Jommelli: Missa pro Defunctis, Libera me & Miserere il Gardellino Vocal Ensemble and Baroque Orchestra & Peter Van Heyghen

• Niccolò Jommelli (1714 - 1774): Missa pro Defunctis in E-Flat Major, HocJ A1.3:
• 1 Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" 02:15
• 2 Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 1. Kyrie eleison 00:55
• 3 Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 2. Christe eleison 01:04
• 4 Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 3. Kyrie eleison 01:04
• 5 Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 1. Dies irae 04:02
• 6 Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 2. Salva me, fons pietatis 05:19
• 7 Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis 02:11
• 8 Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 4. Pie Jesu Domine 01:57
• 9 Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Domine, Jesu Christe, (a) Domine Jesu Christe, Rex gloriae 00:36
• 10 Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Domine, Jesu Christe, (b) Libera eas de ore leonis 00:53
• 11 Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Domine, Jesu Christe, (c) Quam olim Abrahae promisisti 01:22
• 12 Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Hostias, (a) Hostias et praeces tibi, Domine 01:20
• 13 Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Hostias, (b) Quam olim Abrahae promisisti 01:23
• 14 Missa pro Defunctis in E-Flat Major, HocJ A1.3: V. Sanctus, 1. Sanctus, Dominus Deus 01:25
• 15 Missa pro Defunctis in E-Flat Major, HocJ A1.3: V. Sanctus, 2. Hosanna 01:03
• 16 Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 1. Benedictus qui venit in nomine Domini 02:05
• 17 Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 2. Hosanna in excelsis 01:07
• 18 Missa pro Defunctis in E-Flat Major, HocJ A1.3: VII. Agnus Dei, 1. Agnus Dei, qui tollis peccata mundi 01:09
• 19 Missa pro Defunctis in E-Flat Major, HocJ A1.3: VII. Agnus Dei, 2. Dona eis requiem 01:49
• 20 Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 1. Lux aeterna luceat eis Domine 00:56
• 21 Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 2. Requiem aeternam 01:46
• 22 Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 3. Cum sanctis tuis in aeternum 00:40
• Libera me in C Minor, HocJ E.2:
• 23 Libera me in C Minor, HocJ E.2: I. Libera me 02:02
• 24 Libera me in C Minor, HocJ E.2: II. Quando cœli movendi sunt et terra 00:46
• 25 Libera me in C Minor, HocJ E.2: III. Dum veneris iudicare 01:10
• 26 Libera me in C Minor, HocJ E.2: IV. Tremens factus sum ego 01:01
• 27 Libera me in C Minor, HocJ E.2: V. Quando cœli movendi sunt et terra 00:46
• 28 Libera me in C Minor, HocJ E.2: VI. Dies illa, dies irae 01:14
• 29 Libera me in C Minor, HocJ E.2: VII. Dum veneris iudicare 01:47
• Miserere in G Minor, HocJ C1.23:
• 30 Miserere in G Minor, HocJ C1.23: I. Miserere, 1. Miserere mei Deus 01:35
• 31 Miserere in G Minor, HocJ C1.23: I. Miserere, 2. Et secundum multitudinem 00:38
• 32 Miserere in G Minor, HocJ C1.23: II. Amplius lava me ab iniquitate mea 00:42
• 33 Miserere in G Minor, HocJ C1.23: III. Quoniam iniquitatem meam 00:33
• 34 Miserere in G Minor, HocJ C1.23: IV. Tibi soli peccavi 01:13
• 35 Miserere in G Minor, HocJ C1.23: V. Ecce enim in iniquitatibus conceptus sum 00:37
• 36 Miserere in G Minor, HocJ C1.23: VI. Ecce enim veritatem 00:53
• 37 Miserere in G Minor, HocJ C1.23: VII. Asparges me hysopo et mundabor 00:34
• 38 Miserere in G Minor, HocJ C1.23: VIII. Auditui meo dabis gaudium 00:36
• 39 Miserere in G Minor, HocJ C1.23: IX. Averte faciem tuam 00:33
• 40 Miserere in G Minor, HocJ C1.23: X. Cor mundum crea in me Deus 01:46
• 41 Miserere in G Minor, HocJ C1.23: XI. Ne proicias me a facie tua 00:34
• 42 Miserere in G Minor, HocJ C1.23: XII. Redde mihi laetitiam 00:39
• 43 Miserere in G Minor, HocJ C1.23: XIII. Docebo iniquos vias tuas 00:30
• 44 Miserere in G Minor, HocJ C1.23: XIV. Libera me de sanguinibus, Deus 01:45
• 45 Miserere in G Minor, HocJ C1.23: XV. Domine labia mea aperies 00:35
• 46 Miserere in G Minor, HocJ C1.23: XVI. Quoniam si voluisses 00:49
• 47 Miserere in G Minor, HocJ C1.23: XVII. Sacrificium Deo 00:36
• 48 Miserere in G Minor, HocJ C1.23: XVIII. Benigne fac Domine 01:46
• 49 Miserere in G Minor, HocJ C1.23: XIX. Tunc acceptabis, 1. Tunc acceptabis sacrificium 00:34
• 50 Miserere in G Minor, HocJ C1.23: XIX. Tunc acceptabis, 2. Tunc imponent 01:05
• Total Runtime 01:03:40

Info zu Jommelli: Missa pro Defunctis, Libera me & Miserere

Niccolò Jommelli was one of the most sought after composers of his time, but finally accepted to become musical director at the court of Stuttgart in 1753. Three years later he composed his Requiem to commemorates the recent death of the Duchess von Württemberg, mother of his patron, the Duke Carl Eugen.. Despite the fact that Jommelli owed his fame almost exclusively to his operas during his lifetime, the Requiem became his most famous work after his death; the almost one hundred handwritten and printed copies of the entire work or fragments of it that have survived in some seventy libraries throughout Europe, some also in the USA, bear witness to this. Whilst the score and parts of the first performance have been lost, we can still form a reasonably good idea of the original instrumentation thanks to a surviving list of payments made to the musicians. We know that there were eight singers (one female and seven male) in addition to Jommelli. We also know that soon after Jommelli’s death the work was performed with ensembles of very different sizes But Peter Van Heyghen and Il Gardellino opted for the version that was close to the first performance and based it’s own edition on the mansuscript that is considered to be the primary source for the work. Van Heyghen and il Gardellino choose to constitute a vocal ensemble with the state of the art singers of the moment, and the result is stunningly convincing and beautiful.

Ensemble Il Gardellino
Peter Van Heyghen, direction

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