Full Moon in the City George Sakakeeny

• Augusta Read Thomas (1964-): Bassoon Concertino (2014)
• 1 I. Paul Klee, Rope Dancer (Homage to Hans Abrahamsen) 03:13
• 2 II. Wassily Kandinsky, Sky Blue (Homage to Ben Sorensen) 05:04
• 3 III. Joan Miro, Ladders Across the Blue Sky in a Wheel of Fire (Homage to Poul Ruders) 03:26
• Libby Larsen (1950-): Full Moon in the City
• 4 I. …at 3 am 05:36
• 5 II. Juking the Moon 03:57
• 6 III. …5 am 04:31
• Russell Platt (1965-): Concerto for Bassoon and Strings
• 7 I. Slow 08:11
• 8 II. Sostenuto, Like a Dream 01:53
• 9 III. Still Slow - Cadenza - Fast 09:09
• Peter Schickele (1935-): Concerto for Bassoon and Orchestra
• 10 I. Blues 05:54
• 11 II. Intermezzo 04:18
• 12 III. Scherzo 06:56
• 13 IV. Song 05:23
• 14 V. Romp 01:54
• Total Runtime 01:09:25

Info zu Full Moon in the City

Full moon in the city, a stroll for bassoon and strings, imagines a bassoon after hours, walking in the club district of an unnamed city. A triptych, it features movements titled “...at 3 am,” “Juking the Moon,” and “...5 am.” The affect of the music borders on jazz but is not jazz—rather, it is a noir portrait of echoes of late- night music, the kind of music that evokes party fatigue and staying up all night.

The movements “...at 3 am” and “...5 am” use the form of meander to move somewhere but stay in the same place—on the same block of the same street, if you will. “Juking* the Moon” muses on the bassoon around 4 a.m., strolling along the street, hearing fragments of songs about the moon** as juke boxes and bar musicians play out into the night.

I’m proud to say that George Sakakeeny is my friend. I am in awe of his talent, and I am humbled by his generosity as a teacher. We also have a good deal of fun together, and that is how this work came to be—through our friendship, deep and not so deep conversations, and devotion to music as a way of life. (Libby Larson)

Oberlin Conservatory Music Ensemble
Timothy Weiss, conductor
Oberlin Sinfonietta
Timothy Weiss, conductor
Oberlin Orchestra
Raphael Jiménez, conductor

George Sakakeeny
has appeared as a soloist with orchestras throughout North and South America, Europe, and the Far East, including engagements in Vienna at the historic Musikverein, with the Cleveland Orchestra at Severance Hall, in Paris with members of the French National Orchestra, and on a nationally televised concert in Japan under the baton of Seiji Ozawa. Three major works for bassoon and orchestra have been written for him: Libby Larsen’s full moon in the city (2013), Peter Schickele’s Bassoon Concerto (1998), and Viennese composer Alexander Blechinger’s Faggottkonzert (1997).

In 1993, Sakakeeny performed the world premiere of Michael Daugherty’s Dead Elvis with Boston Musica Viva. As a soloist, he has recorded Blechinger’s Faggottkonzert with the Kiev Camerata for the Harmonia Classica label.

In addition to his position at the Oberlin Conservatory, Sakakeeny serves as visiting professor for graduate studies at Simon Bolivar University in Caracas, Venezuela, and guest professor at the Central Conservatory of Music of Beijing. He is also principal bassoonist of the Eastern Music Festival Orchestra each summer.

Sakakeeny formerly held principal bassoon positions of the New Japan Philharmonic, Handel & Haydn Society of Boston, Opera Company of Boston, Boston Musica Viva, Promusica Chamber Orchestra of Columbus, and CityMusic Cleveland. He has also served as principal bassoonist of the Grand Teton Music Festival, New Hampshire Music Festival, and Peninsula Festival, and has performed extensively with the Boston Symphony and Boston Pops orchestras.

Many of Sakakeeny's former students have gone on to hold positions in symphony orchestras, chamber ensembles, and universities throughout North and South America and the Far East. He has been invited to teach master classes at three conferences of the International Double Reed Society and is regularly invited to serve as a jury member for national and international competitions. He also serves in an ongoing capacity as wind coach and bassoon teacher in the Venezuelan National Youth Orchestra System, known as El Sistema. His contributions include teaching master classes to orchestra members, leading wind sectionals, and providing training to the bassoon teachers of El Sistema through his position as guest professor of the Latin American Bassoon Academy.

Sakakeeny has given numerous solo recitals and taught master classes at leading institutions such as the Paris Conservatory, the Juilliard School, Tchaikovsky National Music Academy in Kiev, Rice University, and the Tokyo University of the Fine Arts. He has served in longer-term teaching residencies at the Central Conservatory of Music in Beijing, Shanghai Conservatory of Music, Seoul National University, and the Conservatoire National Supérieur Musique et Danse in Lyon, France.

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