C’MON YOU KNOW Liam Gallagher

• 1 More Power 04:23
• 2 Diamond In The Dark 03:24
• 3 Don’t Go Halfway 03:21
• 4 C’mon You Know 05:07
• 5 Too Good For Giving Up 04:03
• 6 It Was Not Meant To Be 03:35
• 7 Everything's Electric 03:36
• 8 World’s In Need 03:36
• 9 Moscow Rules 03:35
• 10 I’m Free 03:00
• 11 Better Days 04:19
• 12 Oh Sweet Children 03:14
• Total Runtime 45:13

Info for C’MON YOU KNOW

Liam Gallagher’s first two solo U.K. #1 studio albums – As You Were and Why Me? Why Not. – maximized the potential of a simple formula: team Liam’s era-defining voice up with some trusted collaborators, and add some fresh impetus to his classic ‘60s and rock ‘n’ roll influences. But third time around and there’s a twist in the tale with his new album C’MON YOU KNOW, which is out now and is available HERE. Today also sees Liam release the live album Down By The River Thames.

Initially inspired by regular collaborator Andrew Wyatt’s off-kilter bursts of creativity, C’MON YOU KNOW instead takes a few weirder, wilder turns. Of course, Liam being Liam, there’s a touch of The Beatles and The Stones, but a quick scan of early comparisons reveals references to everything from T-Rex and Hendrix to The Polyphonic Spree and the Beastie Boys. And it’s a record that’s further colored by some unexpected collaborators, including Dave Grohl, Vampire Weekend’s Ezra Koenig and Nick Zinner of Yeah Yeah Yeahs.

As Liam summarized in an interview with The Sunday Times, “It’s a bit peculiar in places, which is good: 80 per cent madness and 20 per cent classic. If you’re going to start doing stuff like that on your third album, it helps if there’s a bit of Covid about. Because if it doesn’t take off, and people go, ‘I’m not sure about this, it’s a bit weird,’ we can blame it on the virus and go back to the classic stuff.”

That 80/20 split is demonstrated by the songs that have previewed the album. “Everything’s Electric” (his highest charting UK solo single to date) is the result of Liam challenging Greg Kurstin and Dave Grohl to write a song that melds the thunderous dynamics of Beastie Boys’ “Sabotage” with the spiralling tension of The Rolling Stones’ “Gimme Shelter.” The record’s title track has Liam’s immediately addictive edge, but it’s full of unexpected sonic touches: surging Motown-tinged gospel backing vocals, shrieking saxophone from Ezra Koenig, and vintage Moog synths heightening the sonic maelstrom. And the current single “Better Days” is a shot of sunshine dopamine in audio form, as thunderous, ‘90s-style big beats add jet-fuelled propulsion to a classic festival-filling anthem.

That exploratory feel drifts in at moments throughout the record, from the plaintive children’s choir that introduces the opening song “More Power” to the sweeping psychedelia of the closing “Oh Sweet Children.” Along the way, it takes in Liam’s love for sweet harmonies and tender balladry with “Too Good For Giving Up,” the unpredictable, cinematic mini-epic “Moscow Rules” (disclaimer: it’s not in any way in support of Russia) and the punk-dub of “I’m Free.”

While Liam Gallagher on stage is pretty much the same force of nature that he was almost thirty years ago, C’MON YOU KNOW is full of lyrics which are more likely to extend a comforting hug than instigate conflict. It’s most apparent with the title track’s admittance that “I’m sick of acting like I’m tough” – an idea he also touches upon in “Diamond In The Dark.” “More Power” offers the hope that all those things that don’t work out as you planned will ultimately be for the best, while “Better Days” is pure romanticism. The album’s final words say it all as he signs off with “I can only offer you my love.”

His best and most experimental solo album yet.” (NME)


“A touching and delicate triumph.” (Rolling Stone)

“There’s a real creative confidence on display here… Another number 1 surely beckons.” (Mojo)

Liam Gallagher

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