A Place for Bass - Chamber Jazz Duets Greg Chako

• 1 As A Button 05:12
• 2 Bass-ic' Instinct 07:05
• 3 Bass Up Front 04:53
• 4 Three-Quarter Bass 05:41
• 5 Bass-in' Street Blues 05:07
• 6 Base Mode 05:08
• 7 Base Time 04:06
• 8 Bassa-Nova 04:47
• 9 Bach To Bass 04:22
• 10 Bass For Brownie 06:07
• 11 First Bass 05:52
• Total Runtime 58:20

Info for A Place for Bass - Chamber Jazz Duets

Greg Chako is a very skilled jazz guitarist and composer who performs music in his own individual voice with consistent creativity. But because he has spent long periods living overseas, he is not as well-known as his talents deserve. The release of his latest album, A Place For Bass – Chamber Jazz Duets should help improve the situation. The collaborations with bassist Mason Daugherty, which feature the duo operating as equals, is the latest accomplishment in his very productive career.

A Place For Bass originated when Greg Chako realized that “I’ve recorded duos with piano and voice but I’ve never written anything specifically for the bass. That was ironic because bass-guitar duos are the most common format for gigs. Because I’m less interested in virtuous guitar playing than in composing songs that are close to my heart, for this album I put the bass on top.” The bass professor from the University of Cincinnati recommended Mason Daugherty and Greg knew within a couple of songs that the brilliant young bassist would be perfect for the project.

While there have been some notable guitar-bass recordings in the past, most notably by the teams of Jim Hall & Ron Carter and Joe Pass & Niels-Henning Orsted Pederson, A Place For Bass is quite a bit different due to the equal roles played by the two musicians (Daugherty is never just an accompanist) and Greg Chako’s intricate arrangements and compositions. A Place For Bass has an impressive amount of variety including a jazz waltz, a major blues, a minor blues, some more contemporary-sounding songs, numbers inspired by Bach and Brazilian music, and a couple of contrafacts (originals utilizing the chord changes but not the melody of standards). It is also filled with unpredictable moments that add to the music’s quiet excitement.

While Chako thinks of himself more as a composer than as a guitarist, both of his talents are very much in evidence throughout A Place For Bass, a subtle and quietly inventive work that grows in interest with each listen. (Scott Yanow, AMG)

“Greg set out to feature the bassist in more than an accompanying role with these compositions and it is really a seamless conversation between two great players. This is some beautiful music! (Dave Stryker, jazz guitarist)

"Masterful precision ... constantly lyrical and swinging ... Absolutely amazing! They’ve redefined playing together!” (Ron McClure, bassist)

Born and raised in Cincinnati, Greg played the accordion briefly before, after hearing Jimi Hendrix, he switched to the guitar when he was ten. He developed so quickly on his instrument that just a year later he won second place in a contest sponsored by the American Guild of Music, coming out ahead of over 1,000 other contestants.

“Early on I heard and liked Deep Purple, Led Zeppelin, Ritchie Blackmore, and Jimi Hendrix before exploring the classical rock of Yes and Genesis,” remembers Greg. “While I had heard an Oscar Peterson record that my stepfather owned and it had an immediate appeal to me, it wasn’t until I went to New York City and attended a summer-long guitar workshop that I became much more interested in jazz. That is when I first heard the jazz fusion of the Mahavishnu Orchestra and Return To Forever. I went backwards chronologically, discovering Wes Montgomery and Charlie Christian, and I studied bebop with pianist Dave Frank who was influenced in his teachings by Lennie Tristano.”

Greg Chako attended the Berklee College of Music (making the Dean’s list), was an important promoter and organizer of jazz events in Cincinnati and Amherst, Massachusetts, and gained experience as a working musician even while having day jobs as a cook in Amherst and as a successful real estate agent in New York City. He became a full-time musician during his periods in Hong Kong (1992-94), Singapore (1994-2003), and Tokyo (2004-2009) before moving back to the United States. “During my Singapore period, I worked every night and sometimes had as many as ten gigs a week, everything from playing solo classical guitar and leading a trio at the Raffles Hotel to being featured at a regular Sunday brunch with a seven-piece Latin group.” Along the way the guitarist has played with such notables as Junior Cook, Bill Hardman, Victor Gaskin, Johnny Lytle, Bobby Watson, Herb Ellis, Jimmy Raney, Slide Hampton, Ray Copeland, Curtis Fuller and Richie Cole, and he produced a full-length documentary, An American Cat in the Lion City.

In addition, Greg Chako had led 12 albums before his recent project. "Integration, a double-CD that I made in Singapore, was the pinnacle of my time overseas. I was so happy at the time, playing every night with great musicians and incorporating my influences in my writing. That was my first major statement as a composer and arranger.” Other highpoints in his recording career include Sudden Impact, Tokyo Live! (a 2008 concert with drummer Gene Jackson in a quartet), Paint A Picture, Tell A Story (which has Don Byron and Delfeayo Marsalis as guests), his solo guitar album My World On Six Strings, and a double-album called, Where We Find Ourselves, a tribute to his late-wife (who passed from cancer) featuring a tight, flowing three-horn sextet.

Greg Chako, guitar
Mason Daugherty, double bass

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