Recap
Biographie Recap
Recap
is a new percussion quartet from a new generation of musicians dedicated to music reflecting the diverse society we live in today. Arlene Acevedo, Alexis Carter, Tiahna Sterling and Aline Vasquez, four musicians from Rahway, NJ, forms Recap through music, friendship and a desire to share their story. As recent alumni of Mantra Youth Percussion, the free-tuition teenage ensemble of Mantra Percussion, Inc., the members of Recap worked closely with different music creators, performing both in their community as well as nationally, learning skills that would provide the groundwork for establishing their own group.
Now as a newly-formed professional ensemble, Recap headlines the 2021 New Music Gathering in Minneapolis, MN in August. Recap releases their debut album “Count to Five” with premiere recordings of music by Angelica Negron, Allison Loggins-Hull, Ellen Reid, Lesley Flanigan, Mary Kouyoumdjian, and Caroline Shaw. Recap will showcase select pieces from the album at the Percussive Arts Society International Convention in Indianapolis, IN in November, continuing with winter and spring 2022 dates across the country
Mantra Percussion, Inc.
is a NYC-based, 501(c)(3) non-profit percussion collective committed to honoring the past and expanding the future of percussion music.
As an organization we strive to engage international audiences by challenging what it means to communicate music through percussion instruments, and to foster high-level musicianship for underserved and underrepresented youth in new music, developing unique and equitable music communities.
Our aim is to bring to life new works for percussion by living composers and creators from across the social spectrum — establishing long-lasting relationships with our collaborators. From our inception we have almost exclusively performed works written for the group. We travel around our block and the world as ambassadors of our repertoire, giving dozens of performances of the works we commission.
Andie Tanning
is a violinist and performer.
She is the cofounder and musical director of Wild Shore New Music, now in its seventh year as Alaska’s premier new music festival. She released her debut album, “Dandelion,” in December 2018. Steve Dollar of the National Sawdust Log writes, “The stylistically diverse Dandelion is not only a scrapbook of Tanning’s experiences and influences, but also an open and always surprising collaboration with composers and video artists whose spirits are illuminated through the violinist’s intrepid musicianship and exploratory nature.”
She has toured internationally as a company member of the New York City Players, has served as a multi-instrumentalist in theater groups Object Collection and New Paradise Laboratories, was the fiddle player in the musical, The Snow Child, by John Strand, Georgia Stitt and Bob Banghart, and was a violin sub in the Broadway revival of Oklahoma!. Ongoing musical collaborations include a duo with guitarist James Moore, the minimalist rock band Thee Reps, and the development of a new opera by Aaron Siegel. Her album with James Moore, “Gertrudes,” was released on New World Records in 2016. She has performed at LA Opera, The Kitchen, The Pompidou, and Carnegie Hall.
Tanning is faculty at Larchmont Music Academy and St. Lukes School.
Her work has been reviewed by the New York Times, New Sounds Live, and The Wall Street Journal.
