Lineage Pablo Held Trio

• 1 Hidden 05:08
• 2 Lament 08:23
• 3 Song Noir 03:07
• 4 Bernstein Fantasie 06:45
• 5 Lineage 04:39
• 6 Ammedea 05:04
• 7 Meta 04:50
• 8 Spuren 07:32
• Total Runtime 45:28

Info for Lineage

The Pablo Held Trio celebrates 10 astounding years together with their new Pirouet album Lineage, heady music with an innate naturalness brilliantly balanced between the known and the newly discovered.

Critics laud Pablo Held as “a hero of the young German jazz scene” who has “already earned his place in the pantheon of modern day piano trio leaders”. Justified praise for a man who at the age of 29 has a decade of astounding music behind him, with his trio the nucleus of that music. The influential German newspaper DIE ZEIT stated that partners Burgwinkel and Landfermann “have gained the reputation as the dream team for musical extreme communication.”, and Downbeat says of the trio, “... no matter how distinctive the frame, the trio is the picture, always sounding like its ruminative, glowing self.'

The three started playing together at the conservatory in Cologne. Held reminisces, “It was an exciting time for me, being away from home and on my own. Everything was new. From the beginning, we’ve hung out together. We’re close friends and can talk about anything onstage and off. This kind of trust helps us with our music. When I’m writing songs I hear Robert and Jonas in my head. For me, there are no other players who could take their place.”

For some time now Pablo has had a desire to do an album in which the trio “plays the songs the way I wrote them, with themes and improvisations staying in form the way we did on our first two albums, Forest of Oblivion and Music. Since Forest, we started to have this live concept where we basically deconstructed and reconstructed everything on the spot.” As for the title, Lineage—“Where we come from has always been important to me—what influences us—but that also entails responsibilities. Also Johannes just became a father and I had my second child, so there’s the lineage as a family as well as a musical family. I’m a European musician, a German musician, influenced by our classical tradition, but I’m also a jazz musician connected to the American way of doing this music; I’m also connected to the European way of playing jazz and improvised music. My music is as much influenced by Monk as it is by Debussy or Bach. Everything that influences me is part of that lineage.” …

Pablo Held, piano
Robert Landfermann, double bass
Jonas Burgwinkel, drums

Pablo Held
In the case of Pablo Held, the phrase “he was born to be a musician” is completely accurate: born on December 27, 1986 in Herdecke, Germany, the 24 year old grew up in a musical environment in Hagen, Germany. His father, a pianist and composer, teaches at the Hagen School of Music. His mother, who works as a piano tuner, plays piano as well as guitar, and is also a composer. No wonder, then, that Pablo Held tried to play music almost as soon as he learned to walk: “I started banging on things as far back as I can remember. I got my first children’s drum set when I was four, and my first drum lessons a little later. I stopped playing drums when I was ten – probably because our piano at home was always there – and started taking piano lessons at the Hagen School of Music, not from my father, but from one of his colleagues.” This gave him knowledge of the basics of jazz theory. In 1999, as a 12 year old, he won first prize at the Nordrhein-Westfalen “Jugend Jazzt” contest. At 15 his father enrolled him in the Glen Buschmann Jazz Academy in Dortmund, Germany for two years of instruction. Along with the theory, Pablo Held had a lot of opportunities to put the theory to practice. He played in a variety of groups and completed concert tours throughout Eastern Europe. At 16, Held won the “Jugend Jazzt” prize for a second time (2003), and for a third time as an 18 year old in 2005. In retrospect, the early move towards jazz was a matter of course for Pablo. “I grew up with jazz. As a little kid I’d often sit in front of my parents’ LP and CD shelf and single out the album covers and photos that caught my eye. Most of the time these were from Miles Davis, John McLaughlin, Herbie Hancock, Take 6, Quincy Jones, and Keith Jarrett.“

