Telemann: 12 Fantasias for Solo Violin, TWV 40 Fabio Biondi

• 1 I. Largo 01:49
• 2 II. Allegro 01:52
• 3 III. Grave 00:54
• 4 IV. Si replica lAllegro 01:58
• 5 I. Largo 01:12
• 6 II. Allegro 01:55
• 7 III. Allegro 00:47
• 8 I. Adagio 01:30
• 9 II. Presto - Grave 01:56
• 10 III. Vivace 00:58
• 11 I. Vivace 01:46
• 12 II. Grave 00:36
• 13 III. Allegro 02:11
• 14 I. Allegro - Presto 01:08
• 15 II. Allegro - Presto 01:10
• 16 III. Andante 00:29
• 17 IV. Allegro 02:07
• Fantasia for Solo Violin No. 6 in E Minor, TWV 40-19
• 18 I. Grave 01:48
• 19 II. Presto 01:33
• 20 III. Siciliana 01:30
• 21 IV. Allegro 02:27
• Fantasia for Solo Violin No. 7 in E-Flat Major, TWV 40-20
• 22 I. Dolce 01:29
• 23 II. Allegro 02:47
• 24 III. Largo 01:36
• 25 IV. Presto 00:50
• Fantasia for Solo Violin No. 8 in E Major, TWV 40-21
• 26 I. Piacevolmente 01:25
• 27 II. Spirituoso 02:31
• 28 III. Allegro 01:11
• 29 I. Siciliana 01:31
• 30 II. Vivace 02:17
• 31 III. Allegro 01:30
• 32 I. Presto 01:35
• 33 II. Largo 01:33
• 34 III. Allegro 00:51
• 35 I. Un poco vivace 01:41
• 36 II. Soave 00:54
• 37 II. Un poco vivace 01:42
• 38 III. Allegro 00:46
• 39 I. Moderato 01:59
• 40 II. Vivace 01:18
• 41 III. Presto 01:05
• Total Runtime 01:02:07

Info zu Telemann: 12 Fantasias for Solo Violin, TWV 40

Fabio Biondi feiert nicht nur als Dirigent von Europa Galante große Erfolge, sondern stellt sein Talent auch als Geiger immer wieder unter Beweis. Dennoch ist seine sechste Aufnahme für Glossa die erste, auf der er vollkommen solistisch zu hören ist. In Telemanns 12 Fantasias für Violine solo spiegelt sich sowohl die volle künstlerische Reife des Komponisten als auch die Tatsache wider, dass er selbst ein erfahrener Geiger war. Der außerordentlich produktive und fleißige Telemann veröffentlichte in den 1730-er Jahren in Hamburg eine ganze Reihe von Fantasien für Soloinstrumente (Flöte, Gambe und Violine) ohne Basso continuo. Auch die hier eingespielten 12 Fantasien sind für ein Soloinstrument ohne Begleitung geschrieben. In diesen Werken verbindet Telemann den in Deutschland lang etablierten polyphonen Violinstil (mit Fugen und mehrstimmigen Sätzen) mit moderneren Einflüssen aus dem galanten Stil sowie aus italienischen Sonaten und Konzerten.

Fabio Biondi spielt auf einer Violine von Ferdinando Gagliano aus dem 18. Jahrhundert. Die Aufnahme durch den Tonmeister Fabio Framba entstand in der Chiesa di Sant’Eufemia in Corte Franca in der italienischen Provinz Brescia und man kann sich kaum einen besseren Fürsprecher für Telemanns diskografisch sträflich vernachlässigte Violinmusik vorstellen als Fabio Biondi. Für diese Glossa- Aufnahme hat Peter Wollny, der Direktor des Bach- Archivs Leipzig, einen informativen Essay verfasst.

