Black is Beautiful Eugene Concert Choir & Orchestra & Dr. Diane Retallack, EXIGENCE & Eugene Rogers

• Stacey V. Gibbs (b. 1962): The Hymn!:
• 1 Gibbs: The Hymn! 06:44
• Joel Thompson (b. 1988): Seven Last Words of the Unarmed:
• 2 Thompson: Seven Last Words of the Unarmed: I. Kenneth Chamberlain Sr., 68 “Officers, why do you have your guns out?” 02:14
• 3 Thompson: Seven Last Words of the Unarmed: II. Trayvon Martin, 17 “What are you following me for?” 01:26
• 4 Thompson: Seven Last Words of the Unarmed: III. Amadou Diallo, 23 “Mom, I’m going to college." 03:15
• 5 Thompson: Seven Last Words of the Unarmed: IV. Michael Brown Jr., 18 “I don’t have a gun! Stop shooting!” 00:53
• 6 Thompson: Seven Last Words of the Unarmed: V. Oscar Grant III, 22 “You shot me!” 01:23
• 7 Thompson: Seven Last Words of the Unarmed: VI. John Crawford III, 22 “It’s not real.” 02:14
• 8 Thompson: Seven Last Words of the Unarmed: VII. Eric Garner, 43 “I can’t breathe." 03:22
• Che Smith (b. 1977), Lonnie Lynn (1943 - 2014), John Stevens (1940 - 1994): Glory from the film Selma:
• 9 Smith, Lynn, Stevens: Glory from the film Selma 06:37
• Undine Smith Moore (1904 - 1989): Scenes from the Life of a Martyr:
• 10 Moore: Scenes from the Life of a Martyr: Prologue 1, 2, 3 01:31
• 11 Moore: Scenes from the Life of a Martyr: I. Whenever a People is Oppressed They Wait in Hope 02:28
• 12 Moore: Scenes from the Life of a Martyr: II. His Mother Rocked Him Gently with Love and Freedom on Her Mind 00:44
• 13 Moore: Scenes from the Life of a Martyr: III. Songs at the Cradle, No. 1 02:08
• 14 Moore: Scenes from the Life of a Martyr: IV. Songs at the Cradle, No. 2 00:46
• 15 Moore: Scenes from the Life of a Martyr: V. Songs at the Cradle, No. 3 01:30
• 16 Moore: Scenes from the Life of a Martyr: VI. Ring Game 02:31
• 17 Moore: Scenes from the Life of a Martyr: Narration - Young Manhood 00:24
• 18 Moore: Scenes from the Life of a Martyr: VII. The Voice of My Beloved 01:56
• 19 Moore: Scenes from the Life of a Martyr: VIII. Arise My Love, My Fair One 01:48
• 20 Moore: Scenes from the Life of a Martyr: IX. Set Me as a Seal on Thy Heart 01:49
• 21 Moore: Scenes from the Life of a Martyr: X. He Hath Anointed Me to Preach the Gospel 02:29
• 22 Moore: Scenes from the Life of a Martyr: XI. I Never Felt Such Love In My Soul Before 02:48
• 23 Moore: Scenes from the Life of a Martyr: Narration - The People Loved Him 00:43
• 24 Moore: Scenes from the Life of a Martyr: XII. Martin’s Song 04:14
• 25 Moore: Scenes from the Life of a Martyr: Narration - A Good Man 00:45
• 26 Moore: Scenes from the Life of a Martyr: XIII. Martin’s Lament 02:01
• 27 Moore: Scenes from the Life of a Martyr: XIV. Oh God, How Many are Them that Hate Me 01:25
• 28 Moore: Scenes from the Life of a Martyr: Poem - Words in the Mourning Time 01:06
• 29 Moore: Scenes from the Life of a Martyr: XV. They Tell Me Martin is Dead 01:44
• 30 Moore: Scenes from the Life of a Martyr: XVI. Tell All My Father’s People Don’t You Grieve for Me (Alleluia) 06:18
• Total Runtime 01:09:16

Info for Black is Beautiful

BLACK IS BEAUTIFUL from Dr. Diane Retallack and The Eugene Concert Choir is an ode to hope in the face of injustice. This Navona Records release showcases music by Black composers that shed light on the Black experience including two choral masterworks: Seven Last Words of the Unarmed by Joel Thompson and the world premiere recording of Dr. Undine Smith Moore’s oratorio Scenes from the Life of a Martyr.

