Frank Martin, Kenneth Leighton: Masses for Double Choir The Choir of Kings College London & Joseph Fort

• Kenneth Leighton (1929 - 1988): Mass, Op. 44:
• 1 Mass, Op. 44: I. Kyrie 05:47
• 2 Mass, Op. 44: II. Gloria 05:48
• 3 Mass, Op. 44: III. Credo 03:30
• 4 Mass, Op. 44: IV. Sanctus 05:04
• 5 Mass, Op. 44: V. Benedictus 02:35
• 6 Mass, Op. 44: VI. Agnus Dei 06:14
• Frank Martin (1890 - 1974): Mass for double choir:
• 7 Mass for double choir: Kyrie 05:34
• 8 Mass for double choir: Gloria 06:53
• 9 Mass for double choir: Credo 06:30
• 10 Mass for double choir: Sanctus 04:49
• 11 Mass for double choir: Agnus Dei 04:51
• Jehan Alain (1800 -1971):
• 12 Postlude pour l’office de Complies 06:00
• Total Runtime 01:03:35

Info for Frank Martin, Kenneth Leighton: Masses for Double Choir

In the 1920s Frank Martin, a Swiss Calvinist by upbringing, created a radiant Latin setting of the Mass for double choir, only to return it to the bottom drawer, considering it to be ‘a matter between God and myself’.

It was finally released for performance forty years later, around the same time that the Edinburgh- based composer Kenneth Leighton made his own double-choir setting – a work with moments of striking stillness, delightful to choral singers and yet rarely recorded.

Contrasts and comparisons abound at every point in this fascinating pairing of Masses from the supposedly godless twentieth century, and are brought out to the full by The Choir of King’s College London’s impassioned performances. A short organ postlude by the teenage Jehan Alain, written on retreat in a monastery in 1930, follows like a voluntary concluding the liturgy.

The Choir of King's College London
Joseph Fort, direction

Joseph Fort
is a conductor and musicologist based in London. Since 2015 he has been College Organist & Director of the Chapel Choir, and Lecturer in Music at King’s College London, which role he took up immediately upon the completion of his PhD at Harvard University.

Joseph's performances with the Choir of King’s College London have been recognised as ‘English choral singing at its best’ (Choir & Organ), ‘a performance of astonishing intensity and musicality’ (Gramophone), and ‘superbly drilled’ (The Guardian). His expansive discography with Delphian Records has received considerable critical acclaim, including Editor’s Choice and the ‘best new classical albums’ lists in Gramophone. Recent orchestral conducting includes Britten Sinfonia, the English Chamber Orchestra, the Hanover Band and the London Mozart Players. He also directs the acclaimed professional choir of St Paul’s Knightsbridge.

Joseph’s academic research focuses on eighteenth-century music and dance. He is currently completing a monograph on Haydn and minuets. He has published in the Eighteenth-Century Music journal, and has chapters in books with Cambridge University Press and Leipzig University Press. His chamber arrangement of The Cloud Messenger by Gustav Holst is published by Stainer & Bell.

The Choir of King’s College London
is one of the leading university choirs in England, and has existed since its founding by William Henry Monk in the middle of the 19th century. The Choir today consists of some thirty Choral Scholars reading a variety of subjects. The Choir’s principal role at King’s is to provide music for Chapel worship, with weekly Eucharist and Evensong services offered during term, as well as various other services. Services from the College Chapel are regularly broadcast on BBC Radio. The Choir also frequently sings for worship outside the university, including at Westminster Abbey and St. Paul’s Cathedral.

In addition, the Choir gives many concert performances. Recent festival appearances in England include the Barnes Music Festival, London Handel Festival, Oundle International Festival, St Albans International Organ Festival, Spitalfields Festival, and the Christmas and Holy Week Festivals at St. John’s Smith Square. In 2017 the Choir joined forces with Britten Sinfonia to give the UK premiere of Samuel Barber’s The Lovers (Chamber Version) at Kings Place, the performance described in The Times as ‘sung beautifully, the voices judiciously blended’. The Choir tours widely, with destinations including Canada, France, Germany, Hong Kong, Italy, Nigeria and the USA. In 2017 it served as Choir-In-Residence for the northeast convention of American Guild of Organists and Royal Canadian College of Organists in Montreal.

The Choir has made many recordings, and enjoys an ongoing relationship with Delphian Records. Recent recordings include the German Requiem of Johannes Brahms in its 1872 English-language setting, praised as ‘utterly uplifting’ (Norman Lebrecht, La Scena Musicale), ‘an intimate, highly charged performance’ (Stephen Pritchard, The Observer), and the Masses for Double Choir by Kenneth Leighton and Frank Martin, described as ‘a performance of astonishing intensity and musicality’ (Marc Rochester, Gramophone), and ‘a colourful performance . . . Joseph Fort’s superbly drilled Choir of King’s College London singing with shedloads of oomph’ (Graham Rickson, theartsdesk.com). More recent releases include Gustav Holst’s The Cloud Messenger, in a new chamber version by Joseph Fort.

Following some twenty years under the leadership of David Trendell, the Choir has been directed by Dr Joseph Fort since 2015.

This album contains no booklet.