Sibelius: Lunnotar, Op. 70 & Other Orchestral Works Lise Davidsen, Bergen Philharmonic Orchestra & Edward Gardner

• Jean Sibelius (1865 - 1957):
• 1 Sibelius: Luonnotar, Op. 70 08:50
• 2 Sibelius: Tapiola, Op. 112 18:02
• Pelléas et Mélisande, Op. 46:
• 3 Sibelius: Pelléas et Mélisande, Op. 46: I. At the Castle Gate 02:20
• 4 Sibelius: Pelléas et Mélisande, Op. 46: II. Mélisande 04:09
• 5 Sibelius: Pelléas et Mélisande, Op. 46: III. At the Seashore 02:01
• 6 Sibelius: Pelléas et Mélisande, Op. 46: IV. By a Spring in the Park 02:13
• 7 Sibelius: Pelléas et Mélisande, Op. 46: V. The Three Blind Sisters (Version for Soprano & Orchestra) [Sung in Swedish] 02:34
• 8 Sibelius: Pelléas et Mélisande, Op. 46: VI. Pastorale 01:54
• 9 Sibelius: Pelléas et Mélisande, Op. 46: VII. Mélisande at the Spinning Wheel 01:49
• 10 Sibelius: Pelléas et Mélisande, Op. 46: VIII. Entr'acte 02:51
• 11 Sibelius: Pelléas et Mélisande, Op. 46: IX. The Death of Mélisande 05:49
• Rakastava, Op. 14:
• 12 Sibelius: Rakastava, Op. 14: I. The Lover 04:06
• 13 Sibelius: Rakastava, Op. 14: II. The Path of His Beloved 02:17
• 14 Sibelius: Rakastava, Op. 14: III. Good Evening! Farewell! 05:32
• Jean Sibelius:
• 15 Sibelius: Spring Song, Op. 16 07:45
• Total Runtime 01:12:12

Info for Sibelius: Lunnotar, Op. 70 & Other Orchestral Works

Following their acclaimed recordings of Schoenberg with Sara Jakubiak and Britten’s Peter Grimes with Stuart Skelton, Edward Gardner and the Bergen Philharmonic turn their attention to the music of Sibelius. Written in 1913 for the diva Aino Ackté, the tone poem Luonnotar draws on text from the Finnish national epic poem, the Kalevala. Its virtuosic demands are ably met here by award-wining soprano Lise Davidsen, who also feature in the Suite from Pelléas and Mélisande, music re-worked by Sibelius from his incidental music written for the first performances of Maeterlinck’s play in Helsinki, in 1905, in Swedish. The tone poem Tapiola, from 1926, is Sibelius’ last great masterpiece and evokes the forests of his native Finland. The programme is completed by a pair of much earlier works, Rakastava (the Lover) and Vårsång (Spring Song).

Lise Davidsen, soprano
Bergen Philharmonic Orchestra
Edward Gardner, conductor

Lise Davidsen
Rarely has a young singer made such an enormous impact on the classical music industry as Lise Davidsen. A superb talent, the Norwegian soprano shot to prominence in summer 2015 when she was crowned winner of both the Operalia and the Queen Sonja competitions. Soon after she made triumphant debuts with Glyndebourne Festival, Opernhaus Zürich, Wiener Staatsoper, Aix-en-Provence Festival, BBC Proms and Wigmore Hall. In May 2018 Lise Davidsen signed an exclusive recording contract with Decca Classics, becoming the first Scandinavian dramatic soprano to sign to the label since Birgit Nilsson and the first Norwegian singer to join Decca since Kirsten Flagstad. Her self titled debut album was released on 31 May 2019. The 18/19 season sees Lise Davidsen making her hugely anticipated Bayreuth debut as Elisabeth in a new production of “Tannhäuser” conducted by Valery Gergiev. The role is also a vehicle for her returns to Opernhaus Zürich and Bavarian State Opera Munich. Other highlights include her debut as Liza in Tchaikovsky’s “Queen of Spades” at Stuttgart State Opera and a company debut with Royal Opera House Covent Garden London in their “Ring” cycle. On the concert platform she makes a highly anticipated return to the BBC Proms with Verdi’s “Messa da Requiem” together with the London Philharmonic Orchestra and Andrés Orozco-Estrada as well appearing at the Edinburgh International Festival with the Oslo Philharmonic Orchestra, Vasily Petrenko and a programme of Strauss songs. Further performances throughout the season include “Vier letzte Lieder” with the Danish National Symphony Orchestra, the Stavanger Orchestra and the Bergen Philharmonic Orchestra; an open air concert with Oslo Philharmonic; her debut as Sieglinde in “Die Walküre” with the Toronto Symphony Orchestra and Sir Andrew Davis and with the Antwerp Symphony Orchestra and Edo de Waart; Wagner’s “Wesendonck Lieder” and Mahler’s “Rückert-Lieder” with the Norwegian Chamber Orchestra; and solo recitals with James Baillieuat Opernhaus Zürich and Schubertiada Vilabertran. Recent operatic successes include the title role of “Ariadne auf Naxos” at Aix-en-Provence Festival, Wiener Staatsoper and Glyndebourne Festival; Agathe in a new production of “Der Freischütz” at Opernhaus Zürich; Cherubini’s Medea at Wexford Festival; Santuzza in “Cavalleria rusticana” and Sancta Susanna in Oslo; and Isabella in “Das Liebesverbot” at Teatro Colon. Other engagements include her house debuts with Bavarian State Opera as Ortlinde “Die Walküre” and at Frankfurt Opera for its “Ring” cycle both in 2016. On the concert platform she was an Artist in Residence with Bergen Philharmonic Orchestra in 17/18 season where her appearances included an open-air concert, Verdi’s Requiem and “Wesendonck Lieder” as well as recital performances. Other recent concert engagements include her BBC Proms debut with John Storgards and the BBC Philharmonic Orchestra, Beethoven Symphony No. 9 with the Aalborg Symphony Orchestra and the Royal Stockholm Philharmonic Orchestra, Strauss Songs op. 27 songs with the Oslo Philharmonic; Verdi’s Requiem with the Philharmonia Orchestra London; Danish National Symphony Orchestra; and Deutsch-Skandinavisches Jugendorchester; Wagner’s “Wesendonck Lieder” with the Randers Chamber Orchestra; Strauss’s “Vier letzte Lieder” with Oslo Philharmonic; George Enescu Philharmonic Orchestra, Bucharest; and Copenhagen Philharmonic; and Freia in “Das Rheingold” with Odense Symphony Orchestra. A dedicated recitalist she made a hugely acclaimed London recital debut with James Baillieu in the Rosenblatt Recital Series at the Wigmore Hall London and with Helmut Deutsch at Bergen International Festival. Lise Davidsen’s talent has attracted serious attention since the outset of her musical training. A 2014 graduate of the Opera Academy in Copenhagen, she has studied under Susanna Eken, previously gaining a degree from Grieg Academy of Music in Bergen. In 2015 she was crowned winner of both the Operalia and the Queen Sonja competitions. Her breakthrough performances won her the First Prize, the Birgit Nilsson Award and the Audience Prize at the Operalia competition in London as well as the prize for the best performance of Norwegian music and the Ingrid Bjoner Scholarship at the Queen Sonia International Music Competition. In 2018 she was the recipient of the Queen Ingrid Honory Grant. In 2018, Lise Davidsen was presented with the prestigious Young Artist of the Year Award at the Gramophone Classical Music Awards.

Booklet for Sibelius: Lunnotar, Op. 70 & Other Orchestral Works