Romantic Heroines from the Revolution to the Empire Jennifer Borghi

• Antonio Salieri (1750-1825)
• 1 Les Danaïdes: Ouverture (Andante maestoso) 06:15
• Rodolphe Kreutzer (1766-1831)
• 2 Ipsoboé: 'Anciens maîtres de la Provence' (Air) 06:06
• Christoph Willibald Gluck (1714-1787)
• 3 Alceste, Wq. 44, Act I Scene 7: 'Divinités du Styx' (Air) 03:56
• Jean-Baptiste Lemoyne (1751-1796)
• 4 Phèdre, Acte III Scène 7: Hippolyte succombe 04:58
• Johann Christian Bach (1735-1782)
• 5 Amadis de Gaule, W.G 39, Acte II Scène 2: Bientôt, l'ennemi qui m'outrage 02:09
• Christoph Willibald Gluck (1714-1787)
• 6 Iphigénie en Tauride, Wq. 46, Act IV Scene 1: 'Non, cet affreux devoir' (Air) 03:38
• Orphée et Eurydice, Wq. 41, Acte II Scène 2
• 7 Ballet des ombres heureuses 05:12
• 8 Air de furie 04:04
• Etienne-Nicolas Mehul (1763-1817)
• 9 Valentine de Milan: 'Vaillant guerrier' (Air) 03:40
• Louis-Ferdinand Herold (1791-1833)
• 10 Lasthénie: 'Songez que dans le mariage' (Air) 03:58
• Gaspare Spontini (1774-1851)
• 11 Olympie, Acte II: Ô déplorable mère 09:35
• Louis-Ferdinand Herold (1791-1833): Symphony No. 2 in D Major
• 12 I. Introduction (Largo - Allegro molto) 07:01
• 13 II. Andante 03:45
• 14 III. Rondo 04:57
• Total Runtime 01:09:14

Info zu Romantic Heroines from the Revolution to the Empire

There is no French music between Rameau and Berlioz. This assertion is still made by a number of music lovers and even a few otherwise knowledgeable musicologists, but the would-be truth must now be tempered by the increasingly enthusiastic rediscovery of an entire chapter in the history of French music between 1770 and 1830. Here is a superb illustration of that in the fields of opera and the symphony.

Jennifer Borghi, mezzo-soprano
Les Agrémens
Guy Van Waas, conductor

Keine Biografie vorhanden.

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