Le mystère de 'Malheur me bat' Huelgas Ensemble & Paul van Nevel

• Praecantem: Anonymous
• 1 O Dieu d'amours et qu'as tu fait 04:29
• Metamorphosis I: Alexander Agricola (1446-1506)
• 2 Missa Malheur me bat: Sanctus 09:45
• Abertijne Malcourt (c. 1483)
• 3 Malheur me bat / Contrafact: De malle heure fus-je oncques née (à 2 & 3) 02:39
• Metamorphosis II: Jacob Obrecht (1457-1505)
• 4 Missa Malheur me bat: Sanctus 11:09
• Anonymous
• 5 Malheur me bat / Contrafact: De malle heure fus-je oncques née 02:41
• Metamorphosis III: Alexander Agricola (1446-1506)
• 6 Missa Malheur me bat: Agnus Dei 07:42
• Johannes Ockeghem (1410-1497)
• 7 Malheur me bat / Contrafact: O Dieu d'amours 02:26
• Metamorphosis IV: Antonio de Cabezón (1510-1566)
• 8 Tiento de cuarto tono sobre Malheur me bat 03:06
• Josquin Desprez (1450-1521): Apothedsis
• 9 Missa Malheur me bat: Agnus Dei I 03:06
• 10 Missa Malheur me bat: Agnus Dei II 02:06
• 11 Missa Malheur me bat: Agnus Dei III 02:47
• 12 Missa Malheur me bat: Agnus Dei III 02:45
• 13 Missa Malheur me bat: Agnus Dei III 03:05
• Total Runtime 57:46

Info zu Le mystère de 'Malheur me bat'

Das Huelgas Ensemble, von Paul van Nevel 1970 gegründet, gehört zu den besten Vokalensembles der Welt und widmet sich besonders der Mehrstimmigkeit des Mittelalters und der Renaissance. Immer wieder überraschen die Musiker mit ihren originellen Programmen für die sie von der Presse hoch gelobt werden: 'Auf zwei Dinge kann man sich bei van Nevel immer verlassen: Was er ausgräbt, ist ausnahmslos wunderschöne Musik, und er bietet sie mit seinem Huelgas Ensemble stets auf höchstem Niveau.' (BR)

Die anonym überlieferte Chanson 'Malheur me bat' (Das Unglück schlägt mich), dessen Ursprünge bis heute unbekannt sind, inspirierte die Komponisten der Hochrenaissance und neben zahlreichen Überarbeitungen basieren eine Vielzahl von Messen auf diesem Material. Mit verschiedenen Versionen der Chanson von Alexander Agricola, Jacob Obrecht und Antonio de Cabezón bis hin zu den bis zu sechsstimmigen Messen von Josquin Desprez versucht das Huelgas Ensemble dem Mysterium um die Anziehungskraft des Werkes auf die damaligen Komponisten auf die Spur zu kommen. Aus unterschiedlichen musikalischen Perspektiven auf das einheitliche Ausgangsmaterial entsteht ein fesselnder Einblick in die polyphone Kompositionstechnik und die Welt des Kontrapunktes der Renaissance.

Huelgas Ensemble
Paul van Nevel, Dirigent

Huelgas Ensemble
For over fifty years, the Huelgas Ensemble has been one of the most acclaimed ensembles specialising in the performance of polyphonic music from the Middle Ages and the Renaissance. The ensemble is internationally renowned for its innovative programming, often featuring lesser-known works. The perspectives employed by the ensemble and its pitch precision consistently astonish audiences.

The historically informed interpretations of the Huelgas Ensemble are shaped by a profound understanding of the aesthetic principles of music and vocal practices from the Middle Ages and the Renaissance. Voices in the press and media repeatedly praise the ensemble's spontaneous vitality and extraordinary clarity in delivering its repertoire, consistently setting new standards. It is precisely these musical qualities that lead more and more contemporary composers to invite the Huelgas Ensemble to perform their works (including Wolfgang Rihm and James MacMillan).

