Weber, Sains-Saens, Klughardt & Krein: Chamber Music Andrea Lieberknecht

Cover Weber, Sains-Saens, Klughardt & Krein: Chamber Music

Album info

Album-Release:
2016

HRA-Release:
22.06.2016

Label: Deutsche Grammophon GmbH, Berlin

Genre: Classical

Subgenre: Chamber Music

Artist: Andrea Lieberknecht, Maximilian Hornung & Dina Ugorskaja

Composer: Carl Maria von Weber (1786-1826), Camille Saint-Saëns (1835-1921), August Klughardt (1847–1902), Alexander Abramowitsch Krein (1883-1951)

Album including Album cover Booklet (PDF)

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  • 1 Weber: Trio in G Minor, Op. 63: I. Allegro moderato 08:01
  • 2 Weber: Trio in G Minor, Op. 63: II. Scherzo. Allergro vivace 02:43
  • 3 Weber: Trio in G Minor, Op. 63: III. Shepards sorrow. Andante espressivo 04:02
  • 4 Weber: Trio in G Minor, Op. 63: IV. Finale. Allegro 08:30
  • 5 Saint-Saëns: Caprice sur des airs Danois et Russes, Op. 79: I. Poco allegro 01:42
  • 6 Saint-Saëns: Caprice sur des airs Danois et Russes, Op. 79: II. Andantino 03:33
  • 7 Saint-Saëns: Caprice sur des airs Danois et Russes, Op. 79: III. Moderato 01:13
  • 8 Saint-Saëns: Caprice sur des airs Danois et Russes, Op. 79: IV. Allegro vivace 04:23
  • 9 Klughardt: 5 Schilflieder, Op. 28: I. Langsam. Träumerisch 03:19
  • 10 Klughardt: 5 Schilflieder, Op. 28: II. Leidenschaftlich erregt 02:49
  • 11 Klughardt: 5 Schilflieder, Op. 28: III. Zart, in ruhiger Bewegung 04:52
  • 12 Klughardt: 5 Schilflieder, Op. 28: IV. Feurig 02:42
  • 13 Klughardt: 5 Schilflieder, Op. 28: V. Sehr ruhig 04:33
  • 14 Krein: Esquisses Hebraïques No. 1, Op. 12: I. Lento - Andante con anima 05:27
  • 15 Krein: Esquisses Hebraïques No. 1, Op. 12: II. Allegro moderato 04:31
  • Total Runtime 01:02:20

Info for Weber, Sains-Saens, Klughardt & Krein: Chamber Music

This impressive building, built in the Art Nouveau style in 1905 and located in the beautiful Eifel region, is serving as a spectacular venue for the remarkable chamber music festival 'Spannungen/Tensions: Music in Heimbach's Hydropower station' since 1998, in June of each year.

This musical event, where musicians of the highest caliber come together for a week of chamber music rehearsals and concerts, bears a title that truly reflects its underlying concept: 'Tensions” is not only an allusion to the electric current normally produced in this hydroelectric installation, but also to the under- lying musical tensions and contrasts in the festival’s music program. The artists and their audience embark on a musical journey ranking from the Baroque era to contemporary music: each year we also première a new work. Surprising parallels often emerge in such programs, along with exciting musical contrasts and thrilling interplay between the hydropower station’s architecture, the picturesque surroundings and the music itself. In Heimbach, it is always exciting to adapt to one’s musical partners, of which each one is a soloist and chamber musician of the highest rank. Yet the most important thing is to remain fundamentally and constantly open to one’s partners’ musical suggestions and leanings. This excellent working environment is capable of producing concerts and recordings of which all participants can be proud of. It is our wish and our desire that, listening to these CD’s, you will be able to relive the special atmosphere. Norbert Ely, former music editor at the Deutschlandfunk, once called our undertaking a true 'grass roots initiative for chamber music”. In fact, this festival owes its very existence to the selfless dedication of quite a number of music and art lovers who are active members of the Association for the Promotion of the Arts in the County of Düren: from the very beginning, they enthusiastically continue to make this wonderful event possible. Without wide-ranging, varied engagement on the part of our sponsors – particularly on the part of our main sponsor and event partner RWE POWER AG (also our host at the Hydro-power Station), and on the part of our media partner, DEUTSCHLANDFUNK (which has supported this festival since its inception) – a chamber music event such as this one could not even be possible.

Andrea Lieberknecht, flute (Carl Maria von Weber)
Maximilian Hornung, cello
Dina Ugorskaja, piano

Live Recording: June 8, 2015

Andrea Lieberknecht, flute (Camille Saint-Saëns)
Christian Wetzel, oboe
Sharon Kam, clarinet
Jamie Bergin, piano

Live Recording: June 9, 2015

Christian Wetzel, oboe (August Klughardt)
Hartmut Rohde, viola
Jamie Bergin, piano

Live Recording: June 11, 2015

Jonathan Hadas, clarinet (Alexander Abramowitsch Krein)
Florian Donderer, violin
Anna Reszniak, violin
Pauline Sachse, viola
Tanja Tetzlaff, cello

Live Recording: June 8, 2015

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Booklet for Weber, Sains-Saens, Klughardt & Krein: Chamber Music

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