Boismortier: Sonatas Opp. 44 & 91, Suites, Op. 35 Musica Ad Rhenum & Jed Wentz

Cover Boismortier: Sonatas Opp. 44 & 91, Suites, Op. 35

Album Info

Album Veröffentlichung:
2017

HRA-Veröffentlichung:
06.01.2017

Label: Brilliant Classics

Genre: Classical

Subgenre: Chamber Music

Interpret: Musica Ad Rhenum & Jed Wentz

Komponist: Joseph Bodin de Boismortier (1689-1755)

Das Album enthält Albumcover Booklet (PDF)

?

Formate & Preise

Format Preis Im Warenkorb Kaufen
FLAC 96 $ 13,50
  • Joseph Bodin de Boismortier (1689-1755): Suite No. 1 in E Minor, Op. 35:
  • 1 I. Prélude. Lentement 02:32
  • 2 II. Allemande. Modérément 01:36
  • 3 III. Rondeau "Les charites". Gracieusement 02:34
  • 4 IV. "L'emerveillée". Gaiment 00:32
  • 5 V. Gavotte 01:48
  • 6 VI. Menuet 01:00
  • Suite No. 2 in G Major, Op. 35:
  • 7 I. Prélude. Lentement 03:03
  • 8 II. Bourée 00:49
  • 9 III. Musette en rondeau. Gracieusement 01:47
  • 10 IV. Gigue 00:52
  • 11 V. Rigaudon 1 & 2 02:31
  • Suite No. 3 in G Minor, Op. 35:
  • 12 I. Prélude. Lentement 02:40
  • 13 II. Courante 01:42
  • 14 III. Rondeau. Gravement 03:46
  • 15 IV. Autre rondeau. Gaiment 01:18
  • 16 V. Sarabande 01:48
  • 17 VI. Gavotte 01:39
  • Suite No. 4 in D Major, Op. 35:
  • 18 I. Prélude. Lentement 02:33
  • 19 II. Air. Gaiment 00:51
  • 20 III. Rondeau. Gaiment 01:31
  • 21 IV. Air. Doucement, et mesuré 01:50
  • 22 V. Musette. Gracieusement 02:08
  • Suite No. 5 in B Minor, Op. 35:
  • 23 I. Prélude. Lentement 02:41
  • 24 II. Bourée en rondeau 00:57
  • 25 III. Rondeau. Graciesement 03:06
  • 26 IV. Fantaisie. Vivement 01:00
  • 27 V. Gigue 01:53
  • Suite No. 6 in A Major, Op. 35:
  • 28 I. Prélude. Lentement 02:30
  • 29 II. Allemande. Modérément 01:35
  • 30 III. Ramage. Doucement. Gaiment 02:38
  • 31 IV. Menuet 1 & 2 02:46
  • Sonata No. 1 in D Major, Op. 44:
  • 32 I. Adagio. Allegro. Adagio 02:00
  • 33 II. Allegro 02:31
  • 34 III. Siciliana 03:34
  • 35 IV. Allegro 02:27
  • Sonata No. 2 in B Minor, Op. 44:
  • 36 I. Vivace 01:50
  • 37 II. Presto 01:27
  • 38 III. Aria. Affettuoso 02:42
  • 39 IV. Giga 01:23
  • Sonata No. 3 in G Major, Op. 44:
  • 40 I. Vivace 02:24
  • 41 II. Allegro 02:32
  • 42 III. Adagio 01:49
  • 43 IV. Allegro 02:22
  • Sonata No. 4 in E Minor, Op. 44:
  • 44 I. Largo 03:21
  • 45 II. Allegro 03:22
  • 46 III. Aria. Andante 02:34
  • 47 IV. Allegro 02:31
  • Sonata No. 5 in A Major, Op. 44:
  • 48 I. Andante 02:39
  • 49 II. Allegro 02:57
  • 50 III. Adagio 02:04
  • 51 IV. Gavotta 02:24
  • Sonata No. 6 in G Minor, Op. 44:
  • 52 I. Andante 03:48
  • 53 II. Allegro 01:30
  • 54 III. Aria. Affetuoso 02:06
  • 55 IV. Giga 01:24
  • Sonata No. 1 in D Major, Op. 91:
  • 56 I. Sicilienne 02:38
  • 57 II. Gayement 02:52
  • 58 III. Gracieusement 03:17
  • 59 IV. Gayement 03:03
  • Sonata No. 2 in G Minor, Op. 91:
  • 60 I. Gayement 03:24
  • 61 II. Gracieusement 04:19
  • 62 III. Gayement 02:51
  • Sonata No. 3 in G Major, Op. 91:
  • 63 I. Rondement. Gayement 03:53
  • 64 II. Air. Gracieusement 02:26
  • 65 III. Gayement 03:06
  • Sonata No. 4 in E Minor, Op. 91:
  • 66 I. Gayement 03:10
  • 67 II. Gracieusement 03:15
  • 68 III. Gayement 03:45
  • Sonata No. 5 in A Major, Op. 91:
  • 69 I. Legerement 03:48
  • 70 II. Gracieusement 02:43
  • 71 III. Gayement 03:26
  • Sonata No. 6 in C Minor, Op. 91:
  • 72 I. Gayement 03:34
  • 73 II. Gracieusement 02:12
  • 74 III. Menuet I & 2 02:53
  • Total Runtime 02:58:12

Info zu Boismortier: Sonatas Opp. 44 & 91, Suites, Op. 35

Recordings of de Boismortier are apt to give unfailing pleasure: his music is as grateful on the ear as it is sympathetic to play, always effortlessly stylish, rarely aspiring towards profundity, centred around the recorder and flute of which he was an accomplished performer, capturing to perfection the elegant aesthetic of the French Baroque style.

This set shares those qualities, with the additional appeal of comprehensiveness. No survey of the French Baroque would be complete without Boismortier, but few performers have committed to disc more than a Sonata or Suite here and there, cherry‐picking from the composer’s prolific output of over one hundred published opus numbers, most of which contain six separate works.

Agreeable melodies apparently poured out of Boismortier; the Op.35 Suites and Op.44 Sonatas were written in 1731 and 1733 respectively, during a golden period of composition for him, and a highly profitable one, since he had acquired a royal warrant to engrave and publish all his own work. The Op.91 Sonatas date from the beginning of the 1740s, shortly before he became music director at the Théâtre de la foire in Paris. Here Boismortier achieved a perfect, an almost seamless blend of the French and Italian styles.

Jed Wentz is a scholar and flutist who has made many critically acclaimed recordings for Brilliant Classics, most of them with his own ensemble, Musica ad Rhenum, which consists of a flexible line‐up of no less stylish and experienced earlymusic performers. On this recording he is joined by gambist Cassandra Luckhardt, cellist Job ter Haar and harpsichordist Michael Borgstede. As usual Wentz contributes his own wide‐ranging essay to the booklet, including research which makes clear that a dogmatic, score‐bound performance will not do for Boismortier any more than it would for Brahms.

Jed Wentz, flauto traverso
Musica Ad Rhenum



Keine Biografie vorhanden.

Booklet für Boismortier: Sonatas Opp. 44 & 91, Suites, Op. 35

© 2010-2024 HIGHRESAUDIO