The Huelgas Ensemble performs in internationally renowned venues, including the Lincoln Center (New York), Cité de la Musique (Paris), Berliner Philharmonie, Royal Albert Hall (BBC Proms, London), Wiener Konzerthaus, Concertgebouw (Amsterdam), Fundação Calouste Gulbenkian (Lisbon), Filharmonia Narodowa (Warsaw), BOZAR (Brussels), AMUZ (Antwerp), and Concertgebouw Bruges. The ensemble is also regularly featured at significant early music festivals, where it often performs in its 'natural environment' of centuries-old chapels, churches, and monasteries. In this way, it builds an interdisciplinary bridge between polyphonic music and architecture. ​

In 2019, the Huelgas Ensemble organized its very own 'Pentecost Festival' for the first time; an international festival held in the picturesque Burgundian village of Talant, near Dijon. The ensemble found an ideal platform for musical experiments, performances of entirely unknown outstanding repertoire, new concert forms and variations in concert setup, and musical interaction with the audience. The fact that the event is dedicated to a single ensemble is a new concept in the festival world.

The discography of the Huelgas Ensemble includes over one hundred and twenty recordings of vocal and instrumental works from the 12th to the early 17th century. It features works by Dufay, Brumel, de Rore, Richafort, de Kerle, Ferrabosco, Palestrina, Lassus, and Ashewell, among others. The ensemble has recorded for Seon, Sony Classical, Harmonia Mundi France, Deutsche Harmonia Mundi, Cypres, and ECM. Recent discography includes The Eton Choirbook, The Treasures of Claude Le Jeune, Le mystère de ‘Malheur me bat', L’héritage de Petrus Alamire, The Ear of Zurbáran, Firminus Caron : Twilight of the Middle Ages, The Mirror of Claudio Monteverdi, The Ear of the Huguenots, ET LUX by German composer Wolfgang Rihm for eight voices and string quartet, La liberazione di Ruggiero dall’isola d’Alcina by Francesca Caccini (the first recording of the opera with reconstructed instrumental dances), The Music Prints of Christophe Plantin, The Ear of Theodoor van Loon, The Ear of Christopher Columbus, Simone de Bonefont : Missa pro mortuis, The Magic of Polyphony (3CD box-set, live recording of Pentecost Festival 2019), En Albion (polyphony from 14th century England), The Landscape of the Polyphonists, and Ludwig Daser: Polyphonic Masses. ​

In addition, the ensemble has made numerous radio recordings of concerts broadcast worldwide, as well as film recordings, including complete film productions, concert livestreams, documentaries, interviews, concert introductions by artistic director Paul Van Nevel, and experimental recordings in collaboration with video artists.

Paul Van Nevel and his ensemble have received numerous awards, including several Caecilia prizes from the Belgian music press, Choc du Monde de la Musique, Edison Classical Music Award, Cannes Classical Award for Early Music, Prix in Honorem from the Académie Charles Cros, Carrièreprijs from VRT Klara, a prize from the European Radio Union and the Canadian Radio, Preis der deutschen Schallplattenkritik, German ECHO Klassik (prizes in 1994, 1997, 2010, and 2011), several Diapason d'Or for various recordings, Diapason d'Or de l'année 2014, and Diapason d'Or de l'année 2015. More recent awards include Choc du mois from the magazine Classica in February 2017, Preis der deutschen Schallplattenkritik (Bestenliste 1/2017) for the CD recording The Mirror of Claudio Monteverdi, and OPUS KLASSIK 2019, the opera recording of the year award (opera up to the 18th century) for the CD recording Francesca Caccini: La liberazione di Ruggiero dall’isola d’Alcina. In October 2022, the ensemble received a Choc d’or from the magazine Classica for the CD recording The Landscape of the Polyphonists, and the OPUS KLASSIK (Berlin) as the Ensemble of the year 2022 for the CD recording En Albion. Lastly, in October 2023, the ensemble received the prestigious Gramophone Award in the Early Music section for the CD recording Ludwig Daser: Polyphonic Masses.

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