Tchaikovsky: Symphony No. 6 “Pathétique” / Capriccio Italien Russian National Orchestra & Mikhail Pletnev

• 1 I. Adagio - Allegro non troppo 19:15
• 2 II. Allegro con gracia 07:30
• 3 III. Allegro molto vivace 08:14
• 4 IV. Finale - Adagio lamentoso 11:30
• 5 Capriccio Italien, Op. 45 15:43
• Total Runtime 01:02:12

Info zu Tchaikovsky: Symphony No. 6 “Pathétique” / Capriccio Italien

This is the third release in the new complete Tchaikovsky Symphony cycle.

“It's far from just an updated clone of their earlier "Pathétique", which was serious fiery (E4717422). This one is a touch mellower in tone and style, with no loss at all in terms of class and firepower ...Capriccio italien impresses even more, since the work can often seem like a fun piece and little else... Fine material from this stellar team, complementing their previous "Pathétique" rather than replacing it.” (Classical FM)

“On this evidence, Mikhail Pletnev remains one of the most intelligent and stylish Tchaikovsky conductors around... [he] possesses the happy knack of making one appreciate just how much extraordinarily novel and daringly spare much of the scoring is... The Scherzo in particular ignites, the tempo challengingly swift yet without any suggestion of breathless fluster.” (Gramophone)

Russian National Orchestra
Mikhail Pletnev, conductor

Mikhail Pletnev
After his studies at the Central Special Music School, Mikhail Pletnev entered the Moscow Tchaikovsky Conservatory in 1974, where he studied with Jakob Flier and Lev Vlasenko. Aged only 21, Pletnev was the Gold Medal and First Prize winner of the 1978 Tchaikovsky International Piano Competition.

He has since appeared as soloist with the major orchestras under conductors such as Bernard Haitink, Riccardo Chailly, Valery Gergiev, Zubin Mehta, Kent Nagano and Kurt Sanderling. In 1990, following the collapse of the Soviet system, Mikhail Pletnev was able to realize his dream of forming the Russian National Orchestra. Under his artistic leadership, the RNO has become known as one of the world’s leading orchestras.

Although his conducting career is primarily focused on the RNO, he also makes appearances as a guest-conductor with such prestigious orchestras as the London Symphony Orchestra, the Berliner Sinfonieorchester and the Los Angeles Philharmonic. In September 1999, Pletnev was appointed the RNO’s Conductor Laureate and his collaboration with the orchestra has continued in many of its recordings and concerts. In February 2003, he conducted the St. Petersburg Philharmonic Orchestra at the Berliner Konzerthaus for the official opening of the Russian Year of Culture.

Mikhail Pletnev’s recordings and live performances as a pianist have proved him an outstanding interpreter of an extensive repertoire. As a composer, Pletnev’s works include the Classical Symphony, Quintet for Piano and Strings, Triptych for Symphony Orchestra, Fantasy on Kazakh Themes for Violin and Orchestra, and Capriccio for Piano and Orchestra. In December 1998, the world première of his Concerto for Viola and Orchestra took place in Moscow, with Yuri Bashmet as soloist.

His stature in Russia was formally recognized in 1995, when he was awarded the First State Prize of the Russian Federation by President Yeltsin. In 2002, he again received this honour from President Putin.

The Russian National Orchestra
has been in demand throughout the music world ever since its 1990 Moscow premiere. Of the orchestra’s 1996 debut at the BBC Proms in London, the Evening Standard wrote, “They played with such captivating beauty that the audience gave an involuntary sigh of pleasure.”

The first Russian orchestra to perform at the Vatican and in Israel, the RNO maintains an active international tour schedule, appearing in Europe, Asia and the Americas. Guest artists performing with the RNO on tour include conductors Vladimir Jurowski, Nicola Luisotti, Antonio Pappano, Alan Gilbert and Carlo Ponti, and soloists Martha Argerich, Yefim Bronfman, Lang Lang, Pinchas Zukerman, Sir James Galway and Joshua Bell, among many others. Popular with radio audiences worldwide, RNO concerts are regularly aired by National Public Radio in the United States and by the European Broadcasting Union.

The orchestra has made several recordings for PENTATONE. The RNO’s recording of Prokofiev’s Peter and the Wolf and Beintus’s Wolf Tracks, conducted by Kent Nagano and narrated by Sophia Loren, Bill Clinton and Mikhail Gorbachev, received a 2004 Grammy Award, making the RNO the first Russian orchestra to win the recording industry’s highest honor. The orchestra’s Shostakovich cycle on PENTATONE is widely acclaimed as “the most exciting cycle of the Shostakovich symphonies to be put down on disc, and easily the best recorded” (SACD.net).

A regular visitor to the Schleswig-Holstein, Gstaad and Rheingau festivals, the RNO is also the founding orchestra of Napa Valley Festival del Sole, Festival of the Arts BOCA in Florida, and the Singapore Sun Festival, and resident orchestra for multiple seasons of the Tuscan Sun Festival in Cortona, Italy.

In recognition of both its artistry and path-breaking structure, the Russian Federation recently awarded the RNO the first ever grant to a non-government orchestra.

Booklet für Tchaikovsky: Symphony No. 6 “Pathétique” / Capriccio Italien