Russian Concertos Radio-Symphonieorchester Wien & Cornelius Meister

• Mieczysław Weinberg (1919 - 1996): Violin Concerto in G Minor, Op. 67:
• 1 Violin Concerto in G Minor, Op. 67: I. Allegro molto 07:28
• 2 Violin Concerto in G Minor, Op. 67: II. Allegretto 06:39
• 3 Violin Concerto in G Minor, Op. 67: III. Adagio 06:32
• 4 Violin Concerto in G Minor, Op. 67: IV. Allegro risoluto 07:08
• Dmitry Borisovich Kabalevsky (1904 - 1987): Fantasy in F Minor (After Schubert's Fantasy, D. 940):
• 5 Fantasy in F Minor (After Schubert's Fantasy, D. 940): I. Allegro molto moderato - Più mosso - Tempo I 04:29
• 6 Fantasy in F Minor (After Schubert's Fantasy, D. 940): II. Largo 02:53
• 7 Fantasy in F Minor (After Schubert's Fantasy, D. 940): III. Vivace - Cadenza - Largamente - Allegro marcato 10:32
• Cello Concerto No. 1 in G Minor, Op. 49:
• 8 Cello Concerto No. 1 in G Minor, Op. 49: I. Allegro 07:40
• 9 Cello Concerto No. 1 in G Minor, Op. 49: II. Largo - Molto espressivo 06:15
• 10 Cello Concerto No. 1 in G Minor, Op. 49: III. Allegro - Allegro molto 06:51
• Total Runtime 01:06:27

Info for Russian Concertos

Dmitry Kabalevsky – despite the vague name recognition a widely unknown composer of socialist-realist music – has rightly been forgotten, if only because of his actively unsavory, toadying, opportunist politics that netted him three Stalin Prizes and four Orders of Lenin. He was chummy with the Russian Association of Proletarian Musicians when that seemed expedient and later a very active member of the Union of Soviet Composers. Weinberg is the exact opposite of Kabalevsky, politically and musically. He was a life-long victim of the Soviet Union and his music is – some genuine incidences of humor apart – a dense shot of genius that makes breathing difficult, not easy. With this Album Capriccio presents with a famous cast the music of two nearly forgotten Russian Masters their music and biography could not be more different.

Benjamin Schmid, violin
Claire Huangci, piano
Harriet Krijgh, cello
ORF Vienna Radio Symphony Orchestra
Cornelius Meister, conductor

The ORF Vienna Radio Symphony Orchestra
is a top orchestra of world renown; it defines itself in the Vienna orchestral tradition. Marin Alsop has been appointed as new Chief Conductor from the 1st of September 2019. The Vienna RSO is known for its exceptional, bold programming. By combining nineteenth-century repertoire with contemporary pieces and rarely performed works of other periods, the programming often places Romantic era classics in unexpected contexts. All Vienna RSO performances are broadcast on the radio, particularly on the Österreich 1 station, but also internationally. Moreover, it has been possible to hear each and every RSO concert across the globe on the internet for one week after the initial broadcast. Through its growing presence on European television, as well as its collaboration with the FM4 young people's station, the Vienna RSO is constantly reaching out to new music lovers. Approximately 700 fans support the »Friends of the RSO« association.

The Vienna RSO regularly performs in two subscription series in Vienna, in the Musikverein and the Konzerthaus. In addition, it appears every year at major Austrian and international festivals. The orchestra has close ties to the Salzburg Festival, musikprotokoll im steierischen herbst and Wien Modern. Tours to Japan and China are a regular part of the Vienna RSO schedule as well. The orchestra has also recently played concerts in Thailand and Taiwan as well as the USA, South America and Germany at the Berlin, Cologne and Essen Philharmonic Halls among others. Since 2007, the Vienna RSO has successfully collaborated with the Theater an der Wien, thereby gaining an excellent reputation as an opera orchestra. Yet the Vienna RSO is also entirely at home in the film music genre. Every year, the orchestra is conducted by composers who have won an Oscar for Best Achievement in Music Written for Motion Pictures at the »Hollywood in Vienna« Gala. In 2012, the Vienna RSO recorded the soundtrack to the film »Die Vermessung der Welt« (Measuring the World) and in 2016 it was actively involved in two features films: »Kater« (Tomcat) by Händl Klaus, winner of the Teddy Award at the Berlin International Film Festival, and »Die Geträumten« by Ruth Beckermann. Alain Altinoglu, Leonard Bernstein, Ernest Bour, Christoph von Dohnányi, Christoph Eschenbach, Michael Gielen, Jakub Hrůša, Ingo Metzmacher, Andris Nelsons, Kirill Petrenko, Wolfgang Sawallisch, Guiseppe Sinopoli, Hans Swarowsky, Jeffrey Tate, and Simone Young are among the guests who have stood on the podium of the Vienna RSO. Composers Luciano Berio, Friedrich Cerha, Peter Eötvös, Hans Werner Henze, Ernst Krenek, Bruno Madera and Krzysztof Penderecki have all conducted the orchestra. Internationally renowned soloists who make regular appearances with the Vienna RSO include Khatia Buniatishvili, Renaud and Gautier Capuçon, Martin Grubinger, Hilary Hahn, Patricia Kopachinskaya, Gidon Kremer, Lang Lang, Sabine Meyer, Gabriela Montero, Anna Netrebko, Heinrich Schiff and Christian Tetzlaff.

