The Declaration of Musical Independence Andrew Cyrille Quartet

• 1 Coltrane Time 04:58
• 2 Kaddish 05:10
• 3 Sanctuary 04:16
• 4 Say 05:00
• 5 Dazzling (Perchordally Yours) 09:52
• 6 Herky Jerky 03:25
• 7 Begin 03:10
• 8 Manfred 04:03
• 9 Song for Andrew No. 1 05:38
• Total Runtime 45:32

Info zu The Declaration of Musical Independence

Der große Avant-Jazz-Schlagzeuger Andrew Cyrille – dessen Verbindungen von einer langjährigen Zusammenarbeit mit Cecil Taylor bis zu seiner Partnerschaft mit Oliver Lake und Reggie Workman im Allstar-Kollektiv Trio 3 reichen – gibt mit The Declaration of Musical Independence sein ECM-Debüt als Leader. Eingespielt mit einem Quartett, dem Gitarrist Bill Frisell, Keyboarder Richard Teitelbaum und Bassist Ben Street angehören, beginnt das Album mit einer kunstvoll-schrägen Interpretation von John Coltranes „Coltrane Time“, eröffnet von Cyrilles Solo-Schlagzeug-Intro. Die CD präsentiert danach eine Abfolge von klanglich fesselnden Neukompositionen, darunter Streets schillerndes „Say“ und Frisells tief empfundene Stücke „Kaddish“ und „Song For Andrew No. 1“, in denen seine mal schneidende, mal wogende Gitarre Erinnerungen an einige seiner besten Darbietungen für ECM wachruft. Es gibt hier zudem drei atmosphärische Spontankompositionen der Band – darunter das dynamische “Dazzling (Perchordally Yours)” – die Cyrilles eigenwilligen Sinn für perkussive Dramaturgie herausstellen. Cyrille ist auf ECM- und WATT-Alben von Musikern wie Marion Brown, Carla Bley und dem Jazz Composer’s Orchestra zu hören gewesen, das neue Album rückt diese lebende Ikone unter den Jazz-Schlagzeugern nun verdientermaßen selbst ins Rampenlicht.

Andrew Cyrille, Schlagzeug, Percussion
Bill Frisell, Gitarre
Ben Street, Kontrabass
Richard Teitelbaum, Synthesizer, Klavier

Andrew Cyrille
born in Brooklyn on November 10, 1939, studied with Philly Joe Jones in 1958 and then spent the first half of the 1960s studying in New York at Juilliard and the Hartnett School of Music. At the same time, he was performing with jazz artists ranging from Mary Lou Williams, Coleman Hawkins, and Illinois Jacquet to Kenny Dorham, Freddie Hubbard, Walt Dickerson, and Rahsaan Roland Kirk, among others. He also played with Nigerian drummer Babtunde Olatunji and worked with dancers. In 1964 he formed what would prove to be an eleven-year association with Cecil Taylor, a gig that brought him new acclaim and established him in the vanguard of jazz drumming.

Starting in 1969, Cyrille played in a number of percussion groups with notable drummers including Kenny Clarke, Milford Graves, Don Moye, Rashied Ali, Daniel Ponce, Michael Carvin, and Vladimir Tarasov. Cyrille formed his group Maono ("feelings") in 1975, with its fluid membership dictated by the forces his compositions called for rather than vice versa. Since leaving Taylor's group, he has also worked with such top-flight peers as David Murray, Muhal Richard Abrams, Mal Waldron, Horace Tapscott, James Newton, and Oliver Lake, was the drummer on Billy Bang's A Tribute to Stuff Smith (Soul Note 121216), notable for being the last studio session of Sun Ra.

An artist-in-residence and teacher at Antioch College (Yellow Springs, Ohio) from 1971 to 1973, Cyrille has also taught at the Graham Windham Home for Children in New York and is currently a faculty member at the New School for Social Research in New York City. His sterling work has earned him a number of grants and awards, mostly notably from Meet the Composer. Additionally, he has an educational video available from Alchemy Pictures.

"A great drummer; a fine writer; and a wonderful bandleader; you pass him by at your peril."--The Penguin Guide to Jazz

"A consummate modern drummer."--The New York Times

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