes, Alvin Queen, Dado Maroni, Marty Sheller, Tom Harrell Big Band, George Gruntz, Harry Whitaker, Walt Weiskopf, Grant Stewart, Charles Davis, Nick Brignola, JR Monterose, Gary Smulyan, The Carnegie Hall Orchestra, Don Sebesky, John Pizzarelli, Aretha Franklin, Rosemary Clooney, Joe Williams, Michael Feinstein, and the Lincoln Center Orchestra.

Joe is currently an adjunct professor of music at the Juilliard School of Music and Rutgers University. He also conducts clinics and master classes around the world, sharing his musical experience and his knowledge from his past teachers. These teachers have included Jack Palmer, Sal Amico, Tommy Turrentine, James Moody, Garry Dial, Arnold Jacobs, and William Vachianno.

Mags, as he is known, first played music at age 12, starting with guitar and trumpet lessons. He also picked out songs on the piano by ear. Joe’s early performance experience, from elementary through high school, came via playing the trumpet and guitar in church. Later, while attending Onondaga Community College in Syracuse, he was the pianist and choir director at the Central Baptist Church there.

In 1986, Joe received a bachelor’s degree in liberal arts from the State University of New York in Fredonia, and that year, he moved to New York City to pursue a career in music.

Dieses Album enthält kein Booklet