Alessandro Scarlatti: Con eco d'amore Elizabeth Watts

• Alessandro Scarlatti (1660-1725)
• 1 Griselda: Figlio! Tiranno! O Dio! 02:16
• 2 Endimione e Cintia: Aria Se geloso è il mio core 03:01
• 3 Non so qual più m’ingombra: Aria Nacque, col Gran Messia 08:41
• 4 Eraclea: Aria A questo nuovo affanno 03:47
• 5 La Santissima Vergine del Rosario: Aria Mentr'io godo in dolce oblio 05:48
• 6 Correa Nel Seno Amato: Aria Ombre opache 05:23
• 7 Erminia: Recitativo Qui, dove al germogliar 03:22
• 8 Erminia: Aria Torbido, irato, e nero 05:01
• 9 Aria Con voce festiva 01:29
• 10 Mitridate Eupatore: Recitativo O vane speme! - Aria Cara tomba del mio diletto 06:24
• 11 Tigrane: Aria Sussurrando il venticello 06:46
• 12 Scipione nelle Spagne: Aria Ergiti, Amor, su i vanni 02:38
• 13 Mitridate Eupatore: Aria Esci omai 03:29
• 14 Mitridate Eupatore: Aria Dolce stimolo al tuo bel cor 05:18
• 15 Venere, Amore e Ragione: Aria D'amor l'accesa face 02:43
• 16 La Statira: Aria Io non son di quei campioni 02:05
• 17 A battaglia, pensieri: Sinfonia - Aria A battaglia, pensieri 03:46
• Total Runtime 01:11:57

Info for Alessandro Scarlatti: Con eco d'amore

Master of the Aria. With a voice described as 'one of the most beautiful Britain has seen in a generation' (International Record Review), soprano Elizabeth Watts has established herself among the brightest talents performing today. In this selection of rarely heard Alessandro Scarlatti arias from his cantatas, serenatas and operas, she is joined by the acclaimed period instrument ensemble The English Concert led by Laurence Cummings.

„Watts has put together a cracker of a programme ... the aria Cara tomba is one of several hear-stoppingly beautiful moments on the disc. Watts, Cummings and the English Consort make an ideal partnership in what is one of the most thrilling albums of its kind I ve heard in recent years; I can t recommend this recording highly enough.“ (Adrian Horsewood, Early Music Today)

“this is exciting music, revealing an enormous range of colour and emotions through both scoring and vocal line. Watts grabs every opportunity with a voice of perfect weight, pliancy and line, offering a solid middle balanced with an exciting top.” (Opera Now)

Elizabeth Watts, toprano
Mark Bennett, trumpet
Huw Daniel, violin
The English Concert
Laurence Cummings, director

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