Cesar Franck: Sonata for Piano and Violin - Ernest Chausson: Concert Isabelle Faust and Alexander Melnikov

• César Franck (1822-1890): Sonata for Piano and Violin in A Major, FW 8:
• 1 I. Allegro ben moderato 06:32
• 2 II. Allegro 07:53
• 3 III. Recitativo fantasia. Ben moderato 07:24
• 4 IV. Allegro poco mosso 06:19
• Ernest Chausson (1855-1899): Concert for Violin, Piano and String Quartet in D Major, Op. 21:
• 5 I. Décidé 13:58
• 6 II. Sicilienne 04:26
• 7 III. Grave 09:41
• 8 IV. Finale. Très animé 10:52
• Total Runtime 01:07:05

Info zu Cesar Franck: Sonata for Piano and Violin - Ernest Chausson: Concert

Eines der herausragendsten Kammermusik-Duos unserer Zeit, Isabelle Faust (mit Darmsaiten auf der berühmten Stradivarius „Vieuxtemps“) und Alexander Melnikov (an einem Érard-Flügel von ca. 1885), widmet sich der Violinsonate von César Franck (1886) und enthüllt mit unvergleichlicher Klangfülle und Dichte die ursprüngliche poetische Kraft dieses vielgespielten Meisterwerks des Fin de Siècle. Francks Einfluss auf Ernest Chaussons Concert ist unverkennbar. Sechs Jahre nach Francks Sonate entstanden und wie diese dem großen Geiger Eugène Ysaÿe gewidmet, verbindet Chaussons bedeutendstes Kammermusikstück Elemente der beliebten spätromantischen Gattungen des Klavierquintetts und des Streichquintetts. In den Händen von Faust und Melnikov sowie des ebenfalls auf historischen Instrumenten spielenden Salagon Quartetts gewinnt das Concert eine zart leuchtende Frische.

“[Chausson] Faust and the quartet…conjures and maintains a spellbinding, moonlit atmosphere. [Franck] equally impressive…[Faust] finds intense expressivity in restraint and emotional directness.” (Gramophone Magazine)

Isabelle Faust, Violine
Alexander Melnikov, Klavier
Salagon Quartet

Isabelle Faust
adopts a perspective on music in which ever-new experiences and discoveries are the principal focus. Having founded a string quartet when just eleven, her early chamber music experiences imbued in her a fundamental belief that performing is a process of giving and taking, in which listening is just as important as expressing your own personality. Victory at the 1987 Leopold Mozart Competition, when she was just 15, brought with it the prospect of a solo career. However, the guiding principles instilled in her as a chamber musician remained strong.

After winning the 1993 Paganini Competition, she moved to France, where she grew to love the French repertoire, particularly the music of Fauré and Debussy. Here she came to international attention with her first recording - sonatas by Bartók, Szymanowski and Janácek – and gradually refined her command of the most important works in the violin repertoire. Isabelle Faust has since appeared with some of the world’s finest orchestras, including the Berliner and Münchner Philharmoniker, Orchestre de Paris, Boston Symphony Orchestra, BBC Symphony Orchestra, and Mahler Chamber Orchestra, under such conductors as Claudio Abbado, Giovanni Antonini, Jiri Belohlavek, Franz Brüggen, Daniel Harding or Mariss Jansons.

Whilst not neglecting the classical and romantic repertoire, she is a noted interpreter of the great twentieth-century works of Feldman, Jolivet, Ligeti, Nono, and Scelsi. She has premiered pieces by such composers as Olivier Messiaen, Werner Egk or Jörg Widmann, and works dedicated to her by the composers Thomas Larcher and Michael Jarrell. Isabelle Faust has made several recordings of chamber music for harmonia mundi on both modern and period instruments with partner Alexander Melnikov. Many of her critically acclaimed CDs have won prizes, including the Diapason d’Or and the Gramophone Award. Isabelle Faust plays the ‘Sleeping Beauty’ Stradivarius of 1704, kindly loaned to her by the L-Bank Baden Württemberg.

Alexander Melnikov
was born in Moscow in 1973 and began his music studies at the age of six at Moscow’s Central Music School. He then continued at the city’s Tchaikovsky Conservatory from which he graduated in 1997. Regularly invited by Sviatoslav Richter, he participated in his festivals in Moscow (December Nights) and his chamber music festival at La Grange deMeslay. He completed his postgraduate studies with Elisso Virssaladze in Munich. From 2000 to 2002 he was a BBC New Generation Artist. Alexander Melnikov appears regularly in recital at the world’s leading concert halls with major orchestras such as the Russian National Orchestra, Tokyo Philharmonic, Leipzig Gewandhaus, Philadelphia Orchestra and BBC Philharmonic. Besides his well-established duo with Isabelle Faust, his partners include Vadim Repin, Natalia Gutman, Alexander Rudin, Victor Tretiakov, the Borodin Quartet, Truls Mørk, Jean-Guihen Queyras, and many others. In piano duo repertoire he appears regularly with Andreas Staier, Boris Berezovsky, and Alexei Lubimov. He also regularly performs on the fortepiano with Concerto Köln. He has recorded several CDs on harmonia mundi as a soloist(Scriabin, Rachmaninoff) and as a chamber musician (Isabelle Faust,Jean-Guihen Queyras, Teunis van der Zwart).

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