His parents’ record collection was not his only introduction to jazz. There were the early concert experiences where he made the acquaintance of the who’s who of the jazz scene. “I went to a Take 6 concert when I was two, John McLaughlin when I was four or five, John Scofield when I was eight, and to my first Herbie Hancock concert at twelve. Those were the big names, but my parents often dragged me along to the concerts of lesser-known musicians. And then there were the concerts my father played with his piano trio, or as a soloist.” At 15 Held resolved to go to the music conservato- ry. He confirms that, “It was clear to me that I couldn’t do anything else and I didn’t want to do anything else.” At the end of his 12th school year Held took his entrance exam for the Cologne Conservatory of Music, where he studied under the German pianist Hubert Nuss, and graduated in 2010. During his time at the conservatory he also studied under John Taylor, Achim Kaufmann, Florian Ross, and Vladislav Sendecki. Pablo Held has already gathered up a lot of ex- perience in his still-young music career. Among others, he has played with the WDR Big Band, Paul Heller, Dave Liebman, Jasper Blom, Matthias Nadolny, Jochen Rückert, Uli Beckerhoff, Ignaz Dinné, Eric Vloeimans, Henning Berg, Nicolas Thys, Claudio Puntin, Claus Stötter, Manfred Schoof, Julian Argüelles, Henning Sieverts, Dre Pallemaerts, and Nils Wogram. He has performed concerts in the USA, England, Russia, the Czech Republic, Norway, Slovakia, Holland, Swit- zerland, Ireland, Austria, Luxemburg, and Serbia. He has played at the North Sea Jazz Festival, 12 Points Jazz Festival, The Hague Jazz, the London Jazz Festival, Novi Sad Jazz Fes- tival, InnTöne Festival, Berlin Jazz Fest, Moers Jazz Festival, Maastricht Jazz Masters, Münster Jazz Festival, WDR 3 Jazz Cologne, Citroen Jazz Night Emsdetten, JOE Festival, the Audi Jazz Festival, and Jazzahead, among others.

In 2008 Pablo Held’s debut album, Forest of Oblivion, came out on the prestigious Munich label Pirouet Records. The press and critics enthusiastically praised the album. Welt am Sonntag wrote, “Pianist Pablo Held is 21 years old and with his trio he has presented a CD which shows richness and depth. The jazz scene is listening.” German Radio commented, “He’s the high flyer of the young jazz pianists in this country. Regardless of his age, Pablo Held’s pianistic and compositional abilities are remarkable.” And the Hessische Niedersächsische newspaper reported after a live concert, “A lot of applause for a trio with a lot of perspective.”

Pablo Held won the Westfalen Jazz Prize 2009; in the same year the Pablo Held Trio played in the final of the EBU Jazz Competition at the North Sea Jazz Festival. In January 2010 Held’s eagerly awaited second album was released by Pirouet Records. In Germany alone, three magazines (Stereo, Rondo, and Drums and Percussion) chose Music as “album of the month”. Drums and Percussion praised the CD thusly: “This exceptional 23-year-old pianist has pro- duced an intoxicating album... something big is happening here!” Werner Stiefele noted in Rondo that, “Both gripping and complex, the music of the Pablo Held Trio ignores the latest fashionable trend as it sets the standard for the further evolution of the piano trio. It is a milestone in filigree chamber jazz.” And in Stereo Tilman Urbach found that, “Pablo Held is no overbearing player. His fingers are not trying to grab the glitter of the faster, more virtuoso pianistic stunts. The 23-year-old pianist places importance on sustainability and an inner ear that discloses an atmospheric subtext that resonates.”

And in March of the same year Pablo assembled no less than nine musicians to record in the broadcast hall of the German Radio in Cologne. Titled Glow, Held’s third recording for Pirouet Records will be released on February 18, 2011. Besides the Pablo Held Trio, which was grounded at the end of 2005, Held is playing with the Niels Klein Quartet, Sebastian Gille Quartet, Norbert Scholly’s Dreams, Drums & Drones, Jonas Burgwinkel’s Source Direct, Tobi Christl’s Lieblingsband, the Benjamin Garcia Band, the Denis Gäbel 4, the Silvio Morger Group, the Menzel Mutzke Quartet, the Riaz Khabirpour Quintet, Claudio Strüby’s S-Cargo, Pop Goes Jazz, and the Nicolas Simion Group.

Booklet for Lineage