The broad scope of the Vienna RSO’s recording activities includes works in every genre, among them many first recordings that represent modern Austrian classicists and contemporary Austrian composers. This is how the »Neue Musik aus Österreich« series of CD recordings came about. Orchestral works by Friedrich Cerha, the recording of all nine symphonies by Egon Wellesz, orchestra music by Josef Matthias Hauer, and first recordings of music by Erich Zeisl are all part of this series. Among the most recent releases were Antonín Dvořák (»The Spectre’s Bride«), Gustav Mahler (»Das Klagende Lied«), Alexander Zemlinsky (»Eine florentinische Tragödie«) or Giacomo Puccini (»Il Tabarro«). In 2012 and 2016 two CD sets »my RSO I« and »my RSO II« with twenty-four and twelve CDs were released. In 2018 the Vienna RSO won the renowned ICMA in the category »Symphonic Music« for its 3-CD-set »Martinů: The Symphonies«. In addition Cornelius Meister received an Opus Klassik award as »Conductor of the Year«.

The Vienna RSO has also launched a broad-based educational programme, comprising workshops for children and young people, as well as the »Mitten in my RSO«, »my RSO Musiklabor«, and »Klassische Verführung« concert series. Highly talented musicians have been admitted to the orchestra’s own academy since 1997. The Vienna RSO plays regularly for the final concerts of the conducting classes at the University of Music and Performing Arts Vienna. In 2013 the educational project »My RSO – Greatest Hits for Contemporary Orchestra« was awarded the Bank Austria Kunstpreis. The Vienna RSO grew out of Austrian radio’s main orchestra in 1969. Under the leadership of its chief conductors, Milan Horvat, Leif Segerstam, Lothar Zagrosek, Pinchas Steinberg, Dennis Russell Davies, Bertrand de Billy and Cornelius Meister, the orchestra has continuously expanded its repertoire, gaining growing international renown.

Cornelius Meister
born in Hanover in 1980, was appointed Chief Conductor and Artistic Director of the ORF Vienna Radio Symphony Orchestra (RSO) in 2010. He will begin his tenure as General Music Director at the Stuttgart State Opera and Stuttgart State Orchestra in 2018. The Yomiuri Nippon Symphony Orchestra Tokyo has appointed him as Principle Guest Conductor as from the season 2017/18. He received an International Opera Award for the best production of the season with Peter Grimes in 2016.

He conducts a wide range of concert and operatic repertoire, including standard works (such as Der Ring des Nibelungen, the complete Bruckner and Mahler symphonies), rarely performed works (such as the complete Martinů symphonies), collaborations with period orchestras (Die Zauberflöte at the Zurich Opera) and numerous world premieres.

In addition to the subscription concerts at Vienna’s Musikverein and Konzerthaus, Cornelius Meister conducts the RSO on tours to Asia and throughout Europe, including the Salzburg Festival and the Berlin Philharmonie. All the concerts are broadcast on radio and in the Internet, and some are also shown on television. He has made a large number of CD recordings of works ranging from Haydn to world premieres.

He has conducted the Concertgebouw Orchestra Amsterdam, City of Birmingham Symphony Orchestra, BBC National Orchestra and BBC Philharmonic, National Symphony Orchestra in Washington, Mostly Mozart Festival Orchestra in New York, Yomiuri Nippon Symphony Orchestra in Tokyo, Swedish Radio Symphony Orchestra, Danish National Symphony Orchestra, Orchestre de Paris, Orchestre de l’Opéra National de Paris, Ensemble Intercontemporain, Orchestra di Santa Cecilia in Rome, Tonhalle Orchestra Zurich, Orchestre de la Suisse Romande, Deutsches Symphonie-Orchester Berlin and the Radio Symphony Orchestras of NDR, SWR and BR.

Cornelius Meister made his debut at the Hamburg State Opera at the age of 21. Engagements at the Bavarian State Opera in Munich, Deutsche Oper in Berlin, Semperoper in Dresden, Theater an der Wien in Vienna, New National Opera in Tokyo, San Francisco Opera and Royal Danish Opera in Copenhagen followed. Since 2012 he has conducted at the Vienna State Opera (Mozart, Wagner and Richard Strauss), the Royal Opera House, Covent Garden in London since 2014 (Mozart and Puccini) and Milan’s La Scala (world premiere of an opera by Giorgio Battistelli for the Milan Expo) since 2015. During the 2016/17 season he will appear at the Vienna State Opera (Fidelio), will conduct new productions in Antwerp (Der fliegende Holländer) and Zurich (Werther) and makes his debut at the Glyndebourne Festival (Ariadne auf Naxos).

Cornelius Meister studied piano and conducting in Hanover with Konrad Meister, Martin Brauß and Eiji Ōue and at the Mozarteum Salzburg with Dennis Russell Davies, Jorge Rotter and Karl Kamper. He was General Music Director in Heidelberg from 2005 to 2012. Cornelius Meister received an award for the “best German concert programme” in 2007 and has since received several awards for his education projects. He has appeared as a pianist in Europe and the US and conducted piano concertos by Grieg, Liszt, Gershwin, Beethoven and Mendelssohn from the keyboard.

This album contains no booklet.