Beethoven: Appassionata, Les adieux & Waldstein Olga Pashchenko

• Ludwig van Beethoven (1770 - 1827): Piano Sonata No. 21 in C Major, Op. 53 "Waldstein":
• 1 Piano Sonata No. 21 in C Major, Op. 53 "Waldstein": I. Allegro con brio 11:28
• 2 Piano Sonata No. 21 in C Major, Op. 53 "Waldstein": II. Introduzione. Adagio molto 04:00
• 3 Piano Sonata No. 21 in C Major, Op. 53 "Waldstein": III. Rondo. Allegretto moderato - Prestissimo 10:26
• Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata":
• 4 Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": I. Allegro assai 10:27
• 5 Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": II. Andante con moto 06:38
• 6 Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": III. Allegro ma non troppo - Presto 08:55
• Piano Sonata No. 26 in E-Flat Major, Op. 81a "Les adieux":
• 7 Piano Sonata No. 26 in E-Flat Major, Op. 81a "Les adieux": I. Das Lebewohl. Adagio 07:06
• 8 Piano Sonata No. 26 in E-Flat Major, Op. 81a "Les adieux": II. Abwesenheit. Andante espressivo 04:16
• 9 Piano Sonata No. 26 in E-Flat Major, Op. 81a "Les adieux": III. Das Wiedersehen. Vivacissimamente 06:32
• Total Runtime 01:09:48

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Die Komponisten Arnold und Hugo de Lantins kamen ursprünglich aus dem bischöflichen Fürstentum Lüttich. Gemeinsam mit Johannes Ciconia, der ebenfalls aus Lüttich kam, machten sie sich auf den Weg nach Italien. Vor allem in Pesaro und Venedig, wo Abschriften ihrer Werke erhalten sind, gibt es Belege für ihr Wirken in den 1420er und 1430er Jahren. Durch den Austausch mit ihrem berühmten Zeitgenossen Guillaume Dufay kombinierten die Brüder de Lantins in ihrem Stil altertümliche Charakteristika mit den frühesten Merkmalen der Renaissance.

Le Miroir de Musique bieten uns eine große Auswahl an französischen und italienischen Liedern, die unseren Blick auf die kulturellen Feinheiten am italienischen Hof im frühen 15. Jahrhundert weiten.

Olga Pashchenko, Klavier

Olga Pashchenko - Harpsichordist, Pianist, Fortepianist and Organist
is a young artist who has already established a reputation as a versatile performer with her own individual style of performance notable for sensitiveness toward different musical styles, virtuosity, wealth of color and special approach to each instrument she plays.

Olga Pashchenko was born in 1986 in Moscow. She began her musical studies at the age of six in the Children’s Myaskovski Music School in the piano class of Sofia Genis. 1993 became laureate of the All-Russian Young Pianists’Competition.

In 1993 Olga entered the Moscow Special Gnessin Music School where she studied piano with Tatiana Zelikman and harpsichord with Olga Martynova. She gave her first piano recital in New York at the age of 9. In 2002 was granted the scholarship of the fund “Russian Performance Art”. In 2003 became laureate of the Third International Gnessin Young Artists Competition and the Third International Beethoven Festival of Chamber Music..

Olga Pashchenko performs regularly as harpsichordist, pianist, organist and fortepianist in various concert halls in Moscow and other cities of Russia, Belarus, Italy, USA, Austria, Belgium, France, Germany; took part in different festivals such as Seiler Festival (Germany) 2005, Poeke Fortepiano Festival (Belgium) 2006, Karlsruhe (Germany) 2009, Florence – Project of the Harvard University Centre for Renaissance Studies at Villa I Tatti (Italy) 2007, 2008, 2009, 2010, Utrecht Oude Muziek Festival (Holland) 2010. The repertoire of the artist embraces music from 16th to 21st century and includes solo music, chamber music, and concertos with orchestra.

Olga Pashchenko is in the team of the Young Artists of the Accademia Villa Bossi in Bodio (Varese - Italy).

Current awards / prizes:

2012 / Winner of the international competition for piano ' Hans Von Bulow and special prize for best performance of works by Chopin

2012 / Second prize and for best appreciation by the public of competition Musica Antiqua in Bruges in the clavicembalo

2012 / Category Winner and critics prize at the international competition of fortepiano ' Ferrari ' Prize in Rovereto

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