Fabio Biondi, Violine

Recorded in Nigoline di Corte Franca (Chiesa di Sant’Eufemia), Italy, on 18-20 June 2015
Engineered and produced by Fabio Framba
Executive producer: Carlos Céster

Fabio Biondi
Born in Palermo, Fabio Biondi began his international career at an early age. Driven by a deep cultural curiosity, Fabio Biondi was introduced to pioneers of the new approach to baroque music, an opportunity that was to expand his musical vision and change the direction of his career. Since then, he has performed with ensembles including Cappella Real, Musica Antiqua Wien, Seminario Musicale, La Chapelle Royale and Les Musiciens du Louvre (ever since its foundation) all specialising in the performance of baroque music using original technique and instruments.

In 1990, Fabio Biondi founded Europa Galante, an ensemble which, in just a few years thanks to their worldwide concert schedule and extraordinary recording successes, became the most internationally renowned and awarded Italian performers of baroque music. The ensemble has been invited to play at the most important festivals and concert halls around the world, including La Scala in Milan, the Accademia di Santa Cecilia in Rome, Suntory Hall in Tokyo, the Concertgebouw in Amsterdam, the Royal Albert Hall in London, the Musikverein in Vienna, the Lincoln Center in New York and the Sydney Opera House.

Their first record (Vivaldi's concertos) was awarded the 'Premio Cini' of Venice & the 'Choc de la Musique' and was soon followed by a number of other awards such as five Diapasons d’Or, Diapason d’Or de l’Année in France, RTL Prize, 'Record of the Year' nominations in many countries, and the 'Prix du Disque, 'ffff' by the review Telerama. In 2006, their recording of Vivaldi's opera Bajazet was nominated for a Grammy Award.

Fabio Biondi's musical development, taking in both universal repertoire plus the rediscovering of minor composers, spans three centuries of music. This is illustrated in his varied discography: Vivaldi's The Four Seasons, Corelli's Concerti Grossi, the oratorios, the serenatas and operas of Alessandro Scarlatti (La Messa di Natale, Clori, Dorino e Amore, Massimo Puppieno and Il trionfo dell'onore) Handel's operas (Poro), and the XVIII century Italian violin repertoire (Veracini, Vivaldi, Locatelli, Tartini) as well as sonatas by Bach, Schubert and Schumann. Fabio Biondi embodies the perpetual pursuit of style free from dogmatism and he remains intent in his quest for the original language. It is due to this very approach that he can collaborate as soloist and conductor with many varied orchestras, including Santa Cecilia in Rome, Mozarteum Orchestra Salzburg, European Baroque Orchestra, Opera of Halle, Zurich Chamber Orchestra, Chamber Orchestra of Norway, Orchestre Nationale of Montpellier and Mahler Chamber Orchestra. Next season Fabio Biondi will conduct the Ensemble Orchestral de Paris, the Stuttgart Chamber Orchestra, and the Chicago Symphony Orchestra.

Fabio Biondi also performs in duo with piano, harpsichord or forte-piano in prestigious venues around the world including the Cité de la Musique in Paris, Hogi Hall in Tokyo, Auditorium Nacional in Madrid , Wigmore Hall in London, and Carnegie Hall in New York.

Since March 2005 Fabio Biondi has taken on the role of artistic director for baroque music at the Stavanger Symphony Orchestra. With the SSO, he has released a recording of Scarlatti's opera Carlo Re d'Alemagna (diapason d'or winner) and in 2015 a new Glossa recording of the Oratorio of Antonio Caldara “Morte e Sepoltura di Christo”.

From September 2015, Biondi is musical director of the Orchestra del Palau de Las Artes in Valencia, where he will perform Handel’s Silla and Mozart’s Idomeneo and Davidde Penitente in his opening season.

Biondi has been an academician of the Accademia Nazionale di Santa Cecilia (Rome) since 2011 and in 2015 he was nominated Officer of the National Order of Arts and Letters by the French Ministry of Culture.

Fabio Biondi plays an Andrea Guarneri Violin (Cremona,1686 ). He also plays a 1766 Carlo Ferdinando Gagliano Violin, owned by his teacher Maestro Salvatore Cicero and kindly lent to him by the Salvatore Cicero Foundation in Palermo.

Booklet für Telemann: 12 Fantasias for Solo Violin, TWV 40