Thompson’s composition is modeled after Haydn’s The Seven Last Words of Christ; in this work, Joel Thompson quotes the last words of seven unarmed African American men killed by police or authority figures. Moore’s oratorio depicts the life of Martin Luther King, Jr, from birth to carefree childhood, young love, a calling to amplify the voice of his people, the hatred he experienced for his commitment, the grief of his untimely death, and the power of his message.

These works are joined by the world premiere of The Hymn! by Stacey V. Gibbs and an arrangement of Glory from the film Selma by Dr. Eugene Rogers.

Eugene Concert Choir & Orchestra
Diane Retallack, artistic director, conductor
Choir EXIGENCE
Eugene Rogers, director

Dr. Diane Retallack
Celebrated for her passionate leadership, rich imagination and expressive performance, Dr. Diane Retallack has served as Artistic Director for Eugene Concert Choir since 1985, and Eugene Vocal Arts since she founded the chamber ensemble in 1986. The Eugene Concert Orchestra was founded in 2015 to complete the forces of performing ensembles.

For over 30 years Retallack’s energy and vision have nurtured the choirs to blossom artistically. With each project she courageously forges a musical journey that cultivates harmonious connections between performers and audience. Her spirit is both playful and fearless as is reflected in her diverse programming. From the Britten War Requiem to David Fanshawe’s African Sanctus, to a staged and choreographed version of Mendelssohn’s First Walpurgis Night, to contemporary pops concerts including themes like The British Invasion and The Best of Broadway, Diane Retallack doesn’t shy from a challenge and rejoices at the opportunity to stretch her creative wings and those of her musicians.

Retallack and the Eugene Vocal Arts gained national recognition in 2016-2017, winning the American Prize Ernst Bacon Memorial Award for the Performance of American Music, community division, for the recorded performance of the world premiere of the original commission Shadow and Light; an Alzheimer’s Journey in 16 Movements by Joan Szymko.

“It’s the most important thing I’ve ever done,” says Diane Retallack of the Shadow and Light commission. Alzheimer’s disease is an irreversible, progressive memory-loss brain disorder that afflicted both Retallack’s mother and grandmother. As an artist, she was drawn to create something through music about her experience, but was “too raw for several years to approach this subject matter,” Retallack says. “But then an amazing new grant opportunity came up, and I was inspired to dream big.”

“She is so expressive in performance that I rarely need to refer to my score because her face and hands indicate precisely how the music should be sung. Dr. Retallack guides our rehearsals with humor, tact and precision as she seeks to draw out the very best performance we are capable of. I especially enjoy the historical or technical details that she shares with us to help us understand the music more completely. She makes us reach as musicians and as a result I feel I have really grown as a singer since I joined the choir.” – Vocalist, Jennifer McConochie

Following her bachelor’s degree in Music Education from the University of Illinois at Champaign-Urbana and a master’s from the University of Wisconsin at Madison, Diane earned a Doctor of Music in Choral Conducting from Indiana University. At Indiana, she studied conducting with Margaret Hillis, the late Founder and Director of the Chicago Symphony Chorus, and score analysis from the late renowned choral scholar Julius Herford. Diane has also studied conducting with Helmuth Rilling at the Oregon Bach Festival and the Bach Sommerakademie in Stuttgart, Germany, and has participated as a singer at Carnegie Hall in several Robert Shaw Choral Workshops.

Formerly Director of Choral Activities at Seattle University, Diane has had experience in every level of choral direction, including college and high school teaching, church choirs, children’s choruses, and community groups. In addition, she is an American Choral Directors Association certified adjudicator for the state of Oregon. Her fervent enthusiasm for the art of choral music has touched many singers and listeners alike, of all ages and all walks of life.

In 2005, she received the well deserved Bishop Arts and Letters Award for extraordinary contribution to arts and culture in Eugene. In 2010 Retallack was invited to conduct her chamber ensemble, Eugene Vocal Arts, at the American Choral Directors Association Northwest Conference in Seattle in recognition of their superb artistry.

Eugene Concert Choir
Led by Artistic Director Diane Retallack, the Eugene Concert Choir is a celebrated pillar of the rich cultural fabric of the Pacific Northwest. Located in the picturesque Willamette Valley in Eugene, Oregon, the 100-voice chorus performs an eclectic blend of music from the greatest symphonic choral masterworks with orchestra and acclaimed world-class soloists, to modern popular works with contemporary guest artists.

The group began as a collection of individuals who loved to sing and needed an outlet for their passion, and who joined together for a performance of Handel’s Messiah, under the direction of Philip Bayles. In 1985, Diane Retallack assumed leadership of the choir, and energetically spearheaded its artistic development. In 1997, the Eugene Concert Choir became a resident company of the Hult Center for the Performing Arts, where we present our annual 3-concert season and educational outreach event in the stunning 2,500-seat Silva Concert Hall.

Touring ensembles from the Eugene Concert Choir organization have performed internationally in China, Australia, Germany, Italy, Austria, Hungary and the Czech Republic. They have been invited to perform Mendelssohn’s Die erste Walpurgisnacht at a choral festival in Berlin in June of 2024. By special invitation, the Eugene Concert Choir performed the Brahms Requiem in Carnegie Hall in 2022 and the Bruckner E Minor Mass in Carnegie Hall in 2013 . In June 2015, a touring choir performed the Mozart Requiem and Vivaldi Gloria in Venice, Florence and Rome, Italy.

Highlights include performances of the great choral masterworks: the Brahms, Berlioz, Verdi, Fauré and Mozart Requiem Masses, the Beethoven Missa Solemnis, Bach B Minor Mass, Handel’s Messiah, Vaughan Williams Dona Nobis Pacem, Stravinsky’s Symphony of Psalms, David Fanshawe’s African Sanctus and numerous other major and minor choral works. The Concert Choir has collaborated with such local organizations as the Oregon Mozart Players, the Oregon Bach Festival in Missa Gaia (Earth Mass) with the Paul Winter Consort, the Eugene Ballet Company in fully staged and choreographed versions of Carl Orff’s Carmina Burana and Mendelssohn’s Die erste Walpurgisnacht, and with the Eugene Symphony in Beethoven’s Ninth Symphony.

Eugene Concert Orchestra
is the newest ensemble of the Eugene Concert Choir organization. The debut performance was the Haydn St. Cecilia Mass performed by the Eugene Vocal Arts and guest soloists, conducted by artistic director Diane Retallack, featuring concertmaster Searmi Park on October 25, 2015, in Beall Concert Hall at the University of Oregon School of Music.

The orchestra was formed as part of a multi-year landmark project supported by a $125,000 two-year grant from the Fred W. Fields Fund of the Oregon Community Foundation. The project Shadow and Light; an Alzheimer’s Journey in 16 Movements by Joan Szymko, is an original commission for choir, orchestra and soloists. It was awarded the American Prize Ernst Bacon Memorial Award in the Performance of American Music, community division, 2016-2017 for the world premiere performance recording.

The Eugene Concert Orchestra performs with both the Eugene Concert Choir and Eugene Vocal Arts for all of their choral/orchestral works. We are thrilled to have the caliber of this fine group of talented, professional musicians from Portland to Eugene as a part of our organization.

This album contains no booklet.