Album Info

Album Veröffentlichung:
2022

HRA-Veröffentlichung:
12.08.2022

Label: Navona

Genre: Classical

Subgenre: Choral

Interpret: The Crossing & Donald Nally

Komponist: Edie Hill (1962), Michael Gilbertson (1987)

Das Album enthält Albumcover

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Formate & Preise

Format Preis Im Warenkorb Kaufen
FLAC 96 $ 14,50
  • Michael Gilbertson (b. 1987): Born:
  • 1 Gilbertson: Born 09:45
  • Edie Hill (b. 1962): Spectral Spirits:
  • 2 Hill: Spectral Spirits: I. Prelude. These Birds 02:22
  • 3 Hill: Spectral Spirits: II. Eyewitness. Henry David Thoreau and the Passenger Pigeon 01:40
  • 4 Hill: Spectral Spirits: III. The Naming 00:15
  • 5 Hill: Spectral Spirits: IV. Passenger Pigeon 06:41
  • 6 Hill: Spectral Spirits: V. Eyewitness. Gert Goebel and the Paroquets 01:43
  • 7 Hill: Spectral Spirits: VI. The Naming 00:17
  • 8 Hill: Spectral Spirits: VII. Carolina Parakeet 03:27
  • 9 Hill: Spectral Spirits: VIII. Eyewitness. Lucien M. Turner and the Migration of the Curlews 03:50
  • 10 Hill: Spectral Spirits: IX. The Naming 00:20
  • 11 Hill: Spectral Spirits: X. Eskimo Curlew 03:55
  • 12 Hill: Spectral Spirits: XI. Eyewitness. Mr. Wilson and the Ivory-Bill 02:07
  • 13 Hill: Spectral Spirits: XII. The Naming 00:19
  • 14 Hill: Spectral Spirits: XIII. Ivory-Billed Woodpecker 05:11
  • Michael Gilbertson: Returning, Pt. 1:
  • 15 Gilbertson: Returning, Pt. 1: What Knits Us 09:32
  • Returning, Pt. 2:
  • 16 Gilbertson: Returning, Pt. 2: I Thought of Staying Quiet 09:23
  • Total Runtime 01:00:47

Info zu Born

Contemporary music needn’t sacrifice order and aesthetic appeal, even when it deals with complex issues. A glowing example of this is BORN: THE MUSIC OF EDIE HILL AND MICHAEL GILBERTSON, with conductor Donald Nally leading GRAMMY-winning professional chamber choir The Crossing on a breathtakingly beautiful expedition into themes of extinctions, relationships and their complexities, loss, and love.

Throughout this splendid amalgamation of Hill’s and Gilbertson’s ethereal, energetic, raw, and impactful compositions, the nuance of Nally’s conducting, and The Crossing’s superb expressiveness are ever-present. Singing that is transcendent and authentic.

The Crossing
Donald Nally, conductor



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