Bach / Scriabin / Mozart / Carter Orion Weiss

• 1 I. Overture 07:40
• 2 II. Courante 02:03
• 3 III. Gavotte I-II 03:41
• 4 IV. Passepied I-II 02:48
• 5 V. Sarabande 04:08
• 6 VI. Bourree I-II 02:26
• 7 VII. Gigue 02:50
• 8 VIII. Echo 02:57
• 9 Piano Sonata No. 5 in F sharp major, Op. 53 12:43
• 10 6 Variations in F major on Paisiello's Salve tu, Domine, K. 398 07:11
• 11 I. Maestoso 11:08
• 12 II. Andante 14:39
• Total Runtime 01:14:14

Info zu Bach / Scriabin / Mozart / Carter

This wonderfully varied recital, recorded in Zipper Hall at Colburn School in Los Angeles, showcases both Weiss’s impeccable technique and his considerable interpretive skills as he tackles Bach, Scriabin, Mozart and Carter. Great dynamic expressiveness captured in almost unlimited tonal colour through a precise, sensitive and beautiful recording.

Performing Bach’s French Overture with the requisite precision and clarity of line, Weiss wrests from the mathematical counterpoint ephemeral moments of elegance and great beauty. Scriabin’s fiery fifth sonata showcases Mr. Weiss’s dynamism and delicacy as well as his ability to produce a breathtakingly broad range of warm, mid-keyboard colors contained within this impressionistic piece that ends as furiously (and explosively) as it begins. Switching to Mozart’s Paisiello Variations, Weiss elicits a warmer, softer, authentically Mozartian, playful Spring-like tone, while demonstrating his right hand’s extraordinary dexterity and precision on the upper reaches of the keyboard.

The recital concludes with Elliott Carter’s piano sonata (in two movements) a modern but accessible work that couldn’t be more different from, but no less enticing than, the Mozart. Who better than a confident youngster, brimming with talent and youthful vigor, to tackle this brooding, sharp-edged composition that aptly expresses the tribulations and uncertainties of today’s hectic existence?

Orion Weiss
One of the most sought-after soloists in his generation of young American musicians, the pianist Orion Weiss has performed with the major American orchestras, including the Chicago Symphony, Boston Symphony, Los Angeles Philharmonic, and New York Philharmonic. His deeply felt and exceptionally crafted performances go far beyond his technical mastery and have won him worldwide acclaim. With a warmth to his playing that reflects his personality, Orion has performed with dozens of orchestras in North America and has dazzled audiences with his passionate, lush sound.

Recent seasons have seen Weiss in performances for the Lucerne Festival, the Denver Friends of Chamber Music, the University of Iowa, the Chamber Music Society of Lincoln Center, the Kennedy Center’s Fortas Series, the 92nd Street Y, and the Broad Stage, and at Aspen, Bard, and Grand Teton summer festivals. Other highlights include his third performance with the Chicago Symphony, a performance of Beethoven's Triple Concerto with the Saint Paul Chamber Orchestra, the release of his recording of Christopher Rouse’s Seeing, and recordings of the complete Gershwin works for piano and orchestra with his longtime collaborators the Buffalo Philharmonic and JoAnn Falletta.

Named the Classical Recording Foundation’s Young Artist of the Year in September 2010, in the summer of 2011 Weiss made his debut with the Boston Symphony Orchestra at Tanglewood as a last-minute replacement for Leon Fleisher. In recent seasons, he has also performed with the Los Angeles Philharmonic, San Francisco Symphony, Philadelphia Orchestra, Pittsburgh Symphony, Toronto Symphony Orchestra, National Arts Centre Orchestra, and Orpheus Chamber Orchestra, and in duo summer concerts with the New York Philharmonic at both Lincoln Center and the Bravo! Vail Valley Festival. In 2005, he toured Israel with the Israel Philharmonic Orchestra conducted by Itzhak Perlman.

Also known for his affinity and enthusiasm for chamber music, Weiss performs regularly with the violinists Augustin Hadelich, William Hagen, Benjamin Beilman, James Ehnes, and Arnaud Sussman; the pianist Shai Wosner; the cellist Julie Albers; and the Ariel, Parker, and Pacifica Quartets. As a recitalist and chamber musician, Weiss has appeared across the U.S. at venues and festivals including Lincoln Center, the Ravinia Festival, Sheldon Concert Hall, the Seattle Chamber Music Festival, La Jolla Music Society SummerFest, Chamber Music Northwest, the Bard Music Festival, the Bridgehampton Chamber Music Festival, the Kennedy Center, and Spivey Hall. He won the 2005 William Petschek Recital Award at Juilliard and made his New York recital debut at Alice Tully Hall that April. Also in 2005, he made his European debut in a recital at the Musée du Louvre in Paris. He was a member of the Chamber Music Society Two program of the Chamber Music Society of Lincoln Center from 2002-2004, which included his appearance in the opening concert of the Society’s 2002-2003 season at Alice Tully Hall performing Ravel’s La Valse with Shai Wosner.

Weiss’s impressive list of awards includes the Gilmore Young Artist Award, an Avery Fisher Career Grant, the Gina Bachauer Scholarship at the Juilliard School, and the Mieczyslaw Munz Scholarship. A native of Lyndhurst, OH, Weiss attended the Cleveland Institute of Music, where he studied with Paul Schenly, Daniel Shapiro, Sergei Babayan, Kathryn Brown, and Edith Reed. In February of 1999, Weiss made his Cleveland Orchestra debut performing Liszt’s Piano Concerto No. 1. In March 1999, with less than 24 hours’ notice, Weiss stepped in to replace André Watts for a performance of Shostakovich’s Piano Concerto No. 2 with the Baltimore Symphony Orchestra. He was immediately invited to return to the Orchestra for a performance of the Tchaikovsky Piano Concerto in October 1999. In 2004, he graduated from the Juilliard School, where he studied with Emanuel Ax.

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