3 American Sonatas Cho-Liang Lin & Jon Kimura Parker

• Paul Schoenfeld (b. 1947): Violin Sonata:
• 1 Violin Sonata: I. Vanishing Point 06:15
• 2 Violin Sonata: II. Intermezzo 07:14
• 3 Violin Sonata: III. Romanza 04:27
• 4 Violin Sonata: IV. Freilach 05:30
• Steven Stucky ( 1949 - 2016): Violin Sonata:
• 5 Violin Sonata: I. Calmo 06:52
• 6 Violin Sonata: II. Interlude 04:38
• 7 Violin Sonata: III. Scherzo - Finale 07:26
• John Harbison (b. 1938): Violin Sonata No. 1:
• 8 Violin Sonata No. 1: I. Sinfonia 04:29
• 9 Violin Sonata No. 1: II. Intermezzo 03:10
• 10 Violin Sonata No. 1: III. Aria 02:23
• 11 Violin Sonata No. 1: IV. Rondo - V. Poscritto 04:37
• Leonard Bernstein (1918 - 1990):
• 12 Canon for Aaron 02:35
• Total Runtime 59:36

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A meeting of true musical minds, Cho-Liang Lin and Jon Kimura Parker make a stellar duo, radiating what’s been described as ‘joyful rapport’: they love playing together, and so we love to hear them. Spectacular virtuosi, they have outstanding careers as soloists, based in North America. But there’s more – alongside the technical wizardry, each is a busy teacher, mentor to emerging artists, and artistic director of festivals and competitions; and they’ve enlarged the repertoire with numerous commissions. Chamber music is vitally important to them, not least in this recital partnership of more than a decade.

The three sonatas on this recording were written at the behest of violinist Cho-Liang Lin, who worked closely with each composer at their premiere performance. Paul Schoenfeld’s Violin Sonata references literary influences and the composer’s past as well as his Jewish heritage in the work’s final Freilach or “joyous dance”. Steven Stucky acknowledged Debussy as the source of inspiration in his work, while the alchemy of John Harbison’s style creates music that is simultaneously abstract and narrative. Wryly introduced as “crazy modern music”, Bernstein’s brief Canon for Aaron was composed for Copland’s 70th birthday celebrations.

Cho-Liang Lin, violin
Jon Kimura Parker, piano

Cho-Liang Lin
was born in Taiwan. A neighbor’s violin studies convinced this 5-year old boy to do the same. At the age twelve, he moved to Sydney to further his studies with Robert Pikler, a student of Jenő Hubay. After playing for Itzhak Perlman in a master class, the 13-year old boy decided that he must study with Mr. Perlman’s teacher, Dorothy DeLay. At the age fifteen, Lin traveled alone to New York and auditioned for the Juilliard School and spent the next six years working with Ms DeLay.

A concert career was launched in 1980 with Lin’s debut playing the Mendelssohn Concerto with the New York Philharmonic and Zubin Mehta . He has since performed as soloist with virtually every major orchestra in the world. His busy schedule on stage around the world continues to this day. However, his wide ranging interests have led him to diverse endeavors. At the age of 31, his alma mater, Juilliard School, invited Lin to become faculty. In 2006, he was appointed professor at Rice University. He is currently music director of La Jolla SummerFest and the Hong Kong International Chamber Music Festival. Ever so keen about education, he was music director of the Taiwan National Symphony music camp and youth orchestra for four years.

In his various professional capacities, Cho-Liang Lin has championed composers of our time. His efforts to commission new works have led a diverse field of composers to write for him. The list includes John Harbison, Christopher Rouse, Tan Dun, John Williams, Steven Stucky, Esa-Pekka Salonen, Bright Sheng, Paul Schoenfield, Lalo Schifrin, Joan Tower and many more. Recently, he was soloist with the New York Philharmonic, Detroit Symphony, Munich Philharmonic, Toronto Symphony, Cincinnati Symphony, Nashville Symphony and Royal Philharmonic.

Lin performs on the 1715 Stradivari named “Titian” or a 2000 Samuel Zygmuntowicz. His many concerto, recital and chamber music recordings on Sony Classical, Decca, BIS, Delos and Ondine can be heard on Spotify or Naxos.com. His albums have won Gramophone Record Of The Year, Grammy nominations and Penguin Guide Rosettes.

Jon Kimura Parker
is known for his charisma, infectious enthusiasm, and dynamic performances. A veteran of the international concert stage, he has performed regularly in the Berlin Philharmonie, Carnegie Hall, London’s South Bank, the Sydney Opera House, and the Beijing Concert Hall. He was recently named Creative Partner for the Minnesota Orchestra’s Summer at Orchestra Hall, serves as the Artistic Director for the Honens International Piano Competition and Artistic Advisor for the Orcas Island Chamber Music Festival, and is on the faculty of the Shepherd School of Music at Rice University. Highlights of his 2019-20 season includes performances of the Barber, Grieg, Tchaikovsky, and complete Beethoven concertos with the Toronto Symphony, Fort Worth Symphony, Colorado Music Festival, and others. He also appears in programs for the Chamber Music Society of Lincoln Center, Ravinia Festival, Seattle Chamber Music Festival, and Toronto Summer Music. In addition, he performs widely throughout North America and Europe with the Montrose Trio (together with violinist Martin Beaver and cellist Clive Greensmith), and will be undertaking an extensive tour of Australia together with violinist Cho-Liang Lin.

A collaborator in a wide variety of styles, Jon Kimura Parker has performed with Doc Severinsen, Audra McDonald, Bobby McFerrin, Pablo Ziegler, and Sanjaya Malakar. As a founding member of Off the Score, he also performed with Stewart Copeland – the legendary drummer of The Police – for the Orcas Island Chamber Music Festival’s 20th Anniversary Season, featuring his own arrangements of music by Prokofiev, Ravel and Stravinsky.

Parker’s discography of a dozen albums features music ranging from Mozart and Chopin to Barber and Stravinsky. His most recent recording “Fantasy,” built around Schubert’s “Wanderer” Fantasy, was described by Musical Toronto as giving “a big, clear picture window of a rich soul and great artistic depth.” His YouTube channel features a series of Concerto Chat videos, which explore the piano concerto repertoire.

Jon Kimura Parker studied with Edward Parker and Keiko Parker, Lee Kum-Sing at the Vancouver Academy of Music and the University of British Columbia, Marek Jablonski at the Banff Centre, and Adele Marcus at The Juilliard School. After winning the Gold Medal at the 1984 Leeds International Piano Competition, Parker has gone on to become an Officer of The Order of Canada and to receive Honorary Doctorates from the University of British Columbia and the Royal Conservatory of Music, Toronto.

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