Vulture Culture (2024 Remaster) The Alan Parsons Project

Album Info

Album Veröffentlichung:
1985

HRA-Veröffentlichung:
05.07.2024

Label: Ariola

Genre: Rock

Subgenre: Hard Rock

Interpret: The Alan Parsons Project

Das Album enthält Albumcover

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  • 1 Let's Talk About Me (2024 Remaster) 04:22
  • 2 Separate Lives (2024 Remaster) 05:03
  • 3 Days Are Numbers (The Traveller) [2024 Remaster] 04:28
  • 4 Sooner or Later (2024 Remaster) 04:26
  • 5 Vulture Culture (2024 Remaster) 05:21
  • 6 Hawkeye (2024 Remaster) 03:48
  • 7 Somebody Out There (2024 Remaster) 04:56
  • 8 The Same Old Sun (2024 Remaster) 05:24
  • Total Runtime 37:48

Info zu Vulture Culture (2024 Remaster)

A twist on the expression used to describe unworldly people steeped in the arts (Culture Vulture) and reflected the ever increasing ruthlessness of mankind in a world of stark economic reality.

On holiday, Eric met some people who lived in Las Vegas and who talked enthusiastically about the opportunities there for taking advantage of those who had fallen on hard times. It was apparently common that people with financial problems would be forced to sell their homes virtually overnight at ridiculously low prices, and these people would acquire such houses, redecorate them and sell them on for much higher prices.

They also had a scheme which took advantage of over-booking on aircraft. They had a friend working at Las Vegas airport who let them know when a flight was overbooked, thereupon they made a booking on the same flight, turned up at the airport and were offered money and mileage points to give up their seat which they were more than happy to do! To cap it all, they would then write to the president of the airline thanking him profusely for the courteous way they were ‘bumped’ off the flight and the president would write back with a gift of even more mileage points. In this way, they managed to travel round the world first class at virtually no cost! Bearing in mind the well known phrase ‘Culture Vulture’ used to describe a person well versed in the arts, Eric described these activities as part of a ‘Vulture Culture’ and this concept of man’s inhumanity to man (and airlines!) was the underlying theme of this album.

Around this time, there had been reports of an imposter passing himself off as Eric Woolfson and trying to obtain money from people on a scam related to luxury cars and yachts. Possibly the same individual, or another Woolfson imposter contacted a reporter at Billboard magazine and apparently gave an interview. When Eric met the reporter whom he knew, a month or so later, Eric commented that it was nice to see him again after a gap of a year or two and the reporter said ‘don’t be ridiculous, I spoke to you last month’. Around the same time, Eric met with the guitarist Al Di Meola at a record convention. Eric had never met Al before, but Al berated him for making him fly the other end of the country to make him attend a non-existent recording session. Eric apologized profusely for the inconvenience caused, which was nothing to do with him, but clearly an imposter had struck again. All of this was encapsulated in the song ‘Somebody out There’ and 20 years later in 2006, history seemed to have repeated itself when an imposter struck again.

"Vulture Culture's theme is another in which the fallacy of humankind is front and center. This time Parsons' message concerns the fact that everyone lives in a parasitic society, where it's every man for himself. Those who can't fend for themselves simply won't survive in a world where the kindness of the human spirit is rapidly deteriorating. On this album, though, the songs are weaker and are less effective in bringing out the album's complex idea. As it does have its moments, Vulture Culture lacks in cohesiveness and strength both lyrically and, to a lesser extent, musically. "Let's Talk About Me" addresses the theme in its words, but the choppy rhythm takes away the attractiveness that could have been. The instrumental "Hawkeye" adds life and contrast to the album at just the right time. The most appealing song, "Days Are Numbers (The Traveller)" with vocalist Chris Rainbow at the helm, combines simplicity with a timeless chorus making for a truly beautiful ballad. Even though Parsons' theme is revealed, it's done so with less clarity and doesn't quite hit home. Without the usual balance of absorbing lyrics and well-maintained music, Vulture Culture remains one of this band's less prolific albums." (Mike DeGagne, AMG)

Ian Bairnson, guitar
Colin Blunstone, vocals
Richard Cottle, synthesizer, keyboards, saxophone
Stuart Elliott, percussion, drums
Mr. Laser Beam, vocals, speech/speaker/speaking part
Alan Parsons, keyboards, programming, vocals
David Paton, bass, guitar, vocals
Chris Rainbow, vocals
Eric Woolfson, piano, keyboards, vocals
Lenny Zakatek, vocals

Recorded May – July 1984 at Abbey Road Studios, London
Engineered by Alan Parsons
Produced by Alan Parsons, Eric Woolfson

Digitally remastered

Please Note: We offer this album in its native sampling rate of 44.1 kHz, 24-bit. The provided 88.2 kHz version was up-sampled and offers no audible value!



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Dieses Album enthält kein Booklet

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