Open Heart Céline Bonacina Trio

• 1 Souffle d'un Songe 01:54
• 2 Circle Dance 04:32
• 3 Wild World 05:00
• 4 Bayrum 04:08
• 5 So Close So Far (C. Bonacina & H. Paganotti) 06:27
• 6 Watch Your Step (K. Reveyrand) 04:44
• 7 Out Of Everywhere 05:03
• 8 Pierrot (K. Reveyrand) 03:29
• 9 Desert 06:05
• 10 Open Heart 03:09
• 11 Snap The Slap 02:47
• 12 Bonus Track: Lonely Dancer (M. Wollny) 05:05
• Total Runtime 52:23

Info for Open Heart

On her new album Céline Bonacina once again shows her open heart for the diversity of jazz. The result is a power of expression that is unique for baritone saxophone.

The baritone saxophone is seldom heard outside brass sections of big bands. As a solo instrument or as the only brass instrument in a band it is a real rarity and there is only one female baritone saxophonist who truly masters her instrument – Céline Bonacina. You might be surprised to see the petite Frenchwoman pick up an instrument that is almost the same size as her but, when she starts playing, the mésalliance becomes a symbiosis and the sound flows out without effort. The initial fascination that arises from this seemingly exotic combination only lasts for a few bars. It soon becomes apparent that the instrument is the ideal platform and mean of expression for this unique musician to unfold her immense creativity and to display her open heart for the diversity of jazz.

“Open Heart“ is also the name of her new album. Similarly to her impressive ACT debut “Way of Life”, for which she was nominated for the “Victoire du Jazz” prize and selected as one of five “Rising Stars” of the “Take Five Europe” scheme for emerging artists, the name again speaks for itself. Due to her vitality, passion and openness for harmonies, various influences from her earlier career are brought together on this album: her classical saxophone education, her experience in big bands, the trio that she has recently formed with the excellent drummer Hary Ratsimbazafy from Madagascar and electric bass player Kevin Reveyrand with chanson and world music experience as well as the seven years she taught music at the La Reunion.

Together with the impressive technique that includes voluminous tones, clicking sounds and multiphonics, the result is a power of expression that is unique for baritone saxophone. From French impressionism in the miniature-like intro of “Souffle d´un Songe” (emphasized by the music box tones by Satie) to rocking “Circle Dance” driven by drums and bass. “So Close So Far” is in the sound of the 60s between light sounds and hard bop, whereas “Out of Everywhere” sounds like a traditional bebop piece. If David Sanborn, the master of soft soul music, had played baritone saxophone, it might have sounded like Céline Bonacina on “Bayrum” and on the bonus track of ACT’s Jubilee Concert she gives Michael Wollny’s “Lonely Dancer” the warmth and intimacy similar to Ben Webster’s tenor saxophone. There are also East African elements and sega rhythms from La Reunion on “Wild World” and “Desert”, both compositions spiced up by the percussion sounds of Mino Cinelu, the three-time Grammy awarded guitarist and drummer, who has played with an impressive range of jazz and pop stars, such as Miles Davis and Peter Gabriel.

On almost all the compositions on “Open Heart” Bonacina is joined by prominent guests: the metallic timbre of Pascal Schumacher’s vibraphone, who was recently awarded the Echo jazz prize, can be heard on several pieces, singer Himiko Paganotti sings in the background and appears as a soloist and co-composer on “So Close So Far” as well as on the funky duet “Snap the Slap” with Bonacina’s almost-singing baritone saxophone. ACT fans might recognize this voice: she sang on Nguyên Lê’s “Songs of Freedom” and the French-Vietnamese guitarist has also arranged this cooperation. One of her biggest supporters Lê, the globetrotter with his own unique style, could also be credited with her discovery. Having recommended Bonacina to ACT, he co-produced “Way of Life” and joined in on four songs. Lê’s message in the liner notes is short but sweet: “Celine, may your career be long and prosperous!” and, with the help of his production on “Open Heart”, this wish very likely to come true.

Céline Bonacina, baritone saxophone
Kevin Reveyrand, electric bass (on tracks 6,8)
Hary Ratsimbazafy, drums
Guests:
Himiko Paganotti, vocals (on track 5)
Pascal Schumacher, vibraphone & glockenspiel
Mino Cinelu, percussion
Special Guests on 'Lonely Dancer':
Michael Wollny, piano
Lars Danielsson, bass

Recorded by Jean-Maurice Hayano at Studio 7ème ciel, Issy-les-Moulineaux, and Nguyên Lê at Studio Louxor, Paris, March 2012
Mixed by Nguyên Lê. Mastered by Klaus Scheuermann

At the recommodation of ACT-guitarist Nguyên Lê, labelboss Siggi Loch took notice of French bariton-saxophone player Céline Bonacina. This story is just another example of how community spirit and exchange of ideas within the ”ACT family” often lead to exciting musical discoveries. Esbjörn Svensson – for example – had played in Nils Landgren’s Funk Unit before his international career started with his trio e.s.t. Corean singer Youn Sun Nah came to ACT as a result of her work with Ulf Wakenius and Lars Danielsson. Even Nguyên Lê was introduced to Loch by drummer Peter Erskine. But this time Lê himself introduced an artist to the ACT family.

With her 2010 album „Way of Life“ Bonacina had an impressive debut on ACT featuring Lê as a guest. ”Fono Forum” magazine commented on her playing: ”It is just sensational what sounds and musical styling Céline Bonacina manages to get out the Bariton-Saxophone.”

Céline Bonacina studied in Belfort, Besançon and Paris. From an early age on, she has won several awards for playing classical saxophone. By playing in big bands in Paris, she gained first experiences in playing jazz. She collaborated with musicians like Cuban pianist Omar Sosa and saxophone player Andy Sheppard.

Her debut album „Vue d’en Haut“ was well received by French jazz critics. Due to the great success of the album, Bonacina got to play several reknowned French jazz festivals.

Nguyên Lê on Céline Bonacina: ”I couldn’t keep myself from admiring the vitality and beauty of Céline’s music and the rich expressiveness of her playing. This young woman has the strong urge to break through the confines of the genre just to be herself. This character trait probably made her to choose such a powerful instrument to play. During the time we spend together working on this album, I constantly got to know new facets of her artistic personality. What a contrast that lies between her delicate appearance, her gentle as impish nature and the passion in each of her tones.“

Booklet for